Tag Archives: rock music

Ampersan Play Dreamy, Cinematic Tropical Psychedelia in Their New York Debut at Lincoln Center

Source: New York Music Daily

There were some ecstatic moments in Ampersan’s New York debut at Lincoln Center last night, part of the ongoing Celebrate Mexico Now festival. The high point might have been where the punteador and jarana of the five-piece Mexico City band’s founders Kevin Garcia and frontwoman Zindu Cano intertwined with a rippling, slinky intensity. But more often than not, throughout their roughly hourlong set,  the music was simply something to get lost in, reflecting the band’s long background scoring for film.

Ampersan make hypnotic, psychedelic sounds with instruments typically associated with far more boisterous styles. The show came together ...

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Dori Freeman Brings Her Eclectic, Tasteful Americana to the Lower East Side

Source: New York Music Daily

The big news about Dori Freeman’s second album, Letters Never Read – streaming at NPR – is that Richard Thompson plays on it. The actual song where he makes a cameo bristling with his signature, shivery, incisive Strat lines, is actually pretty slight, if tastefully assembled by Thompson’s son Teddy.

Much as it takes nerve to ask Richard Thompson to play on your album, it takes even more to cover the iconic Richard & Linda Thompson anthem I Want to See the Bright Lights Tonight. OK, it’s not the original, but Freeman’s version does it justice, with some clever ...

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The Academy Blues Project: Great Psychedelic Band in Need of a New Name

Source: New York Music Daily

Saturday night at Shrine, the Academy Blues Project put on a kaleidoscopically psychedelic, boisterously entertaining and sometimes LMFAO funny display of killer chops and deliciously unpredictable songwriting that spun through pretty much every good style of music from the 1970s, other than punk. The bandname is a misnomer: there’s absolutely nothing academic about them, nor are they particularly bluesy. If you’re into psychedelic rock and you’re in New York right now, they should be at the top of your bucket list along with Greek Judas.

Throughout two long sets, intros and outros constantly shifted away from whatever the song ...

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Celebrating Resistance and Triumph Over Tyranny at Lincoln Center

For three years now, Lincoln Center has been partnering with Manhattan’s High School for Arts, Imagination and Inquiry in an annual celebration of freedom fighters from across the decades. Inspired by Howard Zinn’s A People’s History of the United States, Thursday night’s annual performance featured “a stellar cast,” as Lincoln Center’s Viviana Benitez put it, playing some powerfully relevant music and reading insightful, inspiring, sometimes incendiary works by activists and authors from the sixteenth century to the present day.

Brianna Thomas raised the bar dauntingly high with the Civil Rights-era Sam Cooke hit A Change Is Gonna Come, guitarist Marvin Sewell playing bottleneck style on the intro for a ringing, rustic, deep blues feel. “I go downtown, and somebody’s always telling me, don’t hang around,” Thomas intoned somberly over Sewell’s terse icepick soul chords. In an era when Eric Garner was murdered because he got too close to a new luxury condo building, that resounded just as mightily as it did in Birmingham in 1964. She picked it up again with a ferociously gritty insistence, the audience adding a final, spontaneous “Yeah!” at the very end.

Later in the performance the duo played a hauntingly hazy, utterly Lynchian take of Strange Fruit. Thomas’ slow, surreal swoops and dives raised the macabre factor through the roof: If there’s any one song for Halloween month, 2017, this was it.

In between, a parade of speakers brought to life a series of fiery condemnations of tyrants and oppression, and widely diverse opinions on how to get rid of them. Staceyann Chin bookended all this with an understatedly sardonic excerpt from Bartolome de las Casas’ grisly account of early conquistadorial genocide, closing with a rousing Marge Piercy piece on how to build a grassroots movement.

Shantel French matter-of-factly voiced Henry George’s insight into how poverty is criminalized, but is actually a form of discrimination. Michael Ealy’s most memorable moment onstage was his emphatic delivery of the irony and ironclad logic in Jermain Wesley Loguen’s famous letter to the slaveowner he escaped during the Civil War: ‘You say you raised me as you raised your own children…did you raise them for the whipping post?”

Geoffrey Arend read Eugene Debs’ address for his 1918 sedition sentencing, optimism in the face of a prison sentence and a corrupt system doomed to collapse  Laura Mendoza voiced the anguish and indignity of a longtime resident of Vieques, Puerto Rico who’d seen his neighbors harassed and killed by drunken marines and errant bombs dropped in practice runs (this was in 1979, before the island was rendered uninhabitable by the same depleted uranium dropped on Afghanistan and Iraq). Considering that the President of the United States has castigated the people of this disaster-stricken part of the world for being a drain on the Federal budget, this packed a real wallop. We can only hope this latest incident helps the wheels of impeachment move a little faster.

Brian Jones read from a witheringly cynical pre-Emancipation Frederick Douglass speech on what the Fourth of July means to a slave, and also Martin Luther King’s emphatically commonsensical analysis of the racism and injustice inherent in the Vietnam War draft. Aasif Mandvi brought out all the black humor in Brooklyn College professor Moustafa Bayoumi’s account of being besieged by off-campus rightwing nutjobs. And joined by incisive, puristically bluesy guitarist Giancarlo Castillo, songwriter Ani Cordero sang a venomous take of Dylan’s Masters of War and an understatedly passionate, articulate version of Lydia Mendoza’s 1934 border ballad Mal Hombre, sad testimony to the fact that Mexican immigrants have been demonized long before Trump.

The next free performance at Lincoln Center’s Broadway atrium space just north of 62nd St. is on Oct 19 at 7:30 PM featuring artsy Mexican trip-hop band Ampsersan. Getting to the space a little early is a good way to make sure you get a seat, since these events tend to sell out.

Celebrating Resistance and Triumph Over Tyranny at Lincoln Center

An Obscure, Darkly Tasty Treat by the Sandwitches

Source: New York Music Daily

Today’s Halloween album is Our Toast, by Lynchian San Francisco lo-fi harmony rock trio the Sandwitches. Grace Cooper, Heidi Alexander and Roxanne Young put this up on Bandcamp in 2015 – after an intriguing series of ep’s and singles, it it looks like the band have been on ice pretty much ever since, probably consequence of less-than-optimal branding .

But it’s a great late-night album, suitable for any Halloween playlist you may be working on. Rusty Miller’s haphazardly jaunty western saloon-tuned piano propels the opening waltz, Sunny Side. With its casket girl harmonies, it’s got to be the saddest ...

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Yet Another Haunting, Psychedelic Silent Film Score From Morricone Youth

Source: New York Music Daily

Today’s Halloween album is Morricone Youth’s original score to F. W. Murnau’s 1927 silent film Sunrise: A Tale of Two Humans. For the past almost twenty years, Morricone Youth have built what might be the vastest, most consistently dark repertoire in the history of art-rock. Aas film music, bandleader/guitarist Devon E. Levins’ body of work rivals the greatest of the greats: Bernard Herrmann, Angelo Badalementi, Steve Ulrich and the maestro Morricone himself. Over the past eighteen months or so, the group have been on a marathon recording binge, with a game plan of immortalizing every single one ...

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An Edgy Debut Album and a Williamsburg Show by Intense Cello Rockers the Icebergs

Source: New York Music Daily

The Icebergs are New York’s hardest-working cello band. No disrespect to the great Serena Jost, but the Icebergs maintain a punishing late-night gig schedule. If there’s any midnight band in New York, it’s the trio of frontwoman Jane LeCroy, cellist Tom Abbs and O’Death drummer David Rogers-Berry. That’s even more impressive when you consider that LeCroy also fronts the similarly intense, politically fearless avant garde duo Ohmslice with multi-instrumentalist Brandon Ross. The Icebergs have an edgy debut album, Eldorado, streaming at Bandcamp and a show this Friday night at 8:30 PM at Pete’s.

If you can forgive the appropriation ...

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Ella Atlas’ Debut Album Builds Hauntingly Cinematic Twin Peaks Ambience

Source: New York Music Daily

Guitarist Stephen Masucci is best known for his film work and for his lead work in one of the most haunting, Lynchian New York bands ever, the Lost Patrol. Since that group ground to a halt a couple of years ago, he’s been busy with a new, similarly dark, cinematic project, Ella Atlas, with compellingly enigmatic, eclectic singer/multi-instrumentalist Tarrah Maria. The duo’s deliciously reverb-drenched new album The Road to Now is streaming at Bandcamp.

It opens with the catchy, distantly shimmering When the Gods Are Fading, swirly late 70s ELO through a surreal new wave prism peppered ...

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Revisiting a Macabre Psychedelic Masterpiece by the Black Lesbian Fishermen

Source: New York Music Daily

Today’s album for Halloween Month is the creepy, strangely titled 2015 art-rock suite Ectopic Apiary, by the Black Lesbian Fishermen. This masterpiece of slowly crescendoing, crepsucular psychedelic rock – and spinoff of the similarly eerie Gray Field Recordings – is streaming at the Cryptanthus Bandcamp page.

Guitarist/multi-instrumentalist Alan Trench joins forces with fellow multi-instrumentalist R. Loftiss, guitarists Nikos Fokas and Stratis Sgourelis here. Two of the tracks are live; both are epic. The first, Lignite Light is a gentle, pastoral psych-folk nocturne, guitars wafting and gently jangling in a dusky milieu lowlit by quietly resonant wood flute. As ...

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The Long-Awaited New Dream Syndicate Album: Best Rock Record of 2017?

Source: New York Music Daily

Steve Wynn is probably the greatest rock songwriter of all time. In terms of sheer output, tunefulness and consistently brilliant lyrical vision, he left Dylan and the Stones in the dust in a previous century. Since then, literally hundreds of songs later, he hasn’t let up. His latest and arguably most ambitious project has been to release a new album with his legendary, recently reunited 80s band the Dream Syndicate. Long story short: their dark, epic, surprisingly diverse new record How Did I Find Myself Here – streaming at youtube – could be the best album of 2017. Find ...

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Artsy Afrobeat-Inflected Tunesmithing and a City Winery Show from Jenn Wasner

Source: New York Music Daily

Jenn Wasner is an anomaly in the indie rock world: a fluent, imaginative guitarist who uses just about every sound available to her and writes smart, pensive, lyrical songs. She’s bringing her band Wye Oak to a rare Manhattan gig tomorrow night, Oct 6 at City Winery. If you can get to Manhattan, you can also get home afterward since the show is early – 8 PM – and you won’t have to worry about the train leaving you at some random outpost in the remote fringes of Bushwick. And you can get in for twenty bucks at the door.

...

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Pascuala Ilabaca y Fauna Foreshadow This Year’s New York Gypsy Festival

Source: New York Music Daily

Saturday night at Drom, Pascuala Ilabaca didn’t let the heavy accordion slung across her shoulder keep her from bounding and dancing across the stage in front of her tight but feral band, Fauna. The Chilean singer/multi-instrumentalist became the latest in a long, long list of international stars to make their New York debut at Drom: they’re the kind of high-voltage act typically found at the East Village club’s annual New York Gypsy Festival. That annual celebration starts this Oct 8 at 8 PM with a very rare NYC appearance by Macedonian brass band Prilepski Zvezdi, and also includes Zlatne Uste ...

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Live Music Calendar for New York City and Brooklyn for October and November 2017

Source: New York Music Daily

Free and cheap concerts in just about every neighborhood. If you’re leaving your hood, make sure you check http://www.mta.info for service changes considering how the trains are at night.

Constant updates, including Barbes listings for the second half of the month coming momentarily. If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands ...

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The Enigmatic, Dynamic, Hard-Hitting Desert Foxx Invades the West Village

Source: New York Music Daily

Desert Foxx don’t seem to have anything to do with Nazi generals, and there’s nobody in the band named Rommel. If you have to squeeze the trio of into a category, postrock would work. Film music, ambient soundscaping, jazz improvisation and deep noir also factor into bassist/bandleader Mike DeiCont’s compositions. Their intriguing new ep Kill Together is streaming at Bandcamp, and they have a gig on Oct 4 at 6 PM at Cornelia Street Cafe with special guest multi-reedman Levon Henry. It’s a great deal: cover is ten bucks and includes a drink!

The album is a darkly cinematic ...

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Turkish Star Halil Sezai’s Brooding Revolutionary Ballads Haunt the Crowd at Drom

Source: New York Music Daily

Saturday night at Drom, Turkish crooner Halil Sezai eventually got the crowd singing along. But he didn’t do it with flag-waving Eurovision-style stadium cliches. He did it with a carefully crafted set of allusive, slow-to-midtempo ballads about revolution and the relentless stress of life in a police state, in styles ranging from moody parlor pop, to methodically crescenddoing anthems awash in minor keys, with microtonally-infused fills and solos delivered by his absolutely brilliant clarinetist. To call this music for our time is an understatement to the extreme.

Sezai sat for the duration of the show, which made sense considering that ...

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Mdou Moctar Brings Psychedelic Saharan Resilience and Rapture to Lincoln Center

Source: New York Music Daily

In his New York debut this evening, Agadez, Niger duskcore guitarist Mdou Moctar told a packed house at Lincoln Center that “The desert isn’t for the Tuareg anymore.” Beyond those catastrophic implications, the Sahara’s loss is the world’s gain. With that, he let his guitar and his songs do the talking.

Like Hendrix and Albert King (and Otis Rush, Randi Russo, and many more), Moctar is a lefty, which might have something to do with how much more eclectic his sound is compared to his desert brethren. The revolutionary anthem he opened with was remarkably straightforward, building to a ...

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Eljuri Headline an Inspiring, Adrenalizing NYCLU Benefit at Drom

Source: New York Music Daily

Wednesday night at Drom, power trio Eljuri had been hinting for awhile that they were going to take the music straight into roots reggae. So when frontwoman/guitarist Cecilia Villar Eljuri finally led the band into a couple of bars of Peter Tosh’s Get Up, Stand Up, and from there into Bob Marley’s Exodus, it was an impactful payoff. The emphasis wasn’t on getting out, but a ‘movement of jah people,” which dovetailed with Eljuri’s own fearlessly relevant, sometimes incendiary lyricism. That defiant, populist focus made the band an apt choice to top the bill at this benefit concert for the ...

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Everybody’s Favorite Americana Harmony Trio, Red Molly, Make a Triumphant Return to City Winery

Source: New York Music Daily

Is there another Americana band with as individualistic and spine-tingling a blend of voices as Red Molly? Actually yes – Bobtown, who played the Brooklyn Americana Festival on Saturday. More about them later.

Red Molly’s first New York show in two years last night at City Winery was epic. The harmony trio of dobro player Abbie Gardner, guitarists Molly Venter and Laurie MacAllister really give you a lot of bang for your buck. In two long sets, bolstered by bassist Craig Akin and Roosevelt Dime guitarist/percussionist Eben Pariser, they played a wickedly fun, dynamic mix of originals ...

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A Rare New York Appearance By Western Sahara’s Wild, Psychedelic Group Doueh

Source: New York Music Daily

One of the most highly anticipated twinbills of the year is happening on Sept 29 at 7:30 PM at the Poisson Rouge, where one of New York’s hottest buzz bands, intoxicating Moroccan trance-dance group Innov Gnawa open for a very rare appearance by the similarly innovative Western Saharan Group Doueh. Advance tix are expensive – $30 – but this could easily be your last chance to see them in the US until after 1/19/2020.

Their  2012 album Zayna Jumma – streaming at Bandcamp – is a feral, careening live performance from Dakhla in Western Sahara from a couple of ...

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Tredici Bacci Kiss the Sky at Barbes

Source: New York Music Daily

This is what old NEC students do when they’ve had too much to drink: play slow, simmering oldschool soul vamps, take a stab at faux-operatic vocals and then bop their way through a bunch of summery, serpentine instrumentals inspired by 60s Italian cinema. At their most recent Barbes gig back in July, Tredici Bacci did all that tighter than most bands could do sober.

Not everybody in the band was half in the bag. Singer Sami Stevens was a force of nature and then some, giving the music all the drama it demanded with her full-throttle vibrato and passion worthy ...

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Mdou Moctar Brings His Mysterious Saharan Duskcore Sound to Lincoln Center

Source: New York Music Daily

The Lincoln Center atrium space on Broadway just north of 62nd St. has become as fertile a breeding ground for paradigm-shifting musical collaborations as any other venue in New York. Booking is as eclectic as it gets: with the exception of autotuned corporate schlock, there doesn’t seem to be any style of music that’s off limits here. If the longterm plan is to build a new customer base that draws pretty equally on every demographic, nationality and neighborhood in this city, Lincoln Center’s going to be mighty busy over the next several years. For that reason, this blog’s sister site ...

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A Wickedly Catchy Weekend Show by the Mysterious Melissa & the Mannequins

Source: New York Music Daily

Melissa & the Mannequins are New York’s most exciting new band. There’s very little about them on the web. The only one of their songs that’s made it online so far is Slip Away, the gorgeously bittersweet, propulsively jangly number they closed their deliciously catchy set with at Long Island City Bar over the Labor Day weekend. They’ve been around for about  a year, tops. Quietly and steadily, they’ve put what’s obviously been an enormous amount of work into this band, equal to their formidable chops. Up-and-coming rock acts seldom have as much command of their instruments, let alone ...

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80s Psychedelic Rock Cult Hero Russ Tolman at the Top of His Uneasy Game at Pete’s Last Week

Source: New York Music Daily

It feels so good to be alive.

That’s the punchline of a song called Shot You Down. In context, it’s one of the most vengefully delicious lyrics ever written. It’s arguably the best track on True West’s 1982 cult classic Drifters album. In his Pete’s Candy Store debut Thursday night, such that it was, True West bandleader Russ Tolman didn’t play that one. But he did play Hollywood Holiday. That’s the title track of the group’s first ep, a snarling mashup of post-Velvets rock, Americana and psychedelia.

The music media at the time called that stuff “paisley underground.” It’s a ...

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A Diverse, Smartly Lyrical New Album and a Fort Greene Release Show From Karen & the Sorrows

Source: New York Music Daily

Karen & the Sorrows are one of New York’s most most individualistic Americana bands. For those who might think that’s like being the best cumbia band in Iceland, keep in mind that Americana, hip-hop and reggaeton are this city’s default styles of music right now. The band’s brooding first album traced the narrative of a ghost story from lead guitarist Elana Redfield’s native New Hampshire. Their new one, The Narrow Place – streaming at their music page – also covers a lot of dark territory, but it’s a lot more eclectic. It’s inspiring to see how much the group has ...

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Smart, Innovative, Unpredictably Brilliant Newgrass Guitarist Jon Stickley and His Trio Hit Williamsburg This Weekend

Source: New York Music Daily

Guitarist Jon Stickley gets major props for his daunting chops, mashing up bluegrass with jazz, Romany and south-of-the-border sounds. His instrumentals follow unexpected tangents through all those styles and more, with a bright, cinematic effect. He and his trio’s 2016 ep, Triangular is streaming at Bandcamp, and they’re playing the Knitting Factory on Sept 17 on a strange but solid triplebill. Skronky Chicago guitar improvisers Tacoma Narrows open the night at 8, followed by Stickley and then Minneapolis newgrassers the Last Revel headlining at 10: $12 adv tix are available.

The album’s opening track, Blackburn Brothers gives you ...

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