Tag Archives: rachmaninoff

Pianist Leif Ove Andsnes and the New York Philharmonic Think Outside the Box

Source: New York Music Daily

It’s almost twenty years to the day that virtuoso Norwegian pianist Leif Ove Andsnes made his debut with the New York Philharmonic. In another stroke of fate, he was playing a Rachmaninoff concerto, with a Scandinavian conductor on the podium, just as he will during his first stand as artist-in-residence with the orchestra, which starts tonight at 7:30 PM, featuring Rachmaninoff’s relatively rarely programmed Piano Concerto No. 4 and Sibelius’ Fifth Symphony.

In conversation with the Philharmonic’s Isaac Thompson at Lincoln Center last night, Andsnes revealed that he’s played New York more than any other city in the ...

Read full article >>

The Greenwich Village Orchestra Celebrate 30 Years with Their Most Ambitious Season Ever

Source: New York Music Daily

The premise of the Greenwich Village Orchestra, along with the other community orchestras throughout the five boroughs of New York, is that there isn’t enough room in the New York Philharmonic for all the first-rate classical players in town. This year marks the GVO’s thirtieth anniversary, half of that under the direction of maestro Barbara Yahr. And it’s their most ambitious season ever, in fact, arguably the most ambitious season of any orchestra in New York this year For example, their next concert, on Nov 6 at 3 PM includes the hauntingly immortal “Rach 2,” the Rachmaninoff Piano ...

Read full article >>

Marianna Prjevalskaya Rescues a Rachmaninoff Rarity

Source: New York Music Daily

Let’s say you’re the world’s most famous classical pianist, or one of them, anyway. And you’re a real rock star. You’re riding an unprecedented wave of popularity, after having rescued your career with one of the most harrowing pieces of music ever written, namely the Rachmaninoff Piano Concerto No. 2.

And you need an encore. Instead of coming up with another completely original work, you throw caution to the wind. Without a moment’s hesitation, you use a similarly haunting theme by Chopin – one of the world’s best-loved and most morose melodies – as a stepping-off point for an ambitious, dynamically gripping ...

Read full article >>

Haskell Small Takes a Harrowing Journey Inward with His Latest Raptly Mystical Suite

Source: New York Music Daily

Pianist Haskell Small‘s work is a prime example of the rewards of finding a muse and following that inspiration to the deepest reaches possible. He’s carved himself out a niche as a composer and champion of quiet, mystical, often viscerally haunting sounds. His 2014 album The Rothko Room: Journeys in Silence is a masterpiece of spare, lingering, often chilling inwardly-directed themes. He’s also one of the world’s foremost advocates for the otherworldly, bell-like music of Federico Mompou. Last night at St. Malachy’s Chapel in midtown, the pianist played an unselfconsciously transcendent solo program comprising both his own suite A Journey in ...

Read full article >>

Pianist Ian Hobson Plays a Robust, Smartly Thematic Program at Merkin Concert Hall

Source: New York Music Daily

How’s this for meta? The theme of pianist Ian Hobson‘s ambitious monthly series of concerts is…themes. And variations on those themes. With this series, he’s been pushing hismelf as hard as any other pianist out there right now. There’s no better example than next month’s April 13, 7’30 PM program at Merkin Concert Hall, where he’s going to open with a Faure theme and variations, then Schumann’s almost sadistically difficult Symphonic Etudes and then Rachmaninoff preludes, whose iconically harrowing beauty requires similarly daunting technique. If Wednesday’s program there was any indication, Hobson is up to the challenge. Tix are ...

Read full article >>

A Sonically Thrilling, Disquieting North American Premiere For Karmina Silec’s Toxic Psalms

Source: New York Music Daily

Last night at St. Ann’s Warehouse, the mighty but graceful Slovenian women’s choir Carmina Slovenica premiered their founder Karmina Silec’s breathtaking and equally relevant multimedia suite, Toxic Psalms to open this year’s Prototype Festival. It only makes sense that this work would come out of a part of the world which has seen so much trouble in the past couple of decades, yet it transcends national identity. Themes of absence and distant, implied horror were ever-present, as was a defiant feminist sensibility. The choice of music spanned the centuries and the globe and was all the more fascinating, and ...

Read full article >>