Tag Archives: sara serpa

Singer Sara Serpa’s New Multimedia Project Examines the Aftereffects of Imperialism

Source: New York Music Daily

Sara Serpa is one of the most haunting singers in any style of music. She got her big break collaborating with iconic noir pianist Ran Blake – their  20110 album Camera Obscura is a masterpiece of menacing nocturnal music across all genres. Since then, her work has encompassed her own cinematic, often lush compositions, her role in John Zorn’s otherworldly Mycale chorale and an endless series of rewarding new projects and collaborations: there’s a restlessness in most everything she does. Her latest project was springboarded when she discovered a family archive of material relating to her native Portugal and its ...

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Stunningly Eclectic Singer Sofia Rei Radically Reinvents Violeta Parra Classics

Source: New York Music Daily

Conventional wisdom is that if you cover a song, you either want to do it better than the original, or make something completely different out of it. The latter usually makes more sense, considering that if a song is worth covering at all, the original is probably hard to beat. Merle Haggard as shambling free jazz; Gil Scott-Heron as hard bop; Pink Floyd as dub reggae – all of those unlikely reinterpretations ended up validating the outside-the-box creativity that went into them. On the brand-new album El Gavilan (The Hawk), streaming at Bandcamp, pan-latin singer Sofia Rei ...

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Mesmerizing Lynchian Nocturnes from Sara Serpa and Andre Matos

Source: New York Music Daily

Sara Serpa and Andre Matos‘ latest album, All the Dreams – streaming in full at Sunnyside Records – is the great Lynchian record of 2016. For those who might not get that reference, the familiar David Lynch film noir soundtrack formula pairs a coolly enigmatic torch singer with a tersely atmospheric jazz band, and this one fits that description, but with a distinctive edge that transcends the Julee Cruise/Angelo Badelamenti prototype. The songs are short, arrangements terse and purposeful, tunes front and center, awash in atmospheric natural reverb. It’s this blog’s pick for best vocal jazz album of the ...

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Mycale’s Sara Serpa Enchants the Stone

Source: New York Music Daily

If Sara Serpa quit right now, her body of work would still leave her a major figure in the history of early 21st century jazz and beyond-category vocal music. As one small example, consider the influence of the addition of Serpa’s otherworldly vocalese on Asuka Kakitani‘s landmark Bloom album a couple years ago. Yet, one suspects that Serpa’s best years are still ahead of her. This week through September 20, the individual members of Mycale – the vocal quartet John Zorn assembled, with Serpa, Ayelet Rose Gottlieb, Sofia Rei and Malika Zarra – are booking the Stone, an ...

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Magical Vocal Quartet Mycale Sings the Fun Side of John Zorn at the Stone This Week

Source: New York Music Daily

John Zorn assembled vocal quartet Mycale in 2009 to create new arrangements from his exhaustive magnum opus Book of Angels – Volume 2. The group’s debut, Mycale: Book of Angels, Vol 13 (hard to keep track of all of this, isn’t it?), came out a year later. Now the quartet – Ayelet Rose Gottlieb, Sofia Rei, Sara Serpa and Malika Zarra – have a brand new release, Gomory, and a weeklong stand at the Stone starting on September 15 and continuing through the 20th with sets at 8 and 10 PM; cover is $15. Two choice options ...

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Bassist Rufus Reid Brings His Stunningly Intense Big Band to the Jazz Standard

Source: New York Music Daily

One of the most exciting and highly anticipated stands by any jazz group in recent months is coming up at the Jazz Standard starting this Thursday, Feb 26 when venerable bassist Rufus Reid and his big band air out the songs on his magnificent latest album, Quiet Pride: The Elizabeth Catlett Project (streaming at Spotify). They’re at the club through March 1, with sets at 7:30 and 9:30; cover is $30 ($35 on the weekend). Even more auspiciously, pretty much everybody among the album’s all-star cast will be onstage for all the shows.

The album is a lush, ambitious suite ...

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Matt Ulery Brings His Cinematically Sweeping, Richly Melodic Art-Rock and Instrumentals to Littlefield

Source: New York Music Daily

If bassist/composer Matt Ulery‘s lavishly cinematic new album, In the Ivory was in fact the soundtrack to a film – which it really ought to be – it would be an Orson Welles epic. That, or a Victorian horror film. Devil in the White City, maybe? Ulery’s elegantly aching theme and variations draw on both neoromanticism and mimimalism – Philip Glass in particular – as well as the ripe rises and falls of Hollywood film music from the 30s and 40s. It’s an unselfconsciously beautiful, poignant, lavish double-cd suite – streaming at Bandcamp – and one of the best ...

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