Tag Archives: noir music

An Obscure, Darkly Tasty Treat by the Sandwitches

Source: New York Music Daily

Today’s Halloween album is Our Toast, by Lynchian San Francisco lo-fi harmony rock trio the Sandwitches. Grace Cooper, Heidi Alexander and Roxanne Young put this up on Bandcamp in 2015 – after an intriguing series of ep’s and singles, it it looks like the band have been on ice pretty much ever since, probably consequence of less-than-optimal branding .

But it’s a great late-night album, suitable for any Halloween playlist you may be working on. Rusty Miller’s haphazardly jaunty western saloon-tuned piano propels the opening waltz, Sunny Side. With its casket girl harmonies, it’s got to be the saddest ...

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Yet Another Haunting, Psychedelic Silent Film Score From Morricone Youth

Source: New York Music Daily

Today’s Halloween album is Morricone Youth’s original score to F. W. Murnau’s 1927 silent film Sunrise: A Tale of Two Humans. For the past almost twenty years, Morricone Youth have built what might be the vastest, most consistently dark repertoire in the history of art-rock. Aas film music, bandleader/guitarist Devon E. Levins’ body of work rivals the greatest of the greats: Bernard Herrmann, Angelo Badalementi, Steve Ulrich and the maestro Morricone himself. Over the past eighteen months or so, the group have been on a marathon recording binge, with a game plan of immortalizing every single one ...

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An Edgy Debut Album and a Williamsburg Show by Intense Cello Rockers the Icebergs

Source: New York Music Daily

The Icebergs are New York’s hardest-working cello band. No disrespect to the great Serena Jost, but the Icebergs maintain a punishing late-night gig schedule. If there’s any midnight band in New York, it’s the trio of frontwoman Jane LeCroy, cellist Tom Abbs and O’Death drummer David Rogers-Berry. That’s even more impressive when you consider that LeCroy also fronts the similarly intense, politically fearless avant garde duo Ohmslice with multi-instrumentalist Brandon Ross. The Icebergs have an edgy debut album, Eldorado, streaming at Bandcamp and a show this Friday night at 8:30 PM at Pete’s.

If you can forgive the appropriation ...

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Revisiting One of the Most Haunting String Quartets of Recent Years

Source: New York Music Daily

One of the most sepulchral and chilling albums of recent years is the Blair String Quartet’s 2014 recording of Michael Hersch’s Images From a Closed Ward. Hersch takes his inspiration from Michael Mazur’s 1960s series of etchings of patients grimacing, contorted, sometimes catatonic patients in a Rhode Island mental institution, lost in perpetuity in their own worlds. In a particularly tragic footnote, just when Hersch had finished his own sketches for this work and reached out to his old artist pal, Mazur died. So there’s a doubly elegaic quality to this music.

It’s very slow and ghostly ...

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Ella Atlas’ Debut Album Builds Hauntingly Cinematic Twin Peaks Ambience

Source: New York Music Daily

Guitarist Stephen Masucci is best known for his film work and for his lead work in one of the most haunting, Lynchian New York bands ever, the Lost Patrol. Since that group ground to a halt a couple of years ago, he’s been busy with a new, similarly dark, cinematic project, Ella Atlas, with compellingly enigmatic, eclectic singer/multi-instrumentalist Tarrah Maria. The duo’s deliciously reverb-drenched new album The Road to Now is streaming at Bandcamp.

It opens with the catchy, distantly shimmering When the Gods Are Fading, swirly late 70s ELO through a surreal new wave prism peppered ...

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Revisiting a Macabre Psychedelic Masterpiece by the Black Lesbian Fishermen

Source: New York Music Daily

Today’s album for Halloween Month is the creepy, strangely titled 2015 art-rock suite Ectopic Apiary, by the Black Lesbian Fishermen. This masterpiece of slowly crescendoing, crepsucular psychedelic rock – and spinoff of the similarly eerie Gray Field Recordings – is streaming at the Cryptanthus Bandcamp page.

Guitarist/multi-instrumentalist Alan Trench joins forces with fellow multi-instrumentalist R. Loftiss, guitarists Nikos Fokas and Stratis Sgourelis here. Two of the tracks are live; both are epic. The first, Lignite Light is a gentle, pastoral psych-folk nocturne, guitars wafting and gently jangling in a dusky milieu lowlit by quietly resonant wood flute. As ...

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A Brooding, Resonant Subterranean Soundscape for Halloween Month

Source: New York Music Daily

Today’s installment for Halloween month is Philip Blackburn’s album Music of Shadows – streaming at Spotify – which was written to be played in the St. Paul, Minnesota sewer system. Innova Records put out this bleak, tectonically and ineluctably shifting triptych in 2014, and it may be the high point of the composer’s career so far.

Blackburn is sort of the shadow image of Brian Eno – his enveloping, often darkly majestic electroacoustic soundscapes tend to whoosh and resonate in the lows, sometimes with provocative samples. His recent works have addressed the struggles of Vietnamese refugees and have lampooned ...

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The Long-Awaited New Dream Syndicate Album: Best Rock Record of 2017?

Source: New York Music Daily

Steve Wynn is probably the greatest rock songwriter of all time. In terms of sheer output, tunefulness and consistently brilliant lyrical vision, he left Dylan and the Stones in the dust in a previous century. Since then, literally hundreds of songs later, he hasn’t let up. His latest and arguably most ambitious project has been to release a new album with his legendary, recently reunited 80s band the Dream Syndicate. Long story short: their dark, epic, surprisingly diverse new record How Did I Find Myself Here – streaming at youtube – could be the best album of 2017. Find ...

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Bleak, Chilly, Distantly Menacing Urban Soundscapes From the Metro Riders

Source: New York Music Daily

In somber recognition of Halloween month, today’s album – streaming at Bandcamp – is Europe By Night, by Stockholm soundscaper Henrik Stelzer a.k.a. the Metro Riders. The album title is apt: Stelzer’s world is relentlessly overcast and stops after black fades to grey. The production is opaque and sounds analog, an early 80s lo-fi atmosphere Stelzer builds with vintage or neo-vintage synth textures spun through walkmans and other oldschool devices.

Coldly anonymous tenements, smog-stained bridges and endless expanses of concrete come to mind in the opening track, Stockholm 2024. It’s an icily syncopated, hypnotically loopy mood piece, plastically acidic ...

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Clint Mansell’s Loving Vincent Soundtrack: A Darkly Familiar Masterpiece

Source: New York Music Daily

Is the soundtrack to a film which deals with madness Halloweenish enough for you? If so, check out Clint Mansell’s soundtrack to Loving Vincent, streaming at Spotify. Mansell has a long resume writing eclectic and frequently brooding scores for all sorts of films, but it’s horror that he really excels at. This isn’t a horror film per se, but it is relentlessly dark, and Mansell runs with that all the way to an ending  we can all see coming a mile away. Or can we?

The opening theme has a bell-like pulse, played on the piano: does this ...

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Sam Bardfeld Puts on His Richard Nixon Mask Just in Time for Halloween

Source: New York Music Daily

What could be more appropriate for Halloween month than a fearsome violinist who sometimes leads a band called Up Jumped the Devil? Or whose latest album, The Great Enthusiasms – streaming at Bandcamp – comprises songs with titles taken from Richard Nixon quotes? Sam Bardfeld lifted most of those from Nixon’s resignation speech; it’s not likely that Trump, if in fact he ends up giving one, will be nearly as quotable. “Though Dick was a paranoid, hateful crook, there’s intelligence and complexity in him that one cannot imagine existing inside our current president. During this current dark stain in our ...

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Bobtown Foreshadow Halloween at This Year’s Brooklyn Americana Festival

Source: New York Music Daily

It’s impossible to think of a better band than Bobtown to kick off Halloween month. The stars of the Saturday portion of this year’s Brooklyn Americana Festival last week put on a spellbinding show that ranged from the brooding folk noir they got their start with back in the late zeros, through the starkly rhythmic chain gang sounds they were exploring earlier this decade, to a handful of new tunes where the band’s frontline became the Andrews Sisters’ evil twins.

There’s no other Americana band with three voices as distinctive and gleefully sinister as this Brooklyn crew. Frontwoman/drummer/accordionist Katherine ...

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The Enigmatic, Dynamic, Hard-Hitting Desert Foxx Invades the West Village

Source: New York Music Daily

Desert Foxx don’t seem to have anything to do with Nazi generals, and there’s nobody in the band named Rommel. If you have to squeeze the trio of into a category, postrock would work. Film music, ambient soundscaping, jazz improvisation and deep noir also factor into bassist/bandleader Mike DeiCont’s compositions. Their intriguing new ep Kill Together is streaming at Bandcamp, and they have a gig on Oct 4 at 6 PM at Cornelia Street Cafe with special guest multi-reedman Levon Henry. It’s a great deal: cover is ten bucks and includes a drink!

The album is a darkly cinematic ...

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Abraham Brody Brings His Mystical Reinventions of Ancient Shamanic Themes to Williamsburg

Source: New York Music Daily

Lithuanian-American violinist/composer Abraham Brody covers a lot of ground. In a wry bit of Marina Abramovic-inspired theatricality, he’ll improvise as he stares into your eyes, a most intimate kind of chamber concert. He also leads the intriguing avant-folk quartet Pletai (Lithuanian for “ritual”) with vocalist-multi-instrumentalists Masha Medvedchenkova, Ilya Sharov and Masha Marchenko, who reinvent ancient Lithuanian folk themes much in the same vein as Igor Stravinsky appropriated them for The Rite of Spring. The group are on the bill as the latest installment in Brody’s ongoing series of performances at National Sawdust on Oct 5 at 7:30 PM. Advance tix ...

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80s Psychedelic Rock Cult Hero Russ Tolman at the Top of His Uneasy Game at Pete’s Last Week

Source: New York Music Daily

It feels so good to be alive.

That’s the punchline of a song called Shot You Down. In context, it’s one of the most vengefully delicious lyrics ever written. It’s arguably the best track on True West’s 1982 cult classic Drifters album. In his Pete’s Candy Store debut Thursday night, such that it was, True West bandleader Russ Tolman didn’t play that one. But he did play Hollywood Holiday. That’s the title track of the group’s first ep, a snarling mashup of post-Velvets rock, Americana and psychedelia.

The music media at the time called that stuff “paisley underground.” It’s a ...

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A Barbes Residency This Month by Intense Jazz Passengers Leader Roy Nathanson

Source: New York Music Daily

When you think of solo saxophone, do you get shadowy visions of some guy leaning against a brick wall, playing desolate, mournful phrases that linger in the mist somewhere on upper Broadway in the wee hours? Or is that just a personal observation?

Roy Nathanson played something like that late in a very rare solo show at NYU this past spring, but he also played a lot of much more kinetic material, in a spellbinding display of extended technique. It’s not likely that the Jazz Passengers bandleader and onetime Lounge Lizard will be playing much if any solo material ...

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Nicole Atkins Brings Her Noir Soul to an Intimate Mercury Lounge Gig This Saturday Night

Source: New York Music Daily

Here’s how to survive at the top level of what’s left of the music business. You tour constantly – summer festivals, rock venues, jazz clubs, house concerts, whatever’s available for the cash. You crowdfund your album, then record it live to two-inch analog tape with people who get what you do and can wrap it up in less than a week. Meanwhile, you bombard your fan base with everything from Spotify playlists of your influences to limited-edition concert recordings.  And the social media treadmill – one goofy pic after another, oy. That’ll drive you to drinking.

So maybe you quit ...

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Greg Lewis Brings His Harrowing, Haunting, Elegaic New Protest Jazz Suite to Bed-Stuy

Source: New York Music Daily

Greg Lewis is one of the world’s great jazz organists, best known as a radical reinterpreter of Thelonious Monk. But Lewis hardly limits himself to reinventing the classics. His latest album The Breathe Suite – streaming at Spotify – is just as radical, and arguably the most relevant jazz album released in the past several months. Lewis dedicates five of its six relentlessly dark, troubled movements to black Americans murdered by police. There’s never been an organ jazz album like this before: like Monk, Lewis focuses on purposeful, catchy melodies, heavy with irony and often unvarnished horror. If this isn’t ...

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A Brooding New Album and a Brooklyn Show from Dark Country Band the Whiskey Charmers

Source: New York Music Daily

Ann Arbor dark country band the Whiskey Charmers made a big splash with their 2015 debut album. Their new one, The Valley – streaming at Bandcamp – takes their Lynchian twang and shuffle and raises the energy: this is much more of a blue-flame electric rock record. They’re making a rare New York appearance tonight, August 18 at 8 PM at the Way Station, making the trek out to the fringes of Bed-Stuy worth your while.

Lawrence Daversa’s bone-bleached slide guitar builds lingering menace throughout the album’s opening track, Desert, frontwoman/guitarist Carrie Shepard voicing an understatedly lurid scenario that probably ...

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Algiers’ Enigmatic New Album Looks at Current Day Perils Through a Glass, Darkly

Source: New York Music Daily

Algiers are one of the world’s most individualistic, relevant bands. Their 2014 debut album was a grim, confrontational mashup of oldschool soul, new wave and postrock, with a fiery populist, anti-racist sensibility. Their latest release, The Underside of Power – streaming at Spotify – is more Sandinista than London Calling . It’s a jaggedly interconnected suits that owes as much to the 80s film scores of Brad Fiedel and RZA’s lavish 90s Wu-Tang Clan sample collages than it does to rock or soul music. Informed by the Black Lives Matter movement, hip-hop, oldschool gospel and Albert Camus, it demands repeated ...

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Nina Diaz Brings Her Relentless Angst and Catchy 80s-Influenced Tunesmithing to Wlliamsburg

Source: New York Music Daily

Nina Diaz is best known as the frontwoman and guitarist of Girl in a Coma. Without knowing her background, you might swear that many of the songs on  her debut solo album The Beat Is Dead – streaming at Spotify – were relics from the 80s. Synthesizers pulse and swirl; the guitars and basslines are as dry as they are precise and catchy. Otherwise, the record sounds like a sleeker take on her main band, a series of angry anthems that would make a great soundtrack for a sequel to or remake of Fatal Attraction. You know – ...

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Dalava Hauntingly Reinvent Grim, Timelessly Relevant Slovak and Czech Folk Songs

Source: New York Music Daily

Dalava reinvent dark, often grim, centuries-old Slovak and Czech folk tunes as intense, dynamically shifting psychedelic rock. Guitarist Aram Bajakian is arguably the greatest lead player ever to pass through Lou Reed’s band: only the late Robert Quine and Mick Ronson compare. Bajakian also plays with numerous other outfits including lavish Hungarian folk/art-rock band the Glass House Ensemble.

His wife, singer Julia Ulehla, is the scion of an important Moravian musicological legacy. Her great-grandfather Vladimir, a colleague of Leos Janacek, was a major player in that discipline and as she tells it, a pretty amazing guy. His exhaustive fieldwork ...

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Big Lazy at the Peak of Their Darkly Cinematic Power in Brooklyn This Saturday Night

Source: New York Music Daily

Friday night at Barbes the room was packed and the girls in the front row were dancing up a storm through two slinky sets by Big Lazy. Less than 24 hours later, seeing Los Straitjackets – a similarly twangy, virtuosic guitar instrumental band who go far deeper into the surf than Big Lazy but are nowhere near as picturesque – raised the question of how many other bands are actually better now than they were twenty years ago.

The New York Philharmonic, maybe?

Big Lazy had already earned iconic status in noir music circles before the end of ...

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It’s a Great Summer for Middle Eastern Music in New York

Source: New York Music Daily

While much of the New York City parks system is on the highway to privatized hell – both Central Park Summerstage and the Prospect Park Bandshell series are selling ticketed seats to free concerts now – we haven’t yet reached the point where free summer concerts here have been whitewashed and yuppified to the point of irrelevance. Meanwhile, serendipitously, there have been some new publicly accessible concert series popping up, keeping the hallowed tradition of free summer concerts here alive.

One public space that’s been flying more or less under the radar until recently is Bryant Park. It wouldn’t be ...

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Austin’s Best Band Comes to Brooklyn’s Best Venue This Saturday Night

Source: New York Music Daily

Is Money Chicha’s album Echo en Mexico the heaviest cumbia ever made? Decide for yourself – it’s streaming at Soundcloud.  Just listen, for example, to the string-torturing axe-murderer guitar solo at the end of their version of Juaneco Y Su Combo’s classic, wordless elegy for a plane crash,  Lamento En La Selva, which opens the album. If psychedelic music, the magically trebly, trippy sounds of 1970s Peru, or the idea of dancing your ass off are your thing, get that ass down to Barbes this Saturday night at 10 PM where this Austin band – a Grupo Fantasma ...

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