Tag Archives: morricone youth

Yet Another Haunting, Psychedelic Silent Film Score From Morricone Youth

Source: New York Music Daily

Today’s Halloween album is Morricone Youth’s original score to F. W. Murnau’s 1927 silent film Sunrise: A Tale of Two Humans. For the past almost twenty years, Morricone Youth have built what might be the vastest, most consistently dark repertoire in the history of art-rock. Aas film music, bandleader/guitarist Devon E. Levins’ body of work rivals the greatest of the greats: Bernard Herrmann, Angelo Badalementi, Steve Ulrich and the maestro Morricone himself. Over the past eighteen months or so, the group have been on a marathon recording binge, with a game plan of immortalizing every single one ...

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Meltasia 2017 set times announced

Source: Brooklyn Vegan

Meltasia 2017 happens September 8 – 10 in the Catskills, NY with Roky Erickson, Raekwon, Pissed Jeans, Andy Blade doing an all-Eater set, and lots more.

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Meltasia 2017 set times announced

Source: Brooklyn Vegan

Meltasia 2017 happens September 8 – 10 in the Catskills, NY with Roky Erickson, Raekwon, Pissed Jeans, Andy Blade doing an all-Eater set, and lots more.

Continue reading…

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Another Dark Chapter in Morricone Youth’s Marathon Series of Film Scores

Source: New York Music Daily

Avi Fox-Rosen‘s record of releasing a dozen albums in a dozen months may be safe, but Morricone Youth aren’t far behind. The latest album from New York’s most prolifically cinematic band – in a planned series of fifteen soundtracks to films they’ve played live to over the past five years – is guitarist/bandleader Devon E. Levins’ original score for George Miller’s pioneering, dystopic 1979 post peak oil monster truck epic Mad Max. Like the rest of the series, the record is available on limited edition vinyl, in translucent Coke bottle greeen, and streaming at soundcloud.

The initial ...

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Another Dark Chapter in Morricone Youth’s Marathon Series of Film Scores

Avi Fox-Rosen‘s record of releasing a dozen albums in a dozen months may be safe, but Morricone Youth aren’t far behind. The latest album from New York’s most prolifically cinematic band – in a planned series of fifteen soundtracks to films they’ve played live to over the past five years – is guitarist/bandleader Devon E. Levins’ original score for George Miller’s pioneering, dystopic 1979 post peak oil monster truck epic Mad Max. Like the rest of the series, the record is available on limited edition vinyl, in translucent Coke bottle greeen, and streaming at soundcloud.

The initial release in the series, a mix of the original score and new material composed for George Romero’s Night of the Living Dead, explores the darkest corners of 60s psychedelia. The second, for the 1926 silent film The Adventures of Prince Ahmed, is more Morricone-esque, with Middle Eastern and Italian influenes. This new one is a mix of 70s art-rock and early new wave. Which makes sense: when the movie was in production, new wave rock was in its embryonic stages (and Mel Gibson, if he was a rightwing Christian supremacist nutjob then, hadn’t yet become famous for it).

As with much of Morricone Youth’s work, the album is a series of themes and variations. In general, the music is more overtly dark than the film’s exuberantly cynical narrative about vigilantes who can’t quite figure out how to get the max out of their prized but rapidly evaporating stash of petrochemicals. Dan Kessler’s washes of keyboards fuel the brief title theme: its motorik foreshadowing takes centerstage in the second piece, Mad Goose, over the furtive new wave pulse of bassist John Castro and drummer Brian Kantor.

Noir singer Karla Rose – whose forthcoming album of hauntingly lyrical songs is reputedly amazing – contributes distantly ghostly vocals to Clunes Town, a mashup of Del Shannon and Morricone spaghetti western. From there the band segues into Revenge of the MFP, which sounds like the Ex taking on a Richard Strauss theme famously repurposed for outer space.

Fraser Campbell’s balmy sax floats over a starry backdrop throughtout Jessie, a surrealistic love theme. Then Levins puts the rubber to the road with his grittily circling riffage in Nightrider, a careening chase scene. The band channel their main inspiration in the creepy, woozily psychedelic bolero Anarchie Road, followed by Johnny the Boy. a sardonic mashup of early Squeeze and Peter Gabriel-era Genesis, Kantor propelling it with a tumbling leadfoot drive. Castro’s Geezer Butler-like, growling bass pushes Toecutter as it rises from Pink Floyd ominousness toward krautrock. The closing credits roll to the surprisingly upbeat, starlit spacerock of Bad Max. That there are another dozen albums like this in the works is really something to look forward to in what’s been a horror movie of a year so far.

Another Dark Chapter in Morricone Youth’s Marathon Series of Film Scores

New Year’s Eve weekend in NYC: shows & party guide

Source: Brooklyn Vegan

Where will you be when we say goodbye to 2016?

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More Creepy, Psychedelic Soundtrack Magic from Morricone Youth

Source: New York Music Daily

You’re going to be hearing a lot of Morricone Youth in the next year, and not just here. Prolific guitarist/composer Devon E. Levins’ ominously psychedelic film soundtrack outfit are off to a good start with their planned marathon fifteen-album cycle of original film scores they’ve performed live over the past five years. The latest in the series is the music for Lotte Reiniger’s 1926 silent The Adventures of Prince Achmed, the oldest animated feature still in existence. As with the previous release, this one’s available on limited-edition vinyl as well as digital formats. Most of it’s up at the band’s youtube ...

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Morricone Youth Slay Zombies in Williamsburg

Source: New York Music Daily

It’s hard to imagine a better way to cap off Halloween month than watching Morricone Youth play a live score to George Romero’s Night of the Living Dead. Backs to the crowd, gamelan style, so they could follow every split-second cue onscreen, the band’s performance this past evening at Nighthawk Cinema in Williamsburg was a lot more entertaining than the movie. From the applause afterward, one suspects that the sold-out audience agreed.

The score is just out and available on limited edition neon green vinyl, the inaugural release in an ambitious series of fifteen soundtracks to the midnight movies ...

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Listen to Morricone Youth’s new score for ‘Night of the Living Dead’ which they’re playing at Nitehawk on Halloween

Source: Brooklyn Vegan

One of the cool Halloween events in NYC that bridges both music and movies is George A. Romero’s seminal zombie film Night of the Living Dead at Nitehawk Cinema on Halloween proper with a live-score from NYC-based group Morricone Youth

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Morricone Youth Launch Their Marathon Film Score Recording Project with a Zombie Classic

Source: New York Music Daily

It’s hard to think of a band more committed to darkly cinematic themes over the past almost twenty years than Morricone Youth. They started out covering the great Italian film composer’s work and quickly branched out into their own music. Their latest album, available on limited edition green vinyl, is a soundtrack to George Romero’s Night of the Living Dead, a mix of pieces from the original score plus creepy new instrumentals, streaming at youtube. It’s the debut release in a planned series of fifteen (15!?!?!) albums of material the band has scored for midnight movies and ...

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Nitehawk throwing Farewell Bash for Pavilion Theater ++ hosting Halloween events & screenings in Williamsburg

Source: Brooklyn Vegan

Nitehawk Cinema will soon be taking over South Slope’s Pavilion Theater. turning it into its second location.  We’re still a ways out from it opening (2017), but right after the Pavilion closes its doors (the final screening is on October 28), Nitehawk is throwing the theater a farewell…

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Karla Rose & the Thorns Bring Their Inscrutable Film Noir-Inspired Menace to the Rockwood This Thursday

Source: New York Music Daily

Why do we go see bands? To hang with our friends? For an excuse to tie one on? Maybe to transcend whatever trouble this century’s ongoing depression has sent us. If there are clouds ahead, and clouds behind, as Karla Rose sings in her signature song, Time Well Spent, her band will drive those clouds away, at least as long as the torchy, magnetic singer/guitarist is onstage. Karla Rose & the Thorns are the kind of act that you walk away from, magnetized, glad to be alive, firing on all cylinders, the roar of the guitars, slinkiness of the bass, ...

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