Tag Archives: stoner music

A Rare Christmas Album That’s Not Cloying and Annoying

Source: New York Music Daily

Christmas music rots your brain. It’s true! Scientific studies have confirmed what most of us have known all along. No wonder, considering how repetitive, unsophisticated and utterly lacking in dynamics most Christmas songs are.

Into this musical wasteland swings Champian Fulton, one of the great wits in jazz, with her irresistible and stunningly dynamic new album Christmas With Champian, streaming at Spotify. There hasn’t been a Christmas record this fun or this subtly irreverent since dub reggae band Super Hi-Fi’s two woozy instrumental albums of “holiday favorites.”

Fulton is the best singing pianist in jazz. There ...

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Quirk and Charm in David Lee Myers’ Analog Electronic Soundscapes

Source: New York Music Daily

David Lee Myers released his debut, Gravity and Its Discontents, on cassette in 1984. Since then, he has a long history of coaxing unexpected sounds out of arcane devices, which was the name he recorded under for many years. His self-styled “feedback music” is 180 degrees from the shriek or whine of an overdriven amp. It’s both lively and atmospheric, which may seem like an oxymoron until you hear it, or find out that two of his major influences are electronic pioneer Tod Dockstader – with whom Myers collaborated – and also the Beatles. 

Myers’ extensive body of work ...

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Trippy, Eclectic Sounds in Deep Bushwick This Sunday Night

Source: New York Music Daily

This December 3 there’s an excellent multi-band lineup put together by boutique Brooklyn label Very Special Recordings at Secret Project Robot, 1186 Broadway between Lafayette and Van Buren in Bushwick. The show starts at 8; the lineup, in reverse order, is psychedelic Afrobeat headliners the People’s Champs; female-fronted trip-hop/postrock band Green and Glass; brilliant bassist Ezra Gale’s funky, dub-inspired psychedelic project the Eargoggle; psychedelic pastoral jazz guitarist Dustin Carlson; similarly eclectic guitarist Ryan Dugre; and cinematic guitar-and-EFX dude Xander Naylor, who can be a lot louder and more fearsome than his latest, more ...

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Purist Roots Reggae Band John Brown’s Body Make a Long-Awaited Manhattan Return

Source: New York Music Daily

John Brown’s Body have been touring longer than Bob Marley & the Wailers.

Think about that for a second.

If you count the point in the mid-60s where ska slowed down to rocksteady, and Toots & the Maytals had a hit with Do the Reggay, roots reggae has been around for half a century. And it’s been a long time since reggae was CNN for Rastafarians and the Jamaican pro-democracy underground.

And it seems like almost as long since John Brown’s Body played a good New York venue. These road warriors’ most recent album, Fireflies – streaming at Soundcloud...

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Wild Turkish Psychedelic Rock Rescued From Obscurity

Source: New York Music Daily

One of the most amazing albums released this year is Uzelli Psychedelic Anadolu, a compilation streaming at Spotify that pays homage to the Turkish cassette label that released some of the wildest, most surreal sounds to emerge from that part of the world. Spanning from 1975 to 1984, this trippy ten-track playlist collects hard funk, symphonic rock, disco, electrified Turkish traditional ballads and anthems…and what sounds like a long radio commercial.

String synth, organ, wry wah synth and soaring, otherworldly, microtonal zurna oboe mingle in Zor Beyler’s suspenseful, lushly anthemic Gozumdeki Yaslar. The second track, by guitarslinger Erkin Koray, is ...

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A Night of Haunting, Adrenalizing, Poignant Sounds From the Greek Underground

Source: New York Music Daily

University of Illinois music professor Yona Stamatis, a native New Yorker, was on a mission to find the real rebetika, the so-called “Greek blues.” The music actually doesn’t sound the least bit bluesy. Popularized by ethnic Greek refugees from Turkey and Cyprus, much of it bristles with the eerie microtones and slinky rhythms of Middle Eastern music. At its peak in the 1920s and 30s, it was the sound of the criminal underworld as well as the pro-democracy underground fighting a brutal dictatorship. Rebetika is still played in tavernas and on Greek tv, but all too often it’s watered down, ...

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Blackberry Smoke Burns Through Hell’s Kitchen

Source: New York Music Daily

The song that drew the most powerful response at Blackberry Smoke’s show last night was Waiting for the Thunder, the snidely apocalyptic anthem that opens their latest album Like an Arrow. “Why do we stand by and do nothing while they piss it all away?” drawled frontman/lead guitarist Charlie Starr.

He was referring to those “with the power and the glory” who “get more than they deserve.” A little later, he and guitarist Paul Jackson took a sarcastic twin solo that referenced a cheesy Aerosmith hit from the 70s as bass player Rchard Turner made a slinky upward climb, ...

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A Multimedia Extravaganza With Two Great Jazz Improvisers at Lincoln Center This November 15

Source: New York Music Daily

Fans of first-class jazz improvisation are in for a treat on Weds Nov 15 at 7:30 PM when pianist Chris Pattishall and trumpeter Adam O’Farrill  team up to play a live score to the debut of visual artist Kambui’s new video project, Where Does the Time Go, at the Lincoln Center atrium space on Broadway just north of 62nd Street. The film stars Irungu Mutu and Jessica Allie. As with all the mostly-weekly free performances here, the earlier you get in, the better your chances of getting a seat.

Magical things could happen: these players are both tremendous ...

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The Heaters Swirl Through Deep Space to South Williamsburg

Source: New York Music Daily

The Heaters have been through a lot of changes over the last couple of years. Their 2015 debut, Holy Water Pool, was a reverb-iced, dark psychedelic rock treat. Baptistina, from last year, drifted toward a more hypnotic Brian Jonestown Massacre post-Velvets expanse. The Heaters’ latest album, Matterhorn – due up at Bandcamp at the end of the month –  completes the shift into spacerock, an extended suite in the same vein as what King Gizzard were doing before that band went Middle Eastern and microtonal. The Heaters have a gig tomorrow night, Oct 29 at around 8:30 at Baby’s All Right. ...

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The Hooten Halllers Bring Their Funny, Edgy Southern Soul and Americana to Town This Weekend

Source: New York Music Daily

Columbia, Missouri band the Hooten Hallers play purist southern soul and Americana with a sense of humor. On one hand, the growling baritone sax and grooves are totally retro. On the other hand, their songs are completely in the here and now. If there’s any group who can get the gaggles of tourists stuffing their faces at Hill Country to shut up and listen, it’s this crew. They’re there this Saturday night, Oct 28 at 10 PM and then at the restaurant’s much more listener-friendly upstairs room at the downtown Brooklyn branch on Monday the 30th at 9. Let’s hope ...

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The Academy Blues Project: Great Psychedelic Band in Need of a New Name

Source: New York Music Daily

Saturday night at Shrine, the Academy Blues Project put on a kaleidoscopically psychedelic, boisterously entertaining and sometimes LMFAO funny display of killer chops and deliciously unpredictable songwriting that spun through pretty much every good style of music from the 1970s, other than punk. The bandname is a misnomer: there’s absolutely nothing academic about them, nor are they particularly bluesy. If you’re into psychedelic rock and you’re in New York right now, they should be at the top of your bucket list along with Greek Judas.

Throughout two long sets, intros and outros constantly shifted away from whatever the song ...

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Revisiting a Macabre Psychedelic Masterpiece by the Black Lesbian Fishermen

Source: New York Music Daily

Today’s album for Halloween Month is the creepy, strangely titled 2015 art-rock suite Ectopic Apiary, by the Black Lesbian Fishermen. This masterpiece of slowly crescendoing, crepsucular psychedelic rock – and spinoff of the similarly eerie Gray Field Recordings – is streaming at the Cryptanthus Bandcamp page.

Guitarist/multi-instrumentalist Alan Trench joins forces with fellow multi-instrumentalist R. Loftiss, guitarists Nikos Fokas and Stratis Sgourelis here. Two of the tracks are live; both are epic. The first, Lignite Light is a gentle, pastoral psych-folk nocturne, guitars wafting and gently jangling in a dusky milieu lowlit by quietly resonant wood flute. As ...

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Nishat Khan Brings His Electrifying Sitar Virtuosity to Midtown

Source: New York Music Daily

This October 8 the World Music Institute is bringing sitar player Nishat Khan, scion of a long, long Indian music legacy to Merkin Concert Hall at 7:30 PM. $25 seats are available. If tradition is any indication, the show will be a program of evening ragas, which are especially interesting because they tend to be uneasy, caught between daytime bustle and nighttime calm.

Khan’s latest album Heart of Fire – streaming at Spotify   is a dynamic mix of wild, volcanic, virtuosic party music and darker, more pensive material. It comprises Raga Desh, Raga Pilu and a shorter ...

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Bleak, Chilly, Distantly Menacing Urban Soundscapes From the Metro Riders

Source: New York Music Daily

In somber recognition of Halloween month, today’s album – streaming at Bandcamp – is Europe By Night, by Stockholm soundscaper Henrik Stelzer a.k.a. the Metro Riders. The album title is apt: Stelzer’s world is relentlessly overcast and stops after black fades to grey. The production is opaque and sounds analog, an early 80s lo-fi atmosphere Stelzer builds with vintage or neo-vintage synth textures spun through walkmans and other oldschool devices.

Coldly anonymous tenements, smog-stained bridges and endless expanses of concrete come to mind in the opening track, Stockholm 2024. It’s an icily syncopated, hypnotically loopy mood piece, plastically acidic ...

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Brooklyn Raga Massive’s Version of Terry Riley’s In C: The Most Psychedelic Album of 2017

Source: New York Music Daily

Considering how much Indian music has influenced Terry Riley’s work, It makes sense that the iconic composer and pioneer of what’s come to be known as indie classical would give the thumbs-up to Brooklyn Raga Massive’s recording of his famous suite. The irrepressible New York collective can’t resist mashing up just about anything with classical Indian sounds: their previous album tackled a bunch of famous John Coltrane tunes. They’re playing the album release show for the new one – streaming at Bandcamp – on Oct 6 at 8 PM at the Poisson Rouge; $20 adv tix are recommended.

...

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A Mesmerizing, Lushly Enveloping, Rare Maryanne Amacher Work Rescued From the Archives

Source: New York Music Daily

Last night at the Kitchen nonprofit music advocates Blank Forms staged the first performance of Maryanne Amacher’s Adjacencies since a Carnegie Hall concert in 1966. A mesmerized, sold-out audience was there to witness a major moment in New York music history, performed by Yarn/Wire percussionists Ian Antonio and Russell Greenberg.

The music shifted slowly and tectonically, from sepulchral flickers, to vast washes of sound punctuated by playful rhythmic accents, occasionally rising to an epically enveloping intensity that bordered on sheer horror and then fell away. The premise of the suite – the only surviving graphic score from Adjoins, a series ...

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Mdou Moctar Brings Psychedelic Saharan Resilience and Rapture to Lincoln Center

Source: New York Music Daily

In his New York debut this evening, Agadez, Niger duskcore guitarist Mdou Moctar told a packed house at Lincoln Center that “The desert isn’t for the Tuareg anymore.” Beyond those catastrophic implications, the Sahara’s loss is the world’s gain. With that, he let his guitar and his songs do the talking.

Like Hendrix and Albert King (and Otis Rush, Randi Russo, and many more), Moctar is a lefty, which might have something to do with how much more eclectic his sound is compared to his desert brethren. The revolutionary anthem he opened with was remarkably straightforward, building to a ...

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A Rare New York Appearance By Western Sahara’s Wild, Psychedelic Group Doueh

Source: New York Music Daily

One of the most highly anticipated twinbills of the year is happening on Sept 29 at 7:30 PM at the Poisson Rouge, where one of New York’s hottest buzz bands, intoxicating Moroccan trance-dance group Innov Gnawa open for a very rare appearance by the similarly innovative Western Saharan Group Doueh. Advance tix are expensive – $30 – but this could easily be your last chance to see them in the US until after 1/19/2020.

Their  2012 album Zayna Jumma – streaming at Bandcamp – is a feral, careening live performance from Dakhla in Western Sahara from a couple of ...

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Mdou Moctar Brings His Mysterious Saharan Duskcore Sound to Lincoln Center

Source: New York Music Daily

The Lincoln Center atrium space on Broadway just north of 62nd St. has become as fertile a breeding ground for paradigm-shifting musical collaborations as any other venue in New York. Booking is as eclectic as it gets: with the exception of autotuned corporate schlock, there doesn’t seem to be any style of music that’s off limits here. If the longterm plan is to build a new customer base that draws pretty equally on every demographic, nationality and neighborhood in this city, Lincoln Center’s going to be mighty busy over the next several years. For that reason, this blog’s sister site ...

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Dos Santos Anti-Beat Orquesta Join New York’s Best Psychedelic Tropicalia Bill this August 31

Source: New York Music Daily

New York’s best psychedelic cumbia show of the year so far is happening this August 31 at the Bell House at 10 PM, where Chicago’s Dos Santos Anti-Beat Orquesta and Austin’s Money Chicha are playing a twinbill. Advance tix are a ridiculously good $12 and still available at the venue as of today. It’s not clear who’s playing first, but that doesn’t matter because both bands are reputedly amazing live.

Money Chicha’s wildly trippy debut album got a feverish thumbs-up here recently. Dos Santos’ latest album, Fonografic –  streaming at Spotify – is a party in a box.  The opening cut, playfully ...

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Austin’s Best Band Comes to Brooklyn’s Best Venue This Saturday Night

Source: New York Music Daily

Is Money Chicha’s album Echo en Mexico the heaviest cumbia ever made? Decide for yourself – it’s streaming at Soundcloud.  Just listen, for example, to the string-torturing axe-murderer guitar solo at the end of their version of Juaneco Y Su Combo’s classic, wordless elegy for a plane crash,  Lamento En La Selva, which opens the album. If psychedelic music, the magically trebly, trippy sounds of 1970s Peru, or the idea of dancing your ass off are your thing, get that ass down to Barbes this Saturday night at 10 PM where this Austin band – a Grupo Fantasma ...

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Innov Gnawa and Amadou & Mariam at the Peak of Their Psychedelic Powers at Prospect Park

Source: New York Music Daily

“It’s hot all over,” guitarist/singer Amadou Bagayoko remarked to the Prospect Park Bandshell crowd last night in his heavy-lidded, Malian French drawl. On the hottest night of the year so far, one of the other things he noticed that was all over the place was weed. See, Amadou is blind. His other senses are working overtime.

But it hardly took a sensitive nose to pick up on what was wafting from the slope out back: this was a show for the smokers. And the place was packed: from personal experience and a survey of random concertgoers who’ve seen multiple show ...

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A Long, Strange, Psychedelic New York Week, Part Two

Source: New York Music Daily

In two parts – part one is here

After seeing Cameroonian singer Blick Bassy‘s unexpectedly psychedelic New York debut at Lincoln Center Thursday night, it was fun to wind up the evening at Barbes with a whole set by cinematic Venezuelan-American psychedelic instrumental trio Los Crema Paraiso at Barbes. After taking their time loading their loop pedals, they played most of their newest album, De Pelicula to projections of segments from 1970s Venezuelan films: a road movie, a comedy and maybe a documentary or two.

When they do their all-instrumental version of Pink Floyd’s Shine on You Crazy Diamond, they ...

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A Long, Strange, Psychedelic New York Week

Source: New York Music Daily

In two parts

It’s been a psychedelic week. Any week can be psychedelic if you’re in the right frame of mind, it’s just that this one had music to match the surrealism of the dream state that’s been a daily reality for Americans since the election. Over the past several days, the former’s made it a lot easier to get through the latter.

Blick Bassy’s latest album is spare and pensive, offering no hint of how trippy and magnetic his live show would be. Introducing the Cameroonian singer in his New York debut at Lincoln Center Thursday evening, impresario ...

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High-Voltage African and American Sounds From Central Park to the River

Source: New York Music Daily

Seun Kuti & Egypt 80.’s first song this past evening at Central Park Summerstage was Expensive Shit. As a literal, graphic condemnation of wretched capitalist excess and status-grubbing, it has few equals. Fela Kuti’s son and principal heir to the family Afrobeat legacy probably spat the word “shit” more times during the roughly ten minutes it took for the band to bubble and rise and finally bring the relentless underlying vamp to a close, than any other act has done at this venue in many years.

Kuti has been fortunate to sidestep the kind of brutal repression his father ...

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