Tag Archives: music review

The Bumper Jacksons Bring Their Hot, Eclectically Swinging Americana Party to the Bleecker Street Strip

Source: New York Music Daily

The Bumper Jacksons play irresistible oldtimey toe-tapping music. If you got priced out of the Squirrel Nut Zippers reunion tour shows, this band will put the bubbles in your Moxie. Their latest album I’ve Never Met a Stranger – streaming at their music page – expands the band’s adventures of all sorts of Americana even further, embracing oldschool country and soul music as well as the swing they’ve made a name for themselves with. They’ve got an enticing show coming up at the Poisson Rouge on August 24 at 7 PM; $15 advance tix are highly recommended.

Guitarist Chris Ousley ...

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A Brooding New Album and a Brooklyn Show from Dark Country Band the Whiskey Charmers

Source: New York Music Daily

Ann Arbor dark country band the Whiskey Charmers made a big splash with their 2015 debut album. Their new one, The Valley – streaming at Bandcamp – takes their Lynchian twang and shuffle and raises the energy: this is much more of a blue-flame electric rock record. They’re making a rare New York appearance tonight, August 18 at 8 PM at the Way Station, making the trek out to the fringes of Bed-Stuy worth your while.

Lawrence Daversa’s bone-bleached slide guitar builds lingering menace throughout the album’s opening track, Desert, frontwoman/guitarist Carrie Shepard voicing an understatedly lurid scenario that probably ...

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A Richly Retro New Album From Honkytonk Harmony Stats the Sweetback Sisters

Source: New York Music Daily

With their twangy harmonies, purist oldschool C&W instrumentation, vivid storytelling and omnipresent sense of humor, the Sweetback Sisters sounds like they just stepped offstage at the Grand Old Opry sometime in the mid-50s – or 60s on occasion. Singers Emily Miller and Zara Bode can be totally badass one moment and shatteringly poignant the next. Their previous album Looking For a Fight was a mix of deliciously retro honkytonk and western swing tunes, with a couple of harrowingly lyrical ballads. Their new one King of Killing Time – streaming at Bandcamp – looks back a little further to around 1953, ...

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Algiers’ Enigmatic New Album Looks at Current Day Perils Through a Glass, Darkly

Source: New York Music Daily

Algiers are one of the world’s most individualistic, relevant bands. Their 2014 debut album was a grim, confrontational mashup of oldschool soul, new wave and postrock, with a fiery populist, anti-racist sensibility. Their latest release, The Underside of Power – streaming at Spotify – is more Sandinista than London Calling . It’s a jaggedly interconnected suits that owes as much to the 80s film scores of Brad Fiedel and RZA’s lavish 90s Wu-Tang Clan sample collages than it does to rock or soul music. Informed by the Black Lives Matter movement, hip-hop, oldschool gospel and Albert Camus, it demands repeated ...

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The Colorful Dalton Deschain & the Traveling Show Make a Lower East Side Stop

Source: New York Music Daily

Dalton Deschain & the Traveling Show are one of the most individualistic and artistically ambitious bands in New York. They’re very high-concept: their catchy, anthemic songs mirror and elaborate on characters and events in an ongoing retro-futurist serial novel that could go in plenty of directions, from graphic series to feature film. Over the past couple of years, Deschain (not his real name) and the band have been beating a path with their catchy, anthemic songs between Bed-Stuy and the Lower East Side when they’re not on tour. They’ve got a new ep, Catherine, streaming at Bandcamp and an accompanying ...

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Nina Diaz Brings Her Relentless Angst and Catchy 80s-Influenced Tunesmithing to Wlliamsburg

Source: New York Music Daily

Nina Diaz is best known as the frontwoman and guitarist of Girl in a Coma. Without knowing her background, you might swear that many of the songs on  her debut solo album The Beat Is Dead – streaming at Spotify – were relics from the 80s. Synthesizers pulse and swirl; the guitars and basslines are as dry as they are precise and catchy. Otherwise, the record sounds like a sleeker take on her main band, a series of angry anthems that would make a great soundtrack for a sequel to or remake of Fatal Attraction. You know – ...

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Dalava Hauntingly Reinvent Grim, Timelessly Relevant Slovak and Czech Folk Songs

Source: New York Music Daily

Dalava reinvent dark, often grim, centuries-old Slovak and Czech folk tunes as intense, dynamically shifting psychedelic rock. Guitarist Aram Bajakian is arguably the greatest lead player ever to pass through Lou Reed’s band: only the late Robert Quine and Mick Ronson compare. Bajakian also plays with numerous other outfits including lavish Hungarian folk/art-rock band the Glass House Ensemble.

His wife, singer Julia Ulehla, is the scion of an important Moravian musicological legacy. Her great-grandfather Vladimir, a colleague of Leos Janacek, was a major player in that discipline and as she tells it, a pretty amazing guy. His exhaustive fieldwork ...

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The Auspicious Future and Gloriously Melancholy Past of Americana Rock at Lincoln Center

Source: New York Music Daily

For the last several years, the Americana Music Association has partnered to book the closing night of Lincoln Center Out of Doors. Yesterday’s festivities began with multi-instrumentalist Amanda Shires and her similarly brilliant band and closed soaringly and bittersweetly with the unselfconsciously gorgeous harmonies of the Jayhawks. There were other acts throughout the day, some of them rambunctious, one of them absolutely putrid, but if these two are the foundation and future of Americana, New York’s default listening music is in good hands.

Shires doesn’t exactly play violin like your typical Americana fiddler. From song to song, she’d fire ...

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Lavish, Paradigm-Shifting Indian Choral Sounds from the Navatman Music Collective

Source: New York Music Daily

Like the Brooklyn Raga Massive, the Navatman Music Collective are a semi-rotating cast of some of New York’s most innovative Indian instrumental and vocal talent. Just the fact that they’re the only carnatic choir in this hemisphere attests to the group’s adventurousness. Bands have been making rock music out of ancient carnatic themes since the days of the Beatles and Grateful Dead, and then there’s Bollywood, but Indian classical ensembles typically have no use for harmony because it doesn’t exist in the tradition.

When the Navatman Music Collective harmonize, their sound is lush, and otherworldly, and unlike any ...

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Acoustic Guitarslinger R.D. King Brings His Richly Intertwining, Melodic Instrumentals to NYC

Source: New York Music Daily

First there was B.B. Then there was Albert, then Freddie. And now there’s R.D., the latest in a line of first-class guitar-playing Kings. Difference is that R.D. King plays acoustic, and that his style is not blues but his own intricate, meticulous, occasionally multitracked instrumental music that could be called pastoral psychedelia or cinematic folk. Either way, it’s a hell of a lot more energetic and epic than most music for the acoustic guitar.

King is bound to get comparisons to a whole slew of fingerstyle players who use unorthodox or open tunings – John Renbourn, Bert Jansch, Adrian Legg, ...

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A Spicy Midsummer Taste of Golden Fest at Lincoln Center Out of Doors

Source: New York Music Daily

It’s a fair bet that rustic Carpathian acoustic music-and-dance ensemble the Cheres Folk Orchestra, Malika Kalontarova’s otherworldly tar lute-driven Tajik group, explosive Georgian crew the Dancing Crane Ensemble, and exhilarating Albanian music stars Merita Halili & the Raif Hyseni Orchestra have played Golden Fest, the nation’s most electrifying Balkan music festival, which takes place every January in Brooklyn. So it’s no surprise that these four acts’ show Sunday afternoon turned out to be the highlight of this year’s Lincoln Center Out of Doors festival so far.

The Tirana-born Halili has a wide-angle vibrato that she engages like ...

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A Brooding Live Film Score and New York’s Most Relevant Gospel Choir at Prospect Park

Source: New York Music Daily

It wouldn’t be fair to let the month go by without mentioning the wickedly amusing, entertaining score that Sexmob played to the 1925 Italian silent film Maciste All’Inferno at Prospect Park Bandshell a couple of weeks ago. Another A-list jazz talent, pianist Jason Moran, teams up with the Wordless Music Orchestra there tonight, August 10 to play a live score to another more famous film. Selma. The Brooklyn United Marching Band opens the night at 7:30 PM, and if you’re going, you should get there on time.

It’s amazing what an epic sound trumpeter/bandleader Steven Bernstein manages to evince ...

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Big Lazy at the Peak of Their Darkly Cinematic Power in Brooklyn This Saturday Night

Source: New York Music Daily

Friday night at Barbes the room was packed and the girls in the front row were dancing up a storm through two slinky sets by Big Lazy. Less than 24 hours later, seeing Los Straitjackets – a similarly twangy, virtuosic guitar instrumental band who go far deeper into the surf than Big Lazy but are nowhere near as picturesque – raised the question of how many other bands are actually better now than they were twenty years ago.

The New York Philharmonic, maybe?

Big Lazy had already earned iconic status in noir music circles before the end of ...

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Souren Baronian Brings His Agelessly Soulful Fun and Middle Eastern Jazz Gravitas Back to Barbes

Source: New York Music Daily

Is Souren Baronian a NEA Jazz Master yet? If not, there are guys younger and a lot less accomplished who’ve received that honor. No time like the present, people…while there still is such thing as the NEA.

Now in his eighties, the Armenian-American multi-reedman, percussionist and bandleader is absolutely undiminished as a soloist, one of the greatest pioneers and most soulful players in the history of jazz, let alone the Middle Eastern jazz  he’s made  a career in. He’s bringing the latest edition of his long-running Taksim ensemble to an intimate show at Barbes on August 10 at 10 PM; ...

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Wild Balkan Band Tipsy Oxcart Bring Their Intensity to a Free Upper West Side Park Gig

Source: New York Music Daily

Rule of thumb is that if a band is reasonably competent in daylight, they’re probably great after the sun goes down. Considering how wild Tipsy Oxcart can get at night, it was no surprise to see them kick out the jams last week at Madison Square Park despite taking the stage just after noon The fiery Balkan and Middle Eastern band have squeezed their way onto the summer parks concert circuit, and they’re doing that again this Wednesday, August 9 at 1 PM at the triangle at 66th and Broadway.

Their opening number was epic. Tricky syncopation, slashing chromatic edges, ...

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Girls on Grass Bring Their Deliciously Edgy Jangle and Clang to an Excellent Park Slope Triplebill Tonight

Source: New York Music Daily

Girls on Grass play a deliciously jangly mashup of Americana rock and serpentine, guitar-fueled psychedelia, with a dash of punk. At their most epic, they sound like the Dream Syndicate with a better singer out front. Which is not to dis Steve Wynn, who’s been a hell of a singer for a long time, it’s just that there’s no way he can hit the notes that Girls on Grass frontwoman Barbara Endes does. She and the band are headlining a rare, excellent triplebill at Union Hall in Park Slope tonight, Augusr 5 at 10 PM. Creepy Nashville gothic band ...

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A History of Bollywood Music and Dance In Colorful 3-D Gets an Epic World Premiere at Lincoln Center

Source: New York Music Daily

If you think it might be daunting to pull together a band who can competently reinvent seventy years worth of film themes by dozens of different composers, try choreographing every one of those songs for an ensemble comprising eighteen dancers. Heena Patel and Rushi Vakil pulled off that epic feat last night at Lincoln Center Out of Doors with the world premiere of their multimedia extravaganza Bollywood Boulevard. A lively and insightful capsule history of Indian cinema as well as a revealing immersion in cinematic cross-pollination and playful mass movement, the performance drew a similarly vast audience of New ...

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Vibraphonist Behn Gillece Brings Catchy, Straight-Up Swing to Smalls

Source: New York Music Daily

Vibraphonist Behn Gillece has been a fixture on the New York jazz scene for the past decade, notably in his project with one of this era’s great tenor sax player/composers, Ken Fowser. Gillece also has a cooker of a new album, Walk Of Fire due out mid-month from Posi-Tone Records and a show coming up on August 5 at 10:30 PM at his Manhattan home base, Smalls. Cover is the usual $20.

This is the most straight-ahead, unselfconsciously infectious stuff that the prolific, often ambitiously eclectic Gillece has come up with since his days with Fowser. The title track, ...

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Lavishly Fun Camaraderie with Peter Apfelbaum’s New York Hieroglyphics at the Stone

Source: New York Music Daily

Sunday night Peter Apfelbaum wrapped up a weeklong stand at the Stone with a sprawling, serpentine, unselfconsciously joyous (and surprisingly tight) performance by his long-running large ensemble the New York Hieroglyphics. It’s a fair guess that crowds outside of New York would pay obscenely to see such a pantheonic lineup, which also comprised trumpeter Steven Bernstein, trombonists Josh Roseman and Natalie Cressman, violinist Charlie Burnham. guitarist Will Bernard, tenor saxophonist Tony Jones, multi-reedman Norbert Stachel, bassist Brad Jones, drummer JT Lewis and singer Abdoulaye Diabate.

They played with the cameraderie of a group that’s existed, if on and off and ...

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Le Trio Joubran Salute Their Late Collaborator Mahmoud Darwish With an Unforgettable, Intense Performance at the Lincoln Center Festival

Source: New York Music Daily

There were innumerable long passages in Palestinian oud-playing brothers Le Trio Joubran’s multimedia performance last night at the Lincoln Center Festival that were absolutely shattering. Time stood still. When did Wish You Were Here, the stark, haunted dirge that the trio began with, end? After five minutes of hushed, bereaved minimalism, or closer to thirty? Realistically, it was on the shorter side, but it left a vast impact.

Yet moments like those were balanced by others that were ridiculously funny. Which ultimately came as no surprise, considering that the show was a homage to the group’’s late collaborator and ...

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It’s a Great Summer for Middle Eastern Music in New York

Source: New York Music Daily

While much of the New York City parks system is on the highway to privatized hell – both Central Park Summerstage and the Prospect Park Bandshell series are selling ticketed seats to free concerts now – we haven’t yet reached the point where free summer concerts here have been whitewashed and yuppified to the point of irrelevance. Meanwhile, serendipitously, there have been some new publicly accessible concert series popping up, keeping the hallowed tradition of free summer concerts here alive.

One public space that’s been flying more or less under the radar until recently is Bryant Park. It wouldn’t be ...

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A Historic Rickie Lee Jones Performance Opens This Year’s Lincoln Center Out of Doors Festival

Source: New York Music Daily

Iconic beatnik rock songwriter/multi-instrumentalist Rickie Lee Jones opened this year’s Lincoln Center Out of Doors festival last night playing her cult favorite 1981 Pirates album cover to cove for the first time ever. There are other must-see outdoor festivals in this city – the ongoing slate of shows at Prospect Park Bandshell is particularly enticing – but year after year, this series has plenty of sonic treats for both the cognoscenti and the merely curious. And Damrosch Park grows more and more hospitable as other parts of town go in the opposite direction.

“Pirates is forty-four minutes long,” Jones explained. ...

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Maria Pomianowska Brings Moody Medieval Polish Themes and Instruments Into the 21st Century at Lincoln Center

Source: New York Music Daily

Early in her set last night at Lincoln Center’s Kaplan Penthouse, Maria Pomianowska held up her handmade fiddle, called a suka in her native Poland. “It doesn’t translate well,” she grinned. Since the 1990s, when she singlehandedly rescued this once-ubiquitous folk instrument from obscurity – basing her initial design on a rare depiction in an 18th century painting – it’s enjoyed a resurgence. Its rich, starkly resonant sound explains why.

Pomianowska took care to remind that her goal isn’t merely to lead a period-instrument ensemble playing ancient repertoire: she wants to take the instrument into the here and now. What ...

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Austin’s Best Band Comes to Brooklyn’s Best Venue This Saturday Night

Source: New York Music Daily

Is Money Chicha’s album Echo en Mexico the heaviest cumbia ever made? Decide for yourself – it’s streaming at Soundcloud.  Just listen, for example, to the string-torturing axe-murderer guitar solo at the end of their version of Juaneco Y Su Combo’s classic, wordless elegy for a plane crash,  Lamento En La Selva, which opens the album. If psychedelic music, the magically trebly, trippy sounds of 1970s Peru, or the idea of dancing your ass off are your thing, get that ass down to Barbes this Saturday night at 10 PM where this Austin band – a Grupo Fantasma ...

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Acerbic, Catchy LA Folk-Punks Las Cafeteras Headline This Thursday at Lincoln Center Out of Doors

Source: New York Music Daily

Sometimes Las Cafeteras come across as sort of the Mexican Pogues – with an infinitely better singer. Other times they could be a more rock-oriented version of New York son jarocho folk-punks Radio Jarocho. The bilingual Los Angeles band’s punchy acoustic sound has a fearless political relevance to go along with a spiky catchiness. Their latest album, Tastes Like LA is streaming at Bandcamp, and they’re headlining an excellent pan-latin bill at Lincoln Center Out of Doors this Thursday, July 27 at around 10. Fiery, dramatic belter Xenia Rubinos opens the night at 7, followed by trippy downtempo ...

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