Tag Archives: psychedelia

Falu’s Karyshma Reach For the Divine With a High-Voltage, Dynamic Set at Drom

Source: New York Music Daily

Before there was a Brooklyn Raga Massive, or a Navatman Music Collective, there was Falu’s Karyshma. And that band – fronted by the singer widely considered to be the best to emerge in the world of Indian music since the 1990s – rocks a lot harder than either of those two much larger ensembles. Friday night at Drom, a packed house got to witness a dynamic, vigorously eclectic show from the eight-piece group, a potent reminder of how deep the well of music from across the Hindustani subcontinent is as well as how many amazing places a ...

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The Resistance Revival Chorus Sing a Fiery, Fearless Benefit for Immigrant Rights

Source: New York Music Daily

When the Resistance Revival Chorus hit the stage Tuesday night for the first of their rousing, oldschool gospel-style protest songs, there seemed to be about two dozen women in the group. By the time the show ended, individual choir members and special guests treating a sold-out crowd at City Winery to a tantalizing series of cameos, it seemed that the size of the chorus had doubled. Are they New York’s largest ensemble? At the rate they’re growing, they will be, and it the current political climate it’s not going to take long.

Much as booking a group with a ton ...

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Trippy, Eclectic Sounds in Deep Bushwick This Sunday Night

Source: New York Music Daily

This December 3 there’s an excellent multi-band lineup put together by boutique Brooklyn label Very Special Recordings at Secret Project Robot, 1186 Broadway between Lafayette and Van Buren in Bushwick. The show starts at 8; the lineup, in reverse order, is psychedelic Afrobeat headliners the People’s Champs; female-fronted trip-hop/postrock band Green and Glass; brilliant bassist Ezra Gale’s funky, dub-inspired psychedelic project the Eargoggle; psychedelic pastoral jazz guitarist Dustin Carlson; similarly eclectic guitarist Ryan Dugre; and cinematic guitar-and-EFX dude Xander Naylor, who can be a lot louder and more fearsome than his latest, more ...

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Ward White’s As Consolation: Best Rock Record of 2017

Source: New York Music Daily

Ward White’s album Bob topped the list of best releases of 2013 here. So it’s hardly a surprise that his latest album As Consolation is by far the best rock record released this year. Most artists who play loud, troubling, psychedelic music usually get quieter and more pensive as the years go by. but since the early zeros, White has gone in the opposite direction.

The new album – streaming at Bandcamp –  isn’t quite as surreal as Bob, but Bob is unlike any other record ever made, a disjointed whirlwind murder mystery psychedelic lit-rock suite. Its closest comparisons ...

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Purist Roots Reggae Band John Brown’s Body Make a Long-Awaited Manhattan Return

Source: New York Music Daily

John Brown’s Body have been touring longer than Bob Marley & the Wailers.

Think about that for a second.

If you count the point in the mid-60s where ska slowed down to rocksteady, and Toots & the Maytals had a hit with Do the Reggay, roots reggae has been around for half a century. And it’s been a long time since reggae was CNN for Rastafarians and the Jamaican pro-democracy underground.

And it seems like almost as long since John Brown’s Body played a good New York venue. These road warriors’ most recent album, Fireflies – streaming at Soundcloud...

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Wild Turkish Psychedelic Rock Rescued From Obscurity

Source: New York Music Daily

One of the most amazing albums released this year is Uzelli Psychedelic Anadolu, a compilation streaming at Spotify that pays homage to the Turkish cassette label that released some of the wildest, most surreal sounds to emerge from that part of the world. Spanning from 1975 to 1984, this trippy ten-track playlist collects hard funk, symphonic rock, disco, electrified Turkish traditional ballads and anthems…and what sounds like a long radio commercial.

String synth, organ, wry wah synth and soaring, otherworldly, microtonal zurna oboe mingle in Zor Beyler’s suspenseful, lushly anthemic Gozumdeki Yaslar. The second track, by guitarslinger Erkin Koray, is ...

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Blackberry Smoke Burns Through Hell’s Kitchen

Source: New York Music Daily

The song that drew the most powerful response at Blackberry Smoke’s show last night was Waiting for the Thunder, the snidely apocalyptic anthem that opens their latest album Like an Arrow. “Why do we stand by and do nothing while they piss it all away?” drawled frontman/lead guitarist Charlie Starr.

He was referring to those “with the power and the glory” who “get more than they deserve.” A little later, he and guitarist Paul Jackson took a sarcastic twin solo that referenced a cheesy Aerosmith hit from the 70s as bass player Rchard Turner made a slinky upward climb, ...

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Politically Fearless Noir Mexican Psychedelia at Lincoln Center Thursday Night

Source: New York Music Daily

 

“This has been a long tine in the making,” Lincoln Center’s Meera Dugal told an ecstatic crowd there Thursday evening.  “Tonight you are in for a treat, a powerful and soulful voice.” Then she let Edna Vazquez’s powerful voice and slinky, thoughtful, psychedelic, often haunting songs speak for themselves.

Maybe the singer/guitarist’s stunningly eclectic blend of styles mirrors her Mexican ancestry, considering that Mexico is every bit as much of a melting pot as the US. “The Mexican government is not so different from this one,” she wryly confided three songs into her set. And then spun through the rapidfire ...

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The Nifty’s Make Exhilarating Surf Rock and More Out of Iconic Jewish Themes

Source: New York Music Daily

It’s been more than half a century since the Ventures recorded the first klezmer surf rock hit: Hava Nagila. Wrapping up their first US tour with a deliriously fun show at the Austrian Cultural Center earlier this week, Vienna instrumentalists the Nifty’s took the idea of making electric rock out of Jewish folk and jazz themes to new levels of noir menace, surfy fun and punk rock intensity.

Their opening number, an original, sounded like Big Lazy with two guitars – that good. Lead guitarist Fabian Pollack played lingeringly Lynchian reverbtoned lines on his Fender Jazzmaster, mingling with the similarly ...

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The Heaters Swirl Through Deep Space to South Williamsburg

Source: New York Music Daily

The Heaters have been through a lot of changes over the last couple of years. Their 2015 debut, Holy Water Pool, was a reverb-iced, dark psychedelic rock treat. Baptistina, from last year, drifted toward a more hypnotic Brian Jonestown Massacre post-Velvets expanse. The Heaters’ latest album, Matterhorn – due up at Bandcamp at the end of the month –  completes the shift into spacerock, an extended suite in the same vein as what King Gizzard were doing before that band went Middle Eastern and microtonal. The Heaters have a gig tomorrow night, Oct 29 at around 8:30 at Baby’s All Right. ...

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Ampersan Play Dreamy, Cinematic Tropical Psychedelia in Their New York Debut at Lincoln Center

Source: New York Music Daily

There were some ecstatic moments in Ampersan’s New York debut at Lincoln Center last night, part of the ongoing Celebrate Mexico Now festival. The high point might have been where the punteador and jarana of the five-piece Mexico City band’s founders Kevin Garcia and frontwoman Zindu Cano intertwined with a rippling, slinky intensity. But more often than not, throughout their roughly hourlong set,  the music was simply something to get lost in, reflecting the band’s long background scoring for film.

Ampersan make hypnotic, psychedelic sounds with instruments typically associated with far more boisterous styles. The show came together ...

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The Academy Blues Project: Great Psychedelic Band in Need of a New Name

Source: New York Music Daily

Saturday night at Shrine, the Academy Blues Project put on a kaleidoscopically psychedelic, boisterously entertaining and sometimes LMFAO funny display of killer chops and deliciously unpredictable songwriting that spun through pretty much every good style of music from the 1970s, other than punk. The bandname is a misnomer: there’s absolutely nothing academic about them, nor are they particularly bluesy. If you’re into psychedelic rock and you’re in New York right now, they should be at the top of your bucket list along with Greek Judas.

Throughout two long sets, intros and outros constantly shifted away from whatever the song ...

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Yet Another Haunting, Psychedelic Silent Film Score From Morricone Youth

Source: New York Music Daily

Today’s Halloween album is Morricone Youth’s original score to F. W. Murnau’s 1927 silent film Sunrise: A Tale of Two Humans. For the past almost twenty years, Morricone Youth have built what might be the vastest, most consistently dark repertoire in the history of art-rock. Aas film music, bandleader/guitarist Devon E. Levins’ body of work rivals the greatest of the greats: Bernard Herrmann, Angelo Badalementi, Steve Ulrich and the maestro Morricone himself. Over the past eighteen months or so, the group have been on a marathon recording binge, with a game plan of immortalizing every single one ...

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Revisiting a Macabre Psychedelic Masterpiece by the Black Lesbian Fishermen

Source: New York Music Daily

Today’s album for Halloween Month is the creepy, strangely titled 2015 art-rock suite Ectopic Apiary, by the Black Lesbian Fishermen. This masterpiece of slowly crescendoing, crepsucular psychedelic rock – and spinoff of the similarly eerie Gray Field Recordings – is streaming at the Cryptanthus Bandcamp page.

Guitarist/multi-instrumentalist Alan Trench joins forces with fellow multi-instrumentalist R. Loftiss, guitarists Nikos Fokas and Stratis Sgourelis here. Two of the tracks are live; both are epic. The first, Lignite Light is a gentle, pastoral psych-folk nocturne, guitars wafting and gently jangling in a dusky milieu lowlit by quietly resonant wood flute. As ...

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The Long-Awaited New Dream Syndicate Album: Best Rock Record of 2017?

Source: New York Music Daily

Steve Wynn is probably the greatest rock songwriter of all time. In terms of sheer output, tunefulness and consistently brilliant lyrical vision, he left Dylan and the Stones in the dust in a previous century. Since then, literally hundreds of songs later, he hasn’t let up. His latest and arguably most ambitious project has been to release a new album with his legendary, recently reunited 80s band the Dream Syndicate. Long story short: their dark, epic, surprisingly diverse new record How Did I Find Myself Here – streaming at youtube – could be the best album of 2017. Find ...

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Brooklyn Raga Massive’s Version of Terry Riley’s In C: The Most Psychedelic Album of 2017

Source: New York Music Daily

Considering how much Indian music has influenced Terry Riley’s work, It makes sense that the iconic composer and pioneer of what’s come to be known as indie classical would give the thumbs-up to Brooklyn Raga Massive’s recording of his famous suite. The irrepressible New York collective can’t resist mashing up just about anything with classical Indian sounds: their previous album tackled a bunch of famous John Coltrane tunes. They’re playing the album release show for the new one – streaming at Bandcamp – on Oct 6 at 8 PM at the Poisson Rouge; $20 adv tix are recommended.

...

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A Mesmerizing, Lushly Enveloping, Rare Maryanne Amacher Work Rescued From the Archives

Source: New York Music Daily

Last night at the Kitchen nonprofit music advocates Blank Forms staged the first performance of Maryanne Amacher’s Adjacencies since a Carnegie Hall concert in 1966. A mesmerized, sold-out audience was there to witness a major moment in New York music history, performed by Yarn/Wire percussionists Ian Antonio and Russell Greenberg.

The music shifted slowly and tectonically, from sepulchral flickers, to vast washes of sound punctuated by playful rhythmic accents, occasionally rising to an epically enveloping intensity that bordered on sheer horror and then fell away. The premise of the suite – the only surviving graphic score from Adjoins, a series ...

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Mdou Moctar Brings Psychedelic Saharan Resilience and Rapture to Lincoln Center

Source: New York Music Daily

In his New York debut this evening, Agadez, Niger duskcore guitarist Mdou Moctar told a packed house at Lincoln Center that “The desert isn’t for the Tuareg anymore.” Beyond those catastrophic implications, the Sahara’s loss is the world’s gain. With that, he let his guitar and his songs do the talking.

Like Hendrix and Albert King (and Otis Rush, Randi Russo, and many more), Moctar is a lefty, which might have something to do with how much more eclectic his sound is compared to his desert brethren. The revolutionary anthem he opened with was remarkably straightforward, building to a ...

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A Rare New York Appearance By Western Sahara’s Wild, Psychedelic Group Doueh

Source: New York Music Daily

One of the most highly anticipated twinbills of the year is happening on Sept 29 at 7:30 PM at the Poisson Rouge, where one of New York’s hottest buzz bands, intoxicating Moroccan trance-dance group Innov Gnawa open for a very rare appearance by the similarly innovative Western Saharan Group Doueh. Advance tix are expensive – $30 – but this could easily be your last chance to see them in the US until after 1/19/2020.

Their  2012 album Zayna Jumma – streaming at Bandcamp – is a feral, careening live performance from Dakhla in Western Sahara from a couple of ...

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Mdou Moctar Brings His Mysterious Saharan Duskcore Sound to Lincoln Center

Source: New York Music Daily

The Lincoln Center atrium space on Broadway just north of 62nd St. has become as fertile a breeding ground for paradigm-shifting musical collaborations as any other venue in New York. Booking is as eclectic as it gets: with the exception of autotuned corporate schlock, there doesn’t seem to be any style of music that’s off limits here. If the longterm plan is to build a new customer base that draws pretty equally on every demographic, nationality and neighborhood in this city, Lincoln Center’s going to be mighty busy over the next several years. For that reason, this blog’s sister site ...

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A Wickedly Catchy Weekend Show by the Mysterious Melissa & the Mannequins

Source: New York Music Daily

Melissa & the Mannequins are New York’s most exciting new band. There’s very little about them on the web. The only one of their songs that’s made it online so far is Slip Away, the gorgeously bittersweet, propulsively jangly number they closed their deliciously catchy set with at Long Island City Bar over the Labor Day weekend. They’ve been around for about  a year, tops. Quietly and steadily, they’ve put what’s obviously been an enormous amount of work into this band, equal to their formidable chops. Up-and-coming rock acts seldom have as much command of their instruments, let alone ...

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80s Psychedelic Guitar Legend Russ Tolman Makes a Rare Stop in Brooklyn

Source: New York Music Daily

Russ Tolman was the leader of one of the 80s’ most legendary guitar bands, True West. Though never as famous as their pals the Dream Syndicate – Tolman and Steve Wynn were in the equally legendary Suspects, and Wynn contributed some gloriously savage lead guitar to True West’s cover of Pink Floyd’s Lucifer Sam – Tolman’s songwriting was no less brilliant. And True West were every bit as incendiary live, fellow Telecaster player Richard McGrath dueling it out onstage with Tolman night after night. The band’s first two albums, Hollywood Holiday and Drifters are iconic: with its brooding layers ...

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Dos Santos Anti-Beat Orquesta Join New York’s Best Psychedelic Tropicalia Bill this August 31

Source: New York Music Daily

New York’s best psychedelic cumbia show of the year so far is happening this August 31 at the Bell House at 10 PM, where Chicago’s Dos Santos Anti-Beat Orquesta and Austin’s Money Chicha are playing a twinbill. Advance tix are a ridiculously good $12 and still available at the venue as of today. It’s not clear who’s playing first, but that doesn’t matter because both bands are reputedly amazing live.

Money Chicha’s wildly trippy debut album got a feverish thumbs-up here recently. Dos Santos’ latest album, Fonografic –  streaming at Spotify – is a party in a box.  The opening cut, playfully ...

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Dalava Hauntingly Reinvent Grim, Timelessly Relevant Slovak and Czech Folk Songs

Source: New York Music Daily

Dalava reinvent dark, often grim, centuries-old Slovak and Czech folk tunes as intense, dynamically shifting psychedelic rock. Guitarist Aram Bajakian is arguably the greatest lead player ever to pass through Lou Reed’s band: only the late Robert Quine and Mick Ronson compare. Bajakian also plays with numerous other outfits including lavish Hungarian folk/art-rock band the Glass House Ensemble.

His wife, singer Julia Ulehla, is the scion of an important Moravian musicological legacy. Her great-grandfather Vladimir, a colleague of Leos Janacek, was a major player in that discipline and as she tells it, a pretty amazing guy. His exhaustive fieldwork ...

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Acoustic Guitarslinger R.D. King Brings His Richly Intertwining, Melodic Instrumentals to NYC

Source: New York Music Daily

First there was B.B. Then there was Albert, then Freddie. And now there’s R.D., the latest in a line of first-class guitar-playing Kings. Difference is that R.D. King plays acoustic, and that his style is not blues but his own intricate, meticulous, occasionally multitracked instrumental music that could be called pastoral psychedelia or cinematic folk. Either way, it’s a hell of a lot more energetic and epic than most music for the acoustic guitar.

King is bound to get comparisons to a whole slew of fingerstyle players who use unorthodox or open tunings – John Renbourn, Bert Jansch, Adrian Legg, ...

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