Tag Archives: music review

Falu’s Karyshma Reach For the Divine With a High-Voltage, Dynamic Set at Drom

Source: New York Music Daily

Before there was a Brooklyn Raga Massive, or a Navatman Music Collective, there was Falu’s Karyshma. And that band – fronted by the singer widely considered to be the best to emerge in the world of Indian music since the 1990s – rocks a lot harder than either of those two much larger ensembles. Friday night at Drom, a packed house got to witness a dynamic, vigorously eclectic show from the eight-piece group, a potent reminder of how deep the well of music from across the Hindustani subcontinent is as well as how many amazing places a ...

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The Momenta Quartet Stage a New Classic of Classical Music for Children

Source: New York Music Daily

How can you tell if a chamber music performance is appropriate for children? By how the kids react, for one. Yesterday morning, the Momenta Quartet’s boisterously amusing multimedia show, The Lost String Quartet – by their violist Stephanie Griffin – kept two busloads of five-year-olds engaged and for the most part equally well-behaved for over an hour. It’s one thing to keep a preschooler close to you, with the occasional reminder to sit still. Two whole posses of them, all surrounded by their fellow crazymakers, completely change the game.

The plot, based on N. M. Bodecker’s now out-of-print 1983 ...

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Celisse Henderson Stuns a Lincoln Center Crowd With Her Guitar and Vocal Chops

Source: New York Music Daily

Celisse Henderson is definitely an artist we feel is representing New York, and representing Lincoln Center,”  impresario Jordana Leigh told a packed house last night.

“I just want to let everybody know I’m really excited at being at such a fancy establishment without getting kicked out,” Henderson responded a little later. At her debut headlining show at Manhattan’s cultural mecca, the dynamic, charismatic multi-instrumentalist flexed some fearsome guitar chops, and her powerful voice, and kept the crowd in stitches with her between-song banter (she’s also an actress – go figure). Force of nature would be an understatement.

Backed by ...

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The Resistance Revival Chorus Sing a Fiery, Fearless Benefit for Immigrant Rights

Source: New York Music Daily

When the Resistance Revival Chorus hit the stage Tuesday night for the first of their rousing, oldschool gospel-style protest songs, there seemed to be about two dozen women in the group. By the time the show ended, individual choir members and special guests treating a sold-out crowd at City Winery to a tantalizing series of cameos, it seemed that the size of the chorus had doubled. Are they New York’s largest ensemble? At the rate they’re growing, they will be, and it the current political climate it’s not going to take long.

Much as booking a group with a ton ...

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A Fiery New Album From Guitarslinger Debra Devi

Source: New York Music Daily

Debra Devi is the rare rock guitarist who’s as much about purpose as pyrotechnics. It’s amazing how she uses as many notes as she does, yet she doesn’t overplay. She can fire off a blistering, wildly psychedelic solo with the best of them, but she also uses every shade and color in her pedalboard. Late-period, sober Stevie Ray Vaughan is a point of comparison esthetically if not stylistically. Devi may be a disciple of the blues (she wrote a very popular book on the subject), but she doesn’t limit herself to the style. She’s got a show coming up this ...

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A Powerful, Relevant Performance by the Best Orchestra in New York Not Called the Philharmonic

Source: New York Music Daily

There was a moment at the Greenwich Village Orchestra’s concert Saturday night at the Lincoln Center complex where the bassists got to share a brief, gleefully triumphantly grin. They’d just played the second movement of Shostakovich’s Symphony No. 10, one of the most viscerally evil pieces of music ever written. It’s also one of the most viscerally thrilling. It doesn’t require the virtuoso technique of the final movement of Beethoven’s Ninth Symphony, which the orchestra played with similar passion earlier this year. This was a different kind of adrenaline.

Conductor Barbara Yahr summed it up succinctly beforehand. “The first ...

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The Todd Marcus Orchestra Play a Riveting, Epic Set at Smalls

Source: New York Music Daily

Last night Smalls was packed for the New York debut of the Todd Marcus Orchestra’s new Middle Eastern jazz suite In the Valley. Much as the band onstage was cooking, these people had come to listen. Bass clarinetist and bandleader Marcus gets a mighty sound, bigger than you would expect from a nine-piece outfit. Part of that stems from Marcus’ use of the whole sonic spectrum, Gil Evans-style. The other is how much gravitas he builds in the lows, best exemplified by the punchy contrapuntal interweave during the first set’s towering final number, Horus, Marcus teaming up with trombonist ...

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A Richly Haunting New Tango Album and a Harlem Release Show by Sofia Tosello

Source: New York Music Daily

Great singers are used to getting called on to sing all sorts of widely different styles, and Sofia Tosello is no exception. She’s just as comfortable fronting experimental trance-folk duo Chuño as she is with classic and nuevo tango. Her latest album, Lluvia Fue – streaming at her music page – is a real cloudburst of intensity, a mix of iconic and lesser known tango ballads from across the decades. She’s playing the album release show on Dec 8, with sets at 7:30 and 9:30 PM at the newly reopened and remodeled Minton’s uptown. Cover is $15; as far ...

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Poignant, Fascinating Korean Sounds in Queens Last Night

Source: New York Music Daily

It would make sense to assume that a band who’d play a song called The Scream of the Sunflower would be more than a little psychedelic. Much as there were plenty of surreal moments in improbably named Korean chamber-folk group Fairy Tale’s North American debut last night at Flushing Town Hall, the show was more about elegance and poignancy.

“Legend” is probably a better English translation of what the sextet call themselves. Lyrics are very important to this group, especially to expressive frontwoman Myeongseo Jang, so she and her bandmates took turns introducing the songs in coyly fractured English. ...

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Mirian Conti Goes On a Mission Which Was Impossible Until Recently

Source: New York Music Daily

This past evening in the comfortable, old-world auditorium at the Consulate of Argentina in midtown, Mirian Conti played the first ever North American concert devoted exclusively to the solo piano music of Lalo Schifrin. It could have been a world premiere, although the now 85-year-old Argentine composer has undoubtedly played at least a few solo shows of his own somewhere in the world. Either way, Conti made history with this revelatory performance, especially considering that she was responsible for getting Schifrin to write most of the music.

While Schifrin is no stranger to fans of film scores, he isn’t ...

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Trippy, Eclectic Sounds in Deep Bushwick This Sunday Night

Source: New York Music Daily

This December 3 there’s an excellent multi-band lineup put together by boutique Brooklyn label Very Special Recordings at Secret Project Robot, 1186 Broadway between Lafayette and Van Buren in Bushwick. The show starts at 8; the lineup, in reverse order, is psychedelic Afrobeat headliners the People’s Champs; female-fronted trip-hop/postrock band Green and Glass; brilliant bassist Ezra Gale’s funky, dub-inspired psychedelic project the Eargoggle; psychedelic pastoral jazz guitarist Dustin Carlson; similarly eclectic guitarist Ryan Dugre; and cinematic guitar-and-EFX dude Xander Naylor, who can be a lot louder and more fearsome than his latest, more ...

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Ward White’s As Consolation: Best Rock Record of 2017

Source: New York Music Daily

Ward White’s album Bob topped the list of best releases of 2013 here. So it’s hardly a surprise that his latest album As Consolation is by far the best rock record released this year. Most artists who play loud, troubling, psychedelic music usually get quieter and more pensive as the years go by. but since the early zeros, White has gone in the opposite direction.

The new album – streaming at Bandcamp –  isn’t quite as surreal as Bob, but Bob is unlike any other record ever made, a disjointed whirlwind murder mystery psychedelic lit-rock suite. Its closest comparisons ...

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A Long-Overdue Retrospective From the Greatest Songwriter You Might Not Know

Source: New York Music Daily

Back in the radio-and-records era, it was common for a band to put out a greatest-hits album to fulfill their obligation to the label in order to get out of a record deal. Steven Breyer, longtime leader of cult favorite powerpop band Skooshny, put his together to get a record deal. Which makes sense in a way: Breyer is nothing if not counterintuitive. The album, Matchless Gifts – out from Kool Kat Musik and streaming at Bandcamp – is a lavish, smartly assembled double-cd compilation of the best tracks he’s released since 2006 under the name Son of Skooshny ...

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Revisiting Some Classics by Mingus and His Many Advocates

Source: New York Music Daily

Trombonist Ku’Umba Frank Lacy is a mainstay of the New York jazz scene, with a list of recording and touring credits a mile long as a both a bandleader and sideman. His Live at Smalls album, a red-hot straight-up postbop sextet date at the well-loved West Village basement spot, got a big thumbs-up here in 2014. And as big band fans know, Lacy is also an excellent singer with a distinctively gritty, dynamic low register. New Yorkers have at least three chances to catch him over the next week or so. He’s leading his own group on Dec 5 at ...

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Purist Roots Reggae Band John Brown’s Body Make a Long-Awaited Manhattan Return

Source: New York Music Daily

John Brown’s Body have been touring longer than Bob Marley & the Wailers.

Think about that for a second.

If you count the point in the mid-60s where ska slowed down to rocksteady, and Toots & the Maytals had a hit with Do the Reggay, roots reggae has been around for half a century. And it’s been a long time since reggae was CNN for Rastafarians and the Jamaican pro-democracy underground.

And it seems like almost as long since John Brown’s Body played a good New York venue. These road warriors’ most recent album, Fireflies – streaming at Soundcloud...

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Maximo Park Bring Their Populist Dance Party to Bowery Ballroom

Source: New York Music Daily

Maximo Park play fun, catchy, acerbic new wave-flavored dance-rock with smartly conscious lyrics. They’re more likely to bounce their way through the smoke machine haze than to strike a pose with a boot up on the monitor, Oasis-style. So it’s not likely that there’ll be a lot of trumpies at their show at Bowery Ballroom on Nov 30 at 9:30 PM. For the 99%, tickets are a reasonable $20 in advance, and you can get them at the Mercury Lounge on weekdays until 7.

The band’s latest album Risk to Exist is streaming at Spotify. The funky opening track ...

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Vigen Hovsepyan Reinvents Stark, Impactful, Frequently Haunting Armenian Themes

Source: New York Music Daily

The little nation of Armenia seems to have more good musicians per capita than almost anywhere in the world. So it makes sense that one of the most intriguing albums to come over the transom here in the past year is singer/bandleader Vigen Hovsepyan’s Echoes: Revived Armenian Folk Music, streaming at Spotify. Hovsepyan plays guitar, duduk and percussion and sings in Armenian in a strong, expressive baritone, backed by bass, percussion, oud, cello, and traditional reeds including duduk and zurna. What differentiates this collection from more traditional versions of these tunes is the imaginative arrangements, with edgy, crescendoing solos ...

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Wild Turkish Psychedelic Rock Rescued From Obscurity

Source: New York Music Daily

One of the most amazing albums released this year is Uzelli Psychedelic Anadolu, a compilation streaming at Spotify that pays homage to the Turkish cassette label that released some of the wildest, most surreal sounds to emerge from that part of the world. Spanning from 1975 to 1984, this trippy ten-track playlist collects hard funk, symphonic rock, disco, electrified Turkish traditional ballads and anthems…and what sounds like a long radio commercial.

String synth, organ, wry wah synth and soaring, otherworldly, microtonal zurna oboe mingle in Zor Beyler’s suspenseful, lushly anthemic Gozumdeki Yaslar. The second track, by guitarslinger Erkin Koray, is ...

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A Captivating World Premiere and Two Playful, Relevant Works in Progress Wrap Up This Year’s Sounds of Arts Festival

Source: New York Music Daily

This year’s Sounds of Arts Festival in Long Island City, staged by arts organization Multicultural Sonic Evolution, featured a variety of performances from jazz to dance to indie classical music. The final program was an auspicious trio of works in progress by Chinese-American Alicia Lieu and Japanese composer Yui Kitamura along with a world premiere commission from Mayalsian-born JunYi Chow.

The highlight of the first night was Chow’s colorful, dynamic partita The House of Smells and Noise. Inspired by a story about a boy’s experiences with Nyonya (Chinese Malaysian) culture in Lee Su Kim’s book Sarong Secrets, ...

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A Night of Haunting, Adrenalizing, Poignant Sounds From the Greek Underground

Source: New York Music Daily

University of Illinois music professor Yona Stamatis, a native New Yorker, was on a mission to find the real rebetika, the so-called “Greek blues.” The music actually doesn’t sound the least bit bluesy. Popularized by ethnic Greek refugees from Turkey and Cyprus, much of it bristles with the eerie microtones and slinky rhythms of Middle Eastern music. At its peak in the 1920s and 30s, it was the sound of the criminal underworld as well as the pro-democracy underground fighting a brutal dictatorship. Rebetika is still played in tavernas and on Greek tv, but all too often it’s watered down, ...

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The Navatman Music Collective Take Rapturous Indian Classical Sounds to New Places

Source: New York Music Daily

Last night at the Navatman Music Collective’s sold-out show at Symphony Space, choir leader Roopa Mahadevan took what otherwise would have been a pretty generic blues riff and transformed it into shiveringly melismatic, sultry R&B, echoed by guest tenor saxophonist Pawan Benjamin. Not something you would expect at a performance of centuries-old south Indian classical music.

There was another point where singer Shiv Subramaniam took a series of flying leaps from his crystalline low register to a spot much further upward, his voice a comet tail of grit and overtones. Then there was the split-secomd where Preetha Raghu’s brief ...

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Pianist Marta Sanchez Brings Her Elegant, Lustrous Tunefulness to the West Village

Source: New York Music Daily

Lustrous atmosphere and elegant glimmer at the top of the keys introduces the opening track on  pianist Marta Sanchez’s latest album, Danza Imposible, streaming at Bandcamp. Is it impossible to dance to? Not necessarily. Does the music itself dance? A fair amount. What’s very, very possible about it is that you can hum along. Sanchez is a strong tunesmith and doesn’t fall for postbop cliches. She has a thing for syncopated Philip Glass-like variations on a central, circular hook; a sense of angst lurks in the background throughout many of the numbers here. She’s leading her quintet this ...

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Celebrating an Eclectic, Dynamic Force in Venezuelan Classical Music

Source: New York Music Daily

“I’m having a great time up here,” bassist Gonzalo Tappa told his bandmates with an unselfconsciously grin. He’d been exchanging sly rhythmic riffs all night with the Jimi Hendrix of the cuatro, Jorge Glem. Not something you might expect at a concert celebrating the work of a pioneering classical composer.

Friday night at the Baruch Performing Arts Center, an all-star chamber orchestra played the first-ever career retrospective of music by Aldemaro Romero, a 20th century Venezuelan counterpart to Ernesto Lecuona. Romero came to New York at age 34 with his family and worked prolifically as an arranger in both classical ...

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Innovative, Intriguing New Guitar Sounds From Lucas Brode

Source: New York Music Daily

Lucas Brode is one of New York’s most individualistic guitarists. Rather than picking or strumming, he typically taps the strings. Because he uses a lot of pedals, the sound is a lot more varied and dynamic than you would think. Most of the compositions on his new solo album I Lick the Kerosene of Progress – streaming at Bandcamp – are on the short and cinematic side. He’s got an intriguing gig tomorrow night, Nov 19 at around 9 with brilliant drummer Kevin Shea (of Mostly Other People Do the Killing) at the Glove, 885 Lexington Ave. just off Broadway ...

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Kelly Green Brings Her Vintage Jazz Voice and Sophisticated Postbop Compositions to Smalls Next Month

Source: New York Music Daily

The sound of a siren in passing traffic opens pianist/singer Kelly Green’s new album Life Rearranged, streaming at Spotify. In addition to a mix of standards, some striking originals with flashes of greatness pervade this urbane, classy, purist album: Green is someone to keep your eye on. The material is typically on the melancholy side but with occasional wistful humor. Vocally, Sarah Vaughan seems to be an obvious influence; on the keys, Green plays with a strong sense for space and a flair for the unexpected. She and her group are playing the album release show on Dec ...

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