Tag Archives: piano jazz

Entertainment and Formidable Piano Chops at an Unexpectedly Contemplative Spot with Champian Fulton

Source: New York Music Daily

Champian Fulton brings a rare blend of daunting piano and vocal chops and to the final nights of her indian summer Radegast Hall residency this Sept 18 at 8 PM. She’s also here on the 25th. Either way, it’s Monday, and it’s professional night, and while you might not expect people to come to listen, they do. Remember, every bar on a Monday could be the best bar in town.

Fulton’s latest album is The Things We Did Last Summer, a collaboration with suave tenor saxophonist Scott Hamilton recorded live onstage in Spain last year and streaming at Spotify. ...

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A Darkly Majestic, Sweepingly Cinematic, Often Haunting Trio Album from Pianist Guy Mintus

Source: New York Music Daily

Pianist Guy Mintus’ music has depth, and gravitas, and glimmer, and an often cinematic sweep. Israeli pianists tend to embrace both western classical music as well as the edgy minor keys and chromatics common to Jewish and  Middle Eastern music, and Mintus is no exception. His sound is very distinctive: there’s no real comparison, although from time to time he evokes the nocturnal majesty of Shai Maestro, the phantasmagorical side of Frank Kimbrough and the counterintuitively dark explorations of Danny Fox. Mintus’s new album, A Home In Between, with his long-running trio, bassist Tamir Shmerling and drummer ...

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Potent, Evocative New Vocal Jazz: Helen Sung with Words Last Night at the Jazz Standard

Source: New York Music Daily

On one hand, Helen Sung with Words last night at the Jazz Standard was a chance to hear both multi-reedman John Ellis and trumpeter Ingrid Jensen blaze together in front of a tight latin-flavored rhythm section, a treat not to be missed. On the other, it was an opportunity to witness the most cutting edge of vocal jazz, a tantalizingly eclectic, often harrowingly relevant work in progress bookended by a couple of real burners.

Singers Christie Dashiell, Carolyn Leonhart and Vuyo Sotashe took turns and often harmonized Sung’s settings of poems by Dana Gioia, whose recorded words wafted through the ...

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An Iconic Noir Piano/Vocal Duo Put Out the Best Album of 2017 So Far

Source: New York Music Daily

Town and Country, the new duo album by iconic noir pianist Ran Blake and his longtime collaborator, singer Dominique Eade, opens with with Lullaby, from the 1955 serial killer film Night of the Hunter. It’s over in less than a minute. Blake plays icy upper-register chromatics behind Eade’s wary resonance, more a wish than a convincing statement that “Birds will sing in the willows…hush!”

It’s hard to think of a more appropriate way to open a protest jazz record in 2017.

The other piece from that film score, Pretty Fly, isn’t that much longer, Blake’s allusive, Debussyesque pointillisms ...

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An Ambitious, Spontaneously Fun New Album by Champian Fulton

Source: New York Music Daily

In any style of music, singers who are also formidable instrumentalists are rare. In jazz, that usually boils down to players who can carry a tune – Frank Lacy and  Wycliffe Gordon, for starters- rather than vocalists with instrumental prowess. By any standard, Diana Krall is a strong pianist; Karrin Allyson is vastly underrated on the 88s, and Alicyn Yaffee is a fantastic guitar player. Then there’s Champian Fulton, who’s even more ambitious. Her latest album, wryly titled Speechless, has no vocals on it. It’ll be up at Posi-Tone Records; bookmark this page and check back ...

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Pianist Mara Rosenbloom Makes a Fiery Statement With Her Incendiary New Trio Album

Source: New York Music Daily

Mara Rosenbloom‘s first two albums showcase an elegance and melodicism that compares to Sylvie Courvoisier. Where Courvoisier veers off toward the avant garde, Rosenbloom is more likely to edge toward hard bop, no surprise considering that she has Darius Jones on alto sax as a member of her long-running quartet. But her new trio album, Prairie Burn, with bassist Sean Conly and drummer Chad Taylor – streaming at Spotify – is her quantum leap into greatness. An absoutely feral, largely improvisational suite, it’s essentially about playing with fire, something Rosenbloom turns out to be very, very good at. ...

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Pianist Mara Rosenbloom Makes a Fiery Statement With Her Incendiary New Trio Album

Source: New York Music Daily

Mara Rosenbloom‘s first two albums showcase an elegance and melodicism that compares to Sylvie Courvoisier. Where Courvoisier veers off toward the avant garde, Rosenbloom is more likely to edge toward hard bop, no surprise considering that she has Darius Jones on alto sax as a member of her long-running quartet. But her new trio album, Prairie Burn, with bassist Sean Conly and drummer Chad Taylor – streaming at Spotify – is her quantum leap into greatness. An absoutely feral, largely improvisational suite, it’s essentially about playing with fire, something Rosenbloom turns out to be very, very good at. ...

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Orrin Evans Celebrates the Release of One of His Best Albums at the Jazz Standard

Source: New York Music Daily

Pianist Orrin Evans is in the midst of a weekend stand at the Jazz Standard, with shows tonight and tomorrow night, Nov 19 nnd 20 at 7:30 and 9:30 PM; cover is $25.. The captain of the epic Captain Black Big Band also has a fantastic new album, Knowing Is Half the Battle, just out and streaming at Spotify. What’s new is that it’s a two-guitar record, Kevin Eubanks and Kurt Rosenwinkel joining Evans,bassist Luques Curtis and drummer Mark Whitfield Jr. And what’s most impressive about it is that even though it’s one of the most highly improvisational albums ...

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Orrin Evans Celebrates the Release of One of His Best Albums at the Jazz Standard

Source: New York Music Daily

Pianist Orrin Evans is in the midst of a weekend stand at the Jazz Standard, with shows tonight and tomorrow night, Nov 19 nnd 20 at 7:30 and 9:30 PM; cover is $25.. The captain of the epic Captain Black Big Band also has a fantastic new album, Knowing Is Half the Battle, just out and streaming at Spotify. What’s new is that it’s a two-guitar record, Kevin Eubanks and Kurt Rosenwinkel joining Evans,bassist Luques Curtis and drummer Mark Whitfield Jr. And what’s most impressive about it is that even though it’s one of the most highly improvisational albums ...

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Thoughtfully Dynamic, Subtly Amusing Piano Improvisation from Ron Stabinsky

Source: New York Music Daily

“Enjoy yourself,” Gil Scott-Heron would tell people. “If you can’t enjoy yourself, what the hell CAN you enjoy?” Pianist Ron Stabinsky seems to be doing exactly that on his new solo album, Free for One, streaming at Spotify. Being a Pennsylvanian with a sense of humor, it’s only logical that he would fall in with the Mostly Other People Do the Killing crowd (“We’re not satirists” – yeah, right). He’s playing the album release show at 8 PM on Nov 15 at Roulette, with bassist Tom Blancarte opening the show solo. $20 advance tix are recommended for those who ...

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Thoughtfully Dynamic, Subtly Amusing Piano Improvisation from Ron Stabinsky

Source: New York Music Daily

“Enjoy yourself,” Gil Scott-Heron would tell people. “If you can’t enjoy yourself, what the hell CAN you enjoy?” Pianist Ron Stabinsky seems to be doing exactly that on his new solo album, Free for One, streaming at Spotify. Being a Pennsylvanian with a sense of humor, it’s only logical that he would fall in with the Mostly Other People Do the Killing crowd (“We’re not satirists” – yeah, right). He’s playing the album release show at 8 PM on Nov 15 at Roulette, with bassist Tom Blancarte opening the show solo. $20 advance tix are recommended for those who ...

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Erudite Piano Luminary Fred Hersch Winds Up His Stand at an Iconic Spot Tonight

Source: New York Music Daily

August in New York: what a beautiful time to be here, isn’t it? Sure, it’s hot, but the hordes of recent invaders have all gone off to the Hamptons, or wherever they stash their inheritances – or simply back to mom and dad in Bloomfield Hills or Lake Oswego. It didn’t used to be this way; then again, it didn’t used to be this hot. Let’s enjoy it while we can, shall we? For those of us in the mood to revel in a cosmopolitan Old New York experience, pianist Fred Hersch is winding up his stand at the Village ...

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Erudite Piano Luminary Fred Hersch Winds Up His Stand at an Iconic Spot Tonight

Source: New York Music Daily

August in New York: what a beautiful time to be here, isn’t it? Sure, it’s hot, but the hordes of recent invaders have all gone off to the Hamptons, or wherever they stash their inheritances – or simply back to mom and dad in Bloomfield Hills or Lake Oswego. It didn’t used to be this way; then again, it didn’t used to be this hot. Let’s enjoy it while we can, shall we? For those of us in the mood to revel in a cosmopolitan Old New York experience, pianist Fred Hersch is winding up his stand at the Village ...

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Pianist Sylvie Courvoisier Delivers Darkly Intense, Kinetic Individualism with Her Trio at Roulette

Source: New York Music Daily

It’s hard to imagine a more darkly distinctive pianist than Sylvie Courvoisier. She’s a longtime member of John Zorn’s inner circle, which makes sense considering her blend of moodily resonant neoromanticism, jazz squall and fondness for extended technique….not to mention the often noirish sensibility and rich vein of sardonic, sometimes grim humor that runs through her work. She can sell out the Stone whenever she feels like playing there; it was good to see a much larger crowd than the Stone can hold watching her raptly last night at Roulette, in a vividly conversational set with her long-running trio, ...

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A Darkly Smashing Return to Form and a Jazz Standard Stand by Pianist Alfredo Rodriguez

Source: New York Music Daily

Cuban-born pianist and Quincy Jones protege Alfredo Rodriguez made waves with his 2012 debut album Sounds of Space, His latest and third release, Tocororo – streaming at Spotify – is a welcome return to that record’s juxtaposition of terse Afro-Cuban and broodingly lustrous third-stream sounds. Rodriguez is leading a trio with bassist Peter Slavov and drummer Henry Cole plus chanteuse Ganavya Doraiswamy through a three-night stand at the Jazz Standard starting on March 3, with sets at 7:30 and 9:30 PM. Cover is $30, which may seem steep, but remember, the Jazz Standard has no minimums (although they do have ...

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A Lyrical, Latin-Tinged New Quintet Album from Pianist Lou Rainone

Source: New York Music Daily

Pianist Lou Rainone keeps a busy schedule in the New York scene, playing regularly with the master of polytonal sax, George Braith and also with intriguingly enigmatic chanteuse Dorian Devins, among others. As a composer, he likes latin rhythms and mines a melodic postbop style; in the same vein as Brad Mehldau, he hangs out mostly in the piano’s midrange. Rainone’s latest album, Sky Dance is just out, and not yet up at the usual places online yet, although the clips up at cdbaby offer a hint of the unselfconsciously glimmering melodicism and postbop chops that characterize his work. ...

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Iconic Noir Pianist Ran Blake Offers a Dark Salute to the Great George Russell

Source: New York Music Daily

It’s autumn in New York. Finally, in this overheated age, we’ve made it there. And what better way to conclude Halloween week than with the latest album by the definitive noir pianist of our era, Ran Blake, which opens and then after fifteen additional tracks, concludes with that song? The cd, Ghost Tones, a tribute to Blake’s old pal George Russell, sadly isn’t streaming anywhere on the web, but you can get a sense of its magically shadowy gravitas from the momentary clips up at cdbaby.

Throughout the record, the saturnine majesty of Blake’s playing is undiminished. Like ...

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Deep African Blues Roots in Cutting-Edge Jazz in the West Village This Week

Source: New York Music Daily

“When I first heard gnawa music, I heard the blues, and jazz, and the Black church,” Randy Weston explained to the sold-out crowd at the New School Tuesday night. The ageless piano sage has made a career of taking jazz back to its ancient African roots and then reinventing them, first inspired by his father and later while living in Morocco, where he immersed himself in innumerable North African folk and classical music styles. Currently artist-in-residence at the university, he brought along his pal Abdellah El Gourd along with a trio of energetic, impressively athletic dancer-percussionists from his group Dar ...

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Deep African Blues Roots in Cutting-Edge Jazz in the West Village This Week

Source: New York Music Daily

“When I first heard gnawa music, I heard the blues, and jazz, and the Black church,” Randy Weston explained to the sold-out crowd at the New School Tuesday night. The ageless piano sage has made a career of taking jazz back to its ancient African roots and then reinventing them, first inspired by his father and later while living in Morocco, where he immersed himself in innumerable North African folk and classical music styles. Currently artist-in-residence at the university, he brought along his pal Abdellah El Gourd along with a trio of energetic, impressively athletic dancer-percussionists from his group Dar ...

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Piano Luminary Myra Melford Returns to Her Old LES Stomping Ground

Source: New York Music Daily

Is it fair to call pianist Myra Melford a cult artist? Her music is so full of life, and tunes, and ideas and color that spans the emotional spectrum. In the NYC downtown jazz scene, she’s iconic, a status she earned in the 90s before she hightailed it for a UC/Berkeley professorship. She’s got a weeklong stand at the Stone starting this Tuesday, March 24 with sets at 8 and 10 PM and continuing through the 29th; cover is $15. There are too many enticing sets to list here: the 8 PM duo shows with whirlwind drummer Allison Miller on ...

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Marc Cary Delivers Depth and Gravitas and Redemptive Fun at a Harlem Jazz Shrine

Source: New York Music Daily

Pianist Marc Cary and his Focus Trio – Rashaan Carter on bass and Sameer Gupta on drums.- played their opening set at Minton’s uptown last night like a suite. It was as if they felt the cold and the snow flurries outside – not to mention the tension and grief this city’s endured in the last couple of weeks – and decided to welcome everyone and warm them up with a healthy dose of hot pepper. But they eschewed jalapeno jump for a lingering, resonant bhut jolokia burn. That Indian pepper reference is deliberate, and makes sense since Cary draws ...

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A Tuneful, Labyrinthine, Edgy New Album from the Danny Fox Trio

Source: New York Music Daily

Danielle Spradley‘s cd cover illustration on the Danny Fox Trio‘s new album Wide Eyed is a woodcut in the style of Paul Klee. In the lower righthand corner, there’s a guy with an accordion – or is it a piano? – strapped to his back, facing a vortex. In some ways, Fox is a smart guy surrounded by idiots – but obviously not in his regular band, featuring bassist Chris van Voorst van Beest and drummer Max Goldman. They’re playing the album release show on May 9 at 8 PM at Subculture; cover is $15.

Much as there’s ...

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Bernie Worrell Reveals His Dark Side

Source: New York Music Daily

When you  think about it, isn’t it astonishing how George Clinton, Eddie Hazel, Bernie Worrell and Bootsy Collins were all in the same band? Does that make P-Funk the Beatles or Stones of funk…or does it makes the Beatles and Stones the P-Funk of the rock world? Since those days, the Wizard of Woo has gone on to an eclectic career as a bandleader, playing his inimitably funky songs but also spending plenty of time on the edgier side of jazz. But Worrell also has a masters degree from New England Conservatory. His latest album, Elevation: The Upper Air is ...

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Yoko Miwa Makes an Eclectically Lyrical Blue Note Debut

Source: New York Music Daily

In her Blue Note debut yesterday, Yoko Miwa showed off a comfortable but hard-charging command of several jazz vernaculars. She made elegant ragtime out of Monk, worked a playful carnaval pulse back and forth on one number, and managed to make a jauntily entertaining trip to New Orleans out of what was essentially a one-chord vamp. But the vernacular that she excelled the most with was her own. That style favors lots of big block chords stretched mostly across the piano’s midrange, which she builds expansively but purposefully to big, glittering, anthemic crescendos. Think of a more carefree Brad Mehldau ...

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