Tag Archives: postrock

An Edgy Debut Album and a Williamsburg Show by Intense Cello Rockers the Icebergs

Source: New York Music Daily

The Icebergs are New York’s hardest-working cello band. No disrespect to the great Serena Jost, but the Icebergs maintain a punishing late-night gig schedule. If there’s any midnight band in New York, it’s the trio of frontwoman Jane LeCroy, cellist Tom Abbs and O’Death drummer David Rogers-Berry. That’s even more impressive when you consider that LeCroy also fronts the similarly intense, politically fearless avant garde duo Ohmslice with multi-instrumentalist Brandon Ross. The Icebergs have an edgy debut album, Eldorado, streaming at Bandcamp and a show this Friday night at 8:30 PM at Pete’s.

If you can forgive the appropriation ...

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Bleak, Chilly, Distantly Menacing Urban Soundscapes From the Metro Riders

Source: New York Music Daily

In somber recognition of Halloween month, today’s album – streaming at Bandcamp – is Europe By Night, by Stockholm soundscaper Henrik Stelzer a.k.a. the Metro Riders. The album title is apt: Stelzer’s world is relentlessly overcast and stops after black fades to grey. The production is opaque and sounds analog, an early 80s lo-fi atmosphere Stelzer builds with vintage or neo-vintage synth textures spun through walkmans and other oldschool devices.

Coldly anonymous tenements, smog-stained bridges and endless expanses of concrete come to mind in the opening track, Stockholm 2024. It’s an icily syncopated, hypnotically loopy mood piece, plastically acidic ...

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Brooklyn Raga Massive’s Version of Terry Riley’s In C: The Most Psychedelic Album of 2017

Source: New York Music Daily

Considering how much Indian music has influenced Terry Riley’s work, It makes sense that the iconic composer and pioneer of what’s come to be known as indie classical would give the thumbs-up to Brooklyn Raga Massive’s recording of his famous suite. The irrepressible New York collective can’t resist mashing up just about anything with classical Indian sounds: their previous album tackled a bunch of famous John Coltrane tunes. They’re playing the album release show for the new one – streaming at Bandcamp – on Oct 6 at 8 PM at the Poisson Rouge; $20 adv tix are recommended.

...

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The Enigmatic, Dynamic, Hard-Hitting Desert Foxx Invades the West Village

Source: New York Music Daily

Desert Foxx don’t seem to have anything to do with Nazi generals, and there’s nobody in the band named Rommel. If you have to squeeze the trio of into a category, postrock would work. Film music, ambient soundscaping, jazz improvisation and deep noir also factor into bassist/bandleader Mike DeiCont’s compositions. Their intriguing new ep Kill Together is streaming at Bandcamp, and they have a gig on Oct 4 at 6 PM at Cornelia Street Cafe with special guest multi-reedman Levon Henry. It’s a great deal: cover is ten bucks and includes a drink!

The album is a darkly cinematic ...

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Abraham Brody Brings His Mystical Reinventions of Ancient Shamanic Themes to Williamsburg

Source: New York Music Daily

Lithuanian-American violinist/composer Abraham Brody covers a lot of ground. In a wry bit of Marina Abramovic-inspired theatricality, he’ll improvise as he stares into your eyes, a most intimate kind of chamber concert. He also leads the intriguing avant-folk quartet Pletai (Lithuanian for “ritual”) with vocalist-multi-instrumentalists Masha Medvedchenkova, Ilya Sharov and Masha Marchenko, who reinvent ancient Lithuanian folk themes much in the same vein as Igor Stravinsky appropriated them for The Rite of Spring. The group are on the bill as the latest installment in Brody’s ongoing series of performances at National Sawdust on Oct 5 at 7:30 PM. Advance tix ...

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A Sneak Peek at One of the Year’s Most Enticing Big Band Shows

Source: New York Music Daily

It used to be that an artist never got a Lincoln Center gig until they were well established. That’s changed. These days, if you want to catch some of the world’s most exciting up-and-coming acts, Lincoln Center is the place to be. This August 31 at 7:30 PM the mighty, cinematic and wildly danceable Jazzrausch Bigband make their Lincoln Center debut at the atrium space on Broadway just north of 62nd Street. The show is free, so whether you want a seat or a spot on the dancefloor, getting there on time is always a good idea.

Some mystery surrounds ...

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Algiers’ Enigmatic New Album Looks at Current Day Perils Through a Glass, Darkly

Source: New York Music Daily

Algiers are one of the world’s most individualistic, relevant bands. Their 2014 debut album was a grim, confrontational mashup of oldschool soul, new wave and postrock, with a fiery populist, anti-racist sensibility. Their latest release, The Underside of Power – streaming at Spotify – is more Sandinista than London Calling . It’s a jaggedly interconnected suits that owes as much to the 80s film scores of Brad Fiedel and RZA’s lavish 90s Wu-Tang Clan sample collages than it does to rock or soul music. Informed by the Black Lives Matter movement, hip-hop, oldschool gospel and Albert Camus, it demands repeated ...

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Acoustic Guitarslinger R.D. King Brings His Richly Intertwining, Melodic Instrumentals to NYC

Source: New York Music Daily

First there was B.B. Then there was Albert, then Freddie. And now there’s R.D., the latest in a line of first-class guitar-playing Kings. Difference is that R.D. King plays acoustic, and that his style is not blues but his own intricate, meticulous, occasionally multitracked instrumental music that could be called pastoral psychedelia or cinematic folk. Either way, it’s a hell of a lot more energetic and epic than most music for the acoustic guitar.

King is bound to get comparisons to a whole slew of fingerstyle players who use unorthodox or open tunings – John Renbourn, Bert Jansch, Adrian Legg, ...

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A Powerful, Spellbinding, Paradigm-Shifting Asian Art-Song Evening Tonight at the Lincoln Center Festival

Source: New York Music Daily

From singer Gong Linna and the Bang on a Can All-Stars‘ new album Cloud River Mountain, it seemed that last night’s release show at this year’s Lincoln Center Festival would have been all about the drama. Sure, there were plenty of spectacular peaks from the fearless Chinese singer and her American backup band, but there were equal amounts subtlety and dynamics in a mix of distinctly Chinese-flavored and just as distinctly western material written by Lao Luo and the Bang on a Can organization’s three-headed monster: Julia WolfeMichael Gordon and David Lang.

There’s just as ...

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Amir ElSaffar’s Two Rivers Release the Most Rapturously Epic Album of 2017

Source: New York Music Daily

Trumpeter/santoorist Amir ElSaffar’s epic, rapturous new double vinyl album Not Two, with his large ensemble Two Rivers, is a new kind of music. It sounds more composed than improvisational; the reverse is probably true. While the lp – soon to be streaming at New Amsterdam Records – embodies elements of western classical music, free jazz, Iraqi maqams and other styles from both the Middle East and the American jazz tradition, it’s not meant to be cross-cultural. Pan-global is more like it. Haunting, dark and incessantly turbulent, it reflects our time as much as it rivets the listener. The performances ...

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You Bred Raptors? Bring Their Cinematic, Instantly Recognizable, Individualistic Grooves to Drom Tomorrow Night

Source: New York Music Daily

If you pass through the station at Union Square at night, you’ve probably seen one of New York’s most distinctive, high-voltage bands. You Bred Raptors? typically hold fort over the N and R platforms there. Just the sight of Peat Rains, Bryan Wilson and Patrick Bradley wailing on eight-string bass, cello and drums, respectively, is enough to make pretty much anybody stop dead in their tracks. Then there’s the relentless barrage of riffs, and textures, and epic cinematic vistas that transcend any concept of a cello-metal band, let alone what those low-end instruments can typically do. Are these irrepressible ...

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Brandon Seabrook Will See You on the Dark Side of the Drum

Source: New York Music Daily

Brandon Seabrook is one of New York’s great musical individualists. He made his name as a shredder – anybody who’s witnessed his neutron-beam attack on guitar or banjo can vouch for how accurately the bandname Seabrook Power Plant reflects his sould. Yet anyone who’s ever seen him play guitar in magically nuanced singer Eva Salina’s electric Balkan group knows how gorgeously lyrical and restrained his playing can be. Seabrook’s latest album, Die Trommel Fatale, is streaming at Bandcamp . As drummer Dave Treut, who’s played with Seabrook for longer than most anyone else, observed over drinks the other night ...

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Vast, Inviting, Hypnotic Indian Raga Soundscapes and a Brooklyn Show by Arranged Marriage NP

Source: New York Music Daily

Arranged Marriage NP play a distinctive, hypnotic, psychedelic mashup of classical Indian raga music and Eno-esque soundscapes with flickers of industrial noise and Frippertronics-style textures. Guitarist/keyboardist Jerry Adler got his start as the singer in indie rockers the Blam, released a couple of fiery lyrical acoustic folk-rock albums as Flugente and then turned to dreampop with Wave Sleep Wave. Here, he teams with Indian classical duo the Biryani Boys’ sitarist Mustafa Bhagat for a quartet of long instrumentals. The duo’s debut album is streaming at Bandcamp; they’re playing the album release show at 8:30 PM on May ...

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Moist Paula Henderson Brings Her Starry, Playful Improvisations Back to Greenpoint

Source: New York Music Daily

Baritone sax star Moist Paula Henderson is, among other things, the not-so-secret weapon in gonzo gospel-funk pianist/showman Rev. Vince Anderson’s wild jamband. Last night at Union Pool, she was in a characteristically devious mood, having all sorts of fun in between the notes. But she’s not limited to baritone sax. Last month at Troost, she played a fascinatingly enveloping, psychedelic show with multi-instrumentalist and film composer Dorothea Tachler and inventor/guitar shredder Nick Demopoulos. She’s back there tomorrow night, April 26 at around 9 in a duo with Demopoulos, who will no doubt be improvising on the SMOMID, his ...

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Bryan and the Aardvarks: The Ultimate Deep-Space Band

Source: New York Music Daily

It’s impossible to think of a more apt choice of players to evoke an awestruck deep-space glimmer than vibraphonist Chris Dingman, pianist Fabian Almazan and singer Camila Meza. Back them with the elegantly propulsive drums of Joe Nero and bassist-bandleader Bryan Copeland, and you have most of the crew on Bryan and the Aardvarks’ majestic, mighty new album Sounds from the Deep Field, streaming at Bandcamp. Saxophonist Dayna Stephens adds various shades with his EWI (electronic wind instrument) textures. They’re playing the album release show on April 27 at the Jazz Gallery, with sets at 7:30 and 9:30 PM. ...

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Dynamic, Exhilarating, Haunting New Armenian Sounds from Miqayel Voskanyan

Source: New York Music Daily

Last night Drom was packed with a chatty, boisterous crowd who’d come to party and take in a surrealistic, often haunting, absolutely uncategorizable show by Yerevan-based tar lute player Miqayel Voskanyan and his band. Unlike your typical Iranian tar player, Voskanyan holds his high on his chest, like a giant ear of corn that he’s about to take a big bite out of. While there were a few crescendos during his roughly hourlong set that were packed with high-voltage flurries of tremolo-picking, Voskanyan plays with a great sense of touch and subtlety. He saved his wildest chord-chopping for when he ...

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A Contrast in Sonics: Matana Roberts and Supersilent at the Poisson Rouge Last Night

Source: New York Music Daily

Matana Roberts stole the show at the Poisson Rouge last night. And she played solo, without the electronic rig she often employs. Purposefully, with a disarming, often shattering directness, she built songs without words, drawing on two centuries of gospel, blues and a little swing jazz. The first number was a matter-of-factly strolling gospel tune, more or less. After that, she developed a conversation for two or maybe even three voices, calm and resolute versus more agitated: Eric Dolphy and Coltrane together came to mind.

Although she has daunting extended technique and can squall with the best of them, the ...

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A Rare New York Appearance by Haunting Norwegian Soundscaper Deathprod

Source: New York Music Daily

For more than twenty-five years, Helge Sten a.k.a. Deathprod has been creating hauntingly provocative sounds that are impossible to turn away from. Elements of minmalism, Eno-esque soundscapes, spectral, microtonal and film music all factor into what he does, but he transcends genre. Three of his European cult favorite albums – Treetop Drive, Imaginary Songs from Tristan da Cunha, and Morals and Dogma are being reissued by Smalltown Supersound and are all scheduled to be streaming at Bandcamp (follow the preceding three links or bookmark this page) He’s playing a rare New York live show on March 28 at ...

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Rapt Atmospherics from Arooj Aftab and a Tantalizing Vijay Iyer Cameo at Merkin Hall

Source: New York Music Daily

What’s karmic payback for walking out of a Vijay Iyer show? Losing a recording of the most awestruck, rivetingly beautiful concert of the year, for starters – that, and missing out on most of a performance of this era’s most distinctive and arguably most influential pianist. Vijay, if you’re reading this, don’t take it personally. This blog’s proprietor once walked out on Pauline Oliveros too.

Not that she wasn’t great. It’s just that sometimes the demands of running a blog don’t always coincide with having a life. Saturday night at Merkin Concert Hall, it was at least good to get ...

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An Intriguing New Album from the Propulsively Enigmatic Parlor Walls

Source: New York Music Daily

Parlor Walls are one of those great bands who defy categorization. Are they postrock? Postpunk? Noiserock? Psychedelia? Free jazz?

All of the above. Guitarist/singer Alyse Lamb is a charismatic presence out in front of the trio, with as much of a flair for a catchy hook as sonic mayhem. She never plays anything remotely the same way twice. Drummer Chris Mulligan is a beast, playing thick, churning rivers of organ or fuzzy synth lines with his left hand while keeping time with the right and the kickdrum. Alto saxophonist Kate Mohanty adds her signature acidity, acerbity and occasional extended-technique squall, just as ...

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Laurie Anderson Leads a Magically Enveloping, Deeply Relevant Series of Improvisations in Midtown

Source: New York Music Daily

“Give me your poor, your tired, your huddled masses, and we’ll club their heads in,” Laurie Anderson mused last night toward the end of a rapturous series of trio improvisations with bassist Christian McBride and cellist Rubin Kodheli at the Town Hall. She was being sarcastic, of course, As a point of context, she’d brought up Naomi Klein’s book Shock Doctrine, where at the end the author contemplates what might happen if rightwing American bellicosity abroad was launched here. Anderson suggested that the incessant tweets and fake news emanating from that lunatic fringe in the Oval Office could be ...

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Cocooning in Soho with Bing and Ruth

Source: New York Music Daily

It took until about the halfway point in Bing and Ruth’s album release show last night at the Greene Space before the brunette in the front row finally rested her head on the shoulder of the adjacent sweaterboy. New Yorkers have been cocooning a lot lately: it’s hard to think of a more apt, or possibly more hopeful soundtrack for quiet reflection than the ensemble’s new record No Home of the Mind – available on vinyl and streaming at WNYC – which they played from start to finish.

Pianist David Moore has scaled down the original scope of the ...

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Dave Fiuczynski Lifts Off to a Better Planet Than This 

Source: New York Music Daily

Last night at Drom Dave Fiuczynski’s Kif played one of the most exhilarating and sophisticated shows of the past several months in this city. Fiuczynski might be the best guitarist in the world: he is without the doubt the most individualistic. His musical language is completley his own. If it had words instead of notes, it would be part Hindi, part French, part Arabic and part Korean, with some Chinese and plenty of English too. His double-necked, microtonally fretted guitar enables him to play in microtonal scales without bending notes, as well as in the standard western scale. His 2012 ...

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An Intense, Riveting Album and a Midtown Show by the Sirius Quartet

Source: New York Music Daily

The Sirius Quartet  – violinists Gregor Huebner and Fung Chern Hwei, violist Ron Lawrence and cellist Jeremy Harman – play seriously exciting, tuneful, sophisticated music. They’re the rare newschool chamber ensemble who can strike a chord with fans of heavy rock, psychedelia and jazz in addition to the indie classical crowd. They’re playing on an intriguing twinbill, with special guest violinist Tracy Silverman, tonight, Jan 5 at around 9:30 PM at Club Bonafide that makes more sense thematically than you might think. Longtime Astor Piazzolla collaborator and nuevo tango pianist Pablo Ziegler and his ensemble open the night at 7:30, ...

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Cocooning on Multiple Levels

Source: New York Music Daily

If there’s ever been a time for soothing, enveloping sounds in New York, this is it. Two shows this week gave audiences a good idea of what’s avaialble in an month where pretty much everybody’s women friends are afraid of losing their reproductive rights, everybody’s Mexican friends are worried about being lynched, and everydody’s up in arms about where they’re going to live after 1/19/17.

Virtuoso violist Ljova explained that he was new to loopmusic, so he cautioned the crowd at Barbes Tuesday night that they should take what they hear with a grain of salt. Then he launched into ...

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