Tag Archives: New Music

Church Girls Find Serenity in New Singles “Better Off” & “Breaking Bones”

Source: Rock On Philly

Church Girls Find Serenity in New Singles “Better Off” & “Breaking Bones”

Photo by Charlie Wrzesniewski

Rock On Philly Artist of The Month alum Church Girls have taken some notable leaps forward in the past few years, as the hard working local act who rank among my “Philly Bands You Need To Know Now” have proven this to yet again to be true with their new singles, “Better Off”…

And “Breaking Bones”…

“It’s about a creative relationship that began with promise but ultimately crumbled” Beaumont shares about “Better Off”… “I think we’d seen some things in each other that couldn’t be unseen. Writing the song helped me confront some ...

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Maria Pomianowska Brings Moody Medieval Polish Themes and Instruments Into the 21st Century at Lincoln Center

Source: New York Music Daily

Early in her set last night at Lincoln Center’s Kaplan Penthouse, Maria Pomianowska held up her handmade fiddle, called a suka in her native Poland. “It doesn’t translate well,” she grinned. Since the 1990s, when she singlehandedly rescued this once-ubiquitous folk instrument from obscurity – basing her initial design on a rare depiction in an 18th century painting – it’s enjoyed a resurgence. Its rich, starkly resonant sound explains why.

Pomianowska took care to remind that her goal isn’t merely to lead a period-instrument ensemble playing ancient repertoire: she wants to take the instrument into the here and now. What ...

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Maria Pomianowska Brings Her Magically Shapeshifting Polish String Sounds to the Lincoln Center Festival

Source: New York Music Daily

Maria Pomianowska‘s axe is the biłgoraj suka, a medieval Polish forerunner of today’s violin, which she’s responsible for literally reconstructing and rescuing from obscurity. Leading her chamber ensemble, she’s playing her own hauntingly eclectic, classical and folk-influenced repertoire for the instrument this Tuesday, July 25 at 8 PM at the Kaplan Penthouse at Lincoln Center as part of this year’s the Lincoln Center Festival. Tix are steep – $35 – but this is a rare chance to see this magical Polish artist.

Pomianowska’s’s latest album – streaming at Bandcamp – is The Voice of Suka, an aptly titled series ...

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The Up-and-Coming Verona Quartet Bring a Vivid Program to MOMA Summergarden This Sunday

Source: New York Music Daily

Among urbane hot-weather New York traditions, nothing beats a trip to MOMA Summergarden on a Sunday evening. The thematic programming that they used to have here has given way to a more eclectic series of acts. Doors open at 6 on the 54th Street side; the music starts at 8 and getting there on time is always a good idea. This Sunday, July 23, the auspicious young Verona Quartet, who got their start at Juilliard just a year ago, play US premieres by a global cast of contemporary composers: Japan’s Teizō Matsumura, Costa Rica;s Alejandro Cardona and Poland’s  ...

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International Contemporary Ensemble Unveil a Rapturously Low-Key Program at the Miller Theatre

Source: New York Music Daily

International Contemporary Ensemble probably cover more ground than any other indie classical group, in terms of territory,  personnel and repertoire. These days they’re more or less a bicoastal unit, with a revolving door of first-class players. Last week at the Miller Theatre, a characteristically eclectic New York subset of the organization rewarded the big crowd who’d come up to 116th and Broadway with a texturally delicious program of duo and trio works spiced with shimmering microtones, overtones and strange tunings. The ostensible theme was animal behavior; if that was meant to acknowledge how much more animals hear than we do, ...

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Sam Sowyrda Brings His Relentless, Spectacularly Hypnotic Percussion Pieces to Trans-Pecos

Source: New York Music Daily

Percussionist Sam Sowyrda has a thing for dynamics. He likes to build his compositions almost imperceptibly, giving himself an enormous amount of range to explore when he wants to get really loud – or just sort of loud. That’s where the MalletKAT (electronic vibraphone) player from trippy quirk-instrumentalists Cloud Becomes Your Hand ends up about three minutes into the more than twenty-minute A-side of his debut solo album Luminous Horizons, streaming at Gold Bolus Recordings and also available on cassette. He’s airing out that material and probably a lot more at the release show on May 13 starting at around ...

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This Year’s MATA Festival of New Music: As Challenging and Inspiring As Ever

Source: New York Music Daily

It’s been nineteen years since Philip Glass and his circle decided to begin programming the scores that people around the world were sending him. Since then, the annual MATA Festival has grown into an annual celebration of cutting-edge, and these days, increasingly relevant new music from around the world. In recent years, they’ve found a comfortable home at the Kitchen in Chelsea, where the festival continues nightly at 8 PM through Saturday, April 29; tix are $20; To keep the momentum going, the organizers are also staging a series of shows this summer featuring new chamber music from the Islamic ...

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The Skylark Vocal Ensemble Bring Their Haunting, Otherworldly Exploration of Near-Death Themes to the French Institute

Source: New York Music Daily

The Skylark Vocal Ensemble’s latest album, Crossing Over – streaming at Spotify – is as haunting a collection of music as has been released over the past year. It’s meant to be. Making their way through a dynamic mix of works from around the globe and the past hundred years or so, with an emphasis on contemporary composers, the lustrous choir explore themes addressing an end-of-life dream state and the prospect of life after death. They’re bringing their rapt intensity to a concert at the French Institute/Alliance Française, 55 E 59th St. on April 27 at 7:30 PM where they’ll ...

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Bearthoven Take a Bite Out of the Accessible Side of the Avant Garde

Source: New York Music Daily

Bearthoven’s piano/bass/percussion lineup would be as orthodox as orthodox gets if they were a jazz trio, In the world of indie classical and chamber music, that’s a much less likely configuration. The eclectic, disarmingly tuneful debut album by pianist Karl Larson, Gutbucket bassist Pat Swoboda and Tigue percussionist Matt Evans, aptly titled Trios, features the work of seven cutting-edge composers and is due to be streaming this May 5 at the Cantaloupe Music Bandcamp page. They’re playing the album release show at 7:15 sharp on April 18 at the Poisson Rouge; advance tix are $15.

A lot of ...

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Feature | igloo two – “lazy daze (OZKER Remix)”

Source: Blisspop » DC Music

Whether he’s in the studio mixing down his latest track or in the DJ booth mixing into the next track, Ozker has a profound influence on dance floors in DC and beyond. Last month, Ozker delivered a deep, atmospheric house remix for DC’s igloo two. The remix is decked out with lush synth pads that highlight a powerful

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INTERVIEW | CYRIL HAHN

Source: Blisspop » DC Music

In 2012, Cyril Hahn broke out with a sensational house remix of the hit Destiny’s Child track “Say My Name,” and has been delivering tasteful R&B inspired remixes and originals to his fans ever since. As he embarks on his 2017 North American tour, I had the chance to talk to him about his influences,

The post INTERVIEW | CYRIL HAHN appeared first on Blisspop.

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Meet the Artists: Local Techno Showcase

Source: Blisspop » DC Music

DC isn’t typically recognized as a techno hotspot, but those in the know are hip to the burgeoning local scene. U Street Music Hall, which has a long history of supporting local artists and uplifting rising stars, will carry on this tradition by hosting a local techno showcase this Saturday, April 8. This party is

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Olga Bell’s Irreverently Funny, Relevant Lincoln Center Debut Trumps Adversity

Source: New York Music Daily

Olga Bell is hilarious. In her American Songbook debut at Lincoln Center’s Kaplan Penthouse last night, the Russian-born art-rock/avant garde keyboardist/singer validated a brave piece of booking, in the process triumphing over all sorts of adversity. This was a tough gig from the git-go. Cheefing on what seemed like a bottomless thermos til it was gone, then finally switching to water, she battled a cold along with some unfamiliar gear that malfunctioned to the point of threatening to completely derail her show. But she persevered, cheerfully breaking the fourth wall when she wasn’t mercilessly pillorying the yuppie careerism, incessant status-grubbing and money ...

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A Rare New York Appearance by Haunting Norwegian Soundscaper Deathprod

Source: New York Music Daily

For more than twenty-five years, Helge Sten a.k.a. Deathprod has been creating hauntingly provocative sounds that are impossible to turn away from. Elements of minmalism, Eno-esque soundscapes, spectral, microtonal and film music all factor into what he does, but he transcends genre. Three of his European cult favorite albums – Treetop Drive, Imaginary Songs from Tristan da Cunha, and Morals and Dogma are being reissued by Smalltown Supersound and are all scheduled to be streaming at Bandcamp (follow the preceding three links or bookmark this page) He’s playing a rare New York live show on March 28 at ...

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Two Brilliant World Premieres and a Masterful Interpretation of a Classic from the Chelsea Symphony

Source: New York Music Daily

That the Chelsea Symphony’s Powerglide tour of the iconic vistas in Dvorak’s New World Symphony Friday night was upstaged by two world premieres speaks to both the quality of those works as well as the orchestra’s commitment to establishing them in the symphonic repertoire. With meticulous attention to detail, conductor Miguel Campos Neto first led the group through Danny Gray’s Summer Mountains, the winning piece from this season’s Chelsea Symphony composition competition.

Although inspired by eleventh century Chinese landscape portraiture, there’s nothing Asian about it: Gray could just as easily have called it Appalachian Spring. As the work ...

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Rising Star Composer Ayumi Okada Brings Her Vivid, Picturesque, Cinematic Sounds to Upper Manhattan

Source: New York Music Daily

Pianist/composer Ayumi Okada writes vivid, cinematic songs without words. Her music is full of stories, and humor, and unselfconscious depth. Much as her sense of melody is appealingly consonant, it would be a mistake to pigeonhole her as a neoromantic: she’s most at home in the borderlands with Debussy and Ravel. A composer-performer, she’s premiering a new piano quintet with a first-class chamber ensemble including star cellist James Waldo on March 10 at 7:30 PM at Holy Trinity Church, 20 Cumming St. in Washington Heights. The group will also play music of Dvorak, Bach, Johann Goldberg, Caroline Shaw and Doug ...

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Blisspop Presents: #TRACKWERK

Source: Blisspop » DC Music

After a hiatus in throwing parties, we’re back with a monthly party series called #TRACKWERK at Ten Tigers Parlour, a bar in DC’s Petworth neighborhood that features comfortable seating, a beautiful outdoor patio, good food, and most importantly for us, an upstairs dance floor with a crisp yet powerful Martin Audio sound system. The name

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An Irresistible, Globally Eclectic Show by Elektra Kurtis and the PubliQuartet

Source: New York Music Daily

Violinist Elektra Kurtis’ latest album  is a fiery, often explosive electric jazz record. But she has many different sides. Last night at the Cornelia Street Cafe, she showed off as much elegance as kinetic energy in a completely acoustic set featuring irrepressibly adventurous indie classical ensemble the PubliQuartet.

She opened solo with a bravura Mozart interlude and closed the night with a full quintet arrangement of one of her signature originals, blending elements of flamenco, Romany dances and tarantella into a lithely stormy, polyrhythmic exchange of voices. An earlier piece, also featuring the quintet, resembled the work of ...

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A Darkly Intense New String Album and a Release Show from Edgy Composer Molly Jocye

Source: New York Music Daily

As if we need more proof that Monday is the new Saturday night, on March 6 at 6:30 PM there’s an enticing indie classical performance on the Lower East Side. It’s free with a rsvp, and there’s a reception afterward. The main enticement is that violinist Kristin Lee, concertmaster of the Metropolis Ensemble will be playing the release show for composer Molly Joyce’s intense, acerbic ep Lean Back and ‘Release (streaming at Bandcamp). As a bonus, the composer will also premiere her new work for toy organ and electronics, ominously titled Form and Deform. The ...

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Laurie Anderson Leads a Magically Enveloping, Deeply Relevant Series of Improvisations in Midtown

Source: New York Music Daily

“Give me your poor, your tired, your huddled masses, and we’ll club their heads in,” Laurie Anderson mused last night toward the end of a rapturous series of trio improvisations with bassist Christian McBride and cellist Rubin Kodheli at the Town Hall. She was being sarcastic, of course, As a point of context, she’d brought up Naomi Klein’s book Shock Doctrine, where at the end the author contemplates what might happen if rightwing American bellicosity abroad was launched here. Anderson suggested that the incessant tweets and fake news emanating from that lunatic fringe in the Oval Office could be ...

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Feature | Philco – “King Of The 909 (Original Mix)”

Source: Blisspop » DC Music

As the popularity of house music elements rises in mainstream electronic productions, few new artists understand and incorporate its roots like DC’s Philco. The Roland TR-909 was released in 1984 as one of the first Roland kits equipped with MIDI, and it played an instrumental role in the rise of underground house music with use

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Microtonal Merrymaking at the Mayflower

Source: New York Music Daily

It was a treat to get to hear Concetta Abbate on Sunday at Mayflower Bar in Fort Greene. Abbate is best known as a violinist and composer of beguiling chamber-pop miniatures, but she’s also a magically nuanced, expressive singer. Lately she’s been working on finishing up her Master’s at Columbia, so she hasn’t been playing out a lot.

This time was a rapturous, mostly improvised duo set with Kyle Farrell, who played a marimba-like instrument invented by Skip Laplante. Its series of eighteen evenly tuned metal pipes covered the span of an octave, laid flat atop a styrofoam box ...

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Who Wouldn’t Go to Staten Island for Shostakovich?

Source: New York Music Daily

Sitting at the bar yesterday afternoon, a new musician friend’s eyes widened. “You went to Staten Island last night to see the 8th Shostakovich? I’d go to Staten Island to see that!”

An intimate crowd of Staten Islanders, a cool couple from New Jersey and at least one Manhattanite made it out to the Staten Island Art Museum Saturday night to see a string quartet subset of the Musical Chairs Chamber Ensemble deliver a meticulous, absolutely chilling, transcendent performance of that harrowing piece of music along with two eye-opening world premieres, plus a similar work from the 70s, a smashingly ...

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ACME Thrive on Routine – Seriously

Source: New York Music Daily

For over  a decade, the American Contemporary Music Ensemble have relentlessly championed American composers, and the New York indie classical scene in particular. Since the mid-zeros, this semi-rotating chamber group – many of whose members are composers themselves – have recorded music as diverse as noir film themes, works for dance and a New York Mets themed song cycle (go Mets in 2017!).  The group are playing the album release show for their latest one, Thrive on Routine – streaming at WQXR – at 8 PM on Feb 13 at Roulette; $20 advance tix are still available as of today.

ACME ...

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