Tag Archives: latin music

Globalfest 2018: The Best Ever?

Source: New York Music Daily

Yeah, Globalfest this year was cold. But it’s winter. Judging from the number of midwestern and Canadian accents in the crowd last night, an awful lot of people at this year’s annual festival of sounds from around the world are on familiar terms with it. At this point in history we should be grateful that anything approximating winter still exists.

And it was reassuring to see such great throngs of people coming out on what might have been the coldest night of the year to see music from shithole countries. Neither of the two nations officially designated as shitholes by ...

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Changüí Majadero Bring a Rare, Slinky Oldschool Cuban Sound to New York This Weekend

Source: New York Music Daily

“It’s gonna be an amazing night,” Lincoln Center’s Jordana Leigh beamed, a couple of hours ago.  “Our programming is designed to represent the best of New York and beyond. Even though they’re from East LA, and Cuba, Changüí Majadero represent the kind of quality that we need at Lincoln Center.” She was on to something.

Changüí Majadero play the roots of salsa with a slinky passion. It’s the kind of Eastern Cuban dance music that was popular back when US gunboats were self-destructing in Havana harbor and mishaps like that were blamed on the occupying Spanish forces. It’s a ...

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Live Music Calendar for New York City and Brooklyn for January and February 2018

Source: New York Music Daily

Free and cheap concerts in just about every neighborhood. If you’re leaving your hood, make sure you check http://www.mta.info for service changes considering how the trains are at night and on the weekend.

Constant updates. If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is ...

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A Rare Appearance From the Darkly Slinky Ghost Funk Orchestra

Source: New York Music Daily

Over the past couple of years, multi-instrumentalist Seth Applebaum has been building a catchy, slinky, darkly cinematic catalog of organic dance music, mostly by himself. He calls the project Ghost Funk Orchestra. And since he’s a one-man band, more or less, he has to pull a group together if he wants to play live. Which is rare. That’s why the Ghost Funk Orchestra’s upcoming gig on Jan 5 at 8 PM at Baby’s All Right is a pretty big deal – and it’s free.

Back in 2016, Applebaum sent over the tracks to his first album, Night Walker, streaming ...

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Spellbinding Singer Maria Cangiano’s New Album Rescues Undiscovered Piazzolla Treasures From Obscurity

Source: New York Music Daily

Maria Cangiano and Astor Piazzolla share Italian heritage as well as passion for taking tango to new and transcendent places. She takes the title of her new album, Renacere – streaming at Spotify – from the lyrics from Piazzolla’s Prelude For the Year 3001. Which makes sense – Piazzolla was always shifting the paradigm, blending jazz, classical and a long list of other influences into tango, and Cangiano does the same here. Along with material that’s easy to pigeonhole as nuevo tango, there’s also Cuban-flavored danzon, rhumba, candombe and several detours into jazz and even 90s pop at the end. ...

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Uri Gurvich Brings His Fiery Latin and Middle Eastern-Influenced Jazz to a Cozy Saturday Night Spot

Source: New York Music Daily

Kinship, the latest release by saxophonist Uri Gurvich and his quartet, is a rarity in jazz these days: a concept album. The central theme is connections: familial, ancestral, cultural and musical. Gurvich also deals with issues of non-belonging, including racism and discrimination. Musically, it’s extremely ambitious, with influences spanning from Argentine and Israeli folk, the Middle East and the Balkans. This album – streaming at Soundcloud – doesn’t have the white-knuckle intensity of Gurvich’s landmark 2013 Middle Eastern jazz collection, BabEL, but its scope is even more global. Gurvich is playing a rare trio date comprising three quarters of the ...

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The Resistance Revival Chorus Sing a Fiery, Fearless Benefit for Immigrant Rights

Source: New York Music Daily

When the Resistance Revival Chorus hit the stage Tuesday night for the first of their rousing, oldschool gospel-style protest songs, there seemed to be about two dozen women in the group. By the time the show ended, individual choir members and special guests treating a sold-out crowd at City Winery to a tantalizing series of cameos, it seemed that the size of the chorus had doubled. Are they New York’s largest ensemble? At the rate they’re growing, they will be, and it the current political climate it’s not going to take long.

Much as booking a group with a ton ...

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A Richly Haunting New Tango Album and a Harlem Release Show by Sofia Tosello

Source: New York Music Daily

Great singers are used to getting called on to sing all sorts of widely different styles, and Sofia Tosello is no exception. She’s just as comfortable fronting experimental trance-folk duo Chuño as she is with classic and nuevo tango. Her latest album, Lluvia Fue – streaming at her music page – is a real cloudburst of intensity, a mix of iconic and lesser known tango ballads from across the decades. She’s playing the album release show on Dec 8, with sets at 7:30 and 9:30 PM at the newly reopened and remodeled Minton’s uptown. Cover is $15; as far ...

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Live Music Calendar for New York City and Brooklyn for December 2017 and January 2018

Source: New York Music Daily

Free and cheap concerts in just about every neighborhood. If you’re leaving your hood, make sure you check http://www.mta.info for service changes considering how the trains are at night and on the weekend.

Constant updates. If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is ...

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Mirian Conti Goes On a Mission Which Was Impossible Until Recently

Source: New York Music Daily

This past evening in the comfortable, old-world auditorium at the Consulate of Argentina in midtown, Mirian Conti played the first ever North American concert devoted exclusively to the solo piano music of Lalo Schifrin. It could have been a world premiere, although the now 85-year-old Argentine composer has undoubtedly played at least a few solo shows of his own somewhere in the world. Either way, Conti made history with this revelatory performance, especially considering that she was responsible for getting Schifrin to write most of the music.

While Schifrin is no stranger to fans of film scores, he isn’t ...

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Celebrating an Eclectic, Dynamic Force in Venezuelan Classical Music

Source: New York Music Daily

“I’m having a great time up here,” bassist Gonzalo Tappa told his bandmates with an unselfconsciously grin. He’d been exchanging sly rhythmic riffs all night with the Jimi Hendrix of the cuatro, Jorge Glem. Not something you might expect at a concert celebrating the work of a pioneering classical composer.

Friday night at the Baruch Performing Arts Center, an all-star chamber orchestra played the first-ever career retrospective of music by Aldemaro Romero, a 20th century Venezuelan counterpart to Ernesto Lecuona. Romero came to New York at age 34 with his family and worked prolifically as an arranger in both classical ...

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Politically Fearless Noir Mexican Psychedelia at Lincoln Center Thursday Night

Source: New York Music Daily

 

“This has been a long tine in the making,” Lincoln Center’s Meera Dugal told an ecstatic crowd there Thursday evening.  “Tonight you are in for a treat, a powerful and soulful voice.” Then she let Edna Vazquez’s powerful voice and slinky, thoughtful, psychedelic, often haunting songs speak for themselves.

Maybe the singer/guitarist’s stunningly eclectic blend of styles mirrors her Mexican ancestry, considering that Mexico is every bit as much of a melting pot as the US. “The Mexican government is not so different from this one,” she wryly confided three songs into her set. And then spun through the rapidfire ...

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Live Music Calendar for New York City and Brooklyn for November and December 2017

Source: New York Music Daily

Dozens of listings coming momentarily for venues who wait til the eleventh hour to update their calendars!

Free and cheap concerts in just about every neighborhood. If you’re leaving your hood, make sure you check http://www.mta.info for service changes considering how the trains are at night and on the weekend.

Constant updates. If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked ...

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Party People in the House in Flushing Tonight

Source: New York Music Daily

If you’re in a party mood, grab the 7 train and head to Flushing Town Hall tonight, Oct 21 where Betsayda Machado and La Parranda El Clavo are throwing a wild Afro-Venezuelan bash at 7:30 PM. There will be all kinds of ecstatic call-and-response, booming drums and dancing: Flushing Town Hall always keeps the front section close to the stage open for the dance crowd; cover is $16, $10 for seniors, and if you’re a kid between 13-19, you get in free, as you can at all the shows here.

Machado recreates a Venezuelan hill country party vibe, a high-voltage ...

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Avenida B Turn Lincoln Center Into a Lower East Side Salsa Hideaway

Source: New York Music Daily

Emcee and NYU professor Carlos Chirinos grinningly told the crowded dancefloor at Lincoln Center this past evening that salsa dura revivalists Avenida B’s show was “Designed to get you to come back every month.” And it looks like pretty much everybody here does. The couples didn’t wait to get their twirl on while oldschool salsa hits resounded through the atrium space just south of 63rd Sreet. The monthly dance party series there is called Vaya 63 – get it?

This was a real throwback show – it wasn’t hard to imagine frontman/crooner Daniel Frankel and his octet grinding it ...

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Ampersan Play Dreamy, Cinematic Tropical Psychedelia in Their New York Debut at Lincoln Center

Source: New York Music Daily

There were some ecstatic moments in Ampersan’s New York debut at Lincoln Center last night, part of the ongoing Celebrate Mexico Now festival. The high point might have been where the punteador and jarana of the five-piece Mexico City band’s founders Kevin Garcia and frontwoman Zindu Cano intertwined with a rippling, slinky intensity. But more often than not, throughout their roughly hourlong set,  the music was simply something to get lost in, reflecting the band’s long background scoring for film.

Ampersan make hypnotic, psychedelic sounds with instruments typically associated with far more boisterous styles. The show came together ...

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Celebrating Resistance and Triumph Over Tyranny at Lincoln Center

For three years now, Lincoln Center has been partnering with Manhattan’s High School for Arts, Imagination and Inquiry in an annual celebration of freedom fighters from across the decades. Inspired by Howard Zinn’s A People’s History of the United States, Thursday night’s annual performance featured “a stellar cast,” as Lincoln Center’s Viviana Benitez put it, playing some powerfully relevant music and reading insightful, inspiring, sometimes incendiary works by activists and authors from the sixteenth century to the present day.

Brianna Thomas raised the bar dauntingly high with the Civil Rights-era Sam Cooke hit A Change Is Gonna Come, guitarist Marvin Sewell playing bottleneck style on the intro for a ringing, rustic, deep blues feel. “I go downtown, and somebody’s always telling me, don’t hang around,” Thomas intoned somberly over Sewell’s terse icepick soul chords. In an era when Eric Garner was murdered because he got too close to a new luxury condo building, that resounded just as mightily as it did in Birmingham in 1964. She picked it up again with a ferociously gritty insistence, the audience adding a final, spontaneous “Yeah!” at the very end.

Later in the performance the duo played a hauntingly hazy, utterly Lynchian take of Strange Fruit. Thomas’ slow, surreal swoops and dives raised the macabre factor through the roof: If there’s any one song for Halloween month, 2017, this was it.

In between, a parade of speakers brought to life a series of fiery condemnations of tyrants and oppression, and widely diverse opinions on how to get rid of them. Staceyann Chin bookended all this with an understatedly sardonic excerpt from Bartolome de las Casas’ grisly account of early conquistadorial genocide, closing with a rousing Marge Piercy piece on how to build a grassroots movement.

Shantel French matter-of-factly voiced Henry George’s insight into how poverty is criminalized, but is actually a form of discrimination. Michael Ealy’s most memorable moment onstage was his emphatic delivery of the irony and ironclad logic in Jermain Wesley Loguen’s famous letter to the slaveowner he escaped during the Civil War: ‘You say you raised me as you raised your own children…did you raise them for the whipping post?”

Geoffrey Arend read Eugene Debs’ address for his 1918 sedition sentencing, optimism in the face of a prison sentence and a corrupt system doomed to collapse  Laura Mendoza voiced the anguish and indignity of a longtime resident of Vieques, Puerto Rico who’d seen his neighbors harassed and killed by drunken marines and errant bombs dropped in practice runs (this was in 1979, before the island was rendered uninhabitable by the same depleted uranium dropped on Afghanistan and Iraq). Considering that the President of the United States has castigated the people of this disaster-stricken part of the world for being a drain on the Federal budget, this packed a real wallop. We can only hope this latest incident helps the wheels of impeachment move a little faster.

Brian Jones read from a witheringly cynical pre-Emancipation Frederick Douglass speech on what the Fourth of July means to a slave, and also Martin Luther King’s emphatically commonsensical analysis of the racism and injustice inherent in the Vietnam War draft. Aasif Mandvi brought out all the black humor in Brooklyn College professor Moustafa Bayoumi’s account of being besieged by off-campus rightwing nutjobs. And joined by incisive, puristically bluesy guitarist Giancarlo Castillo, songwriter Ani Cordero sang a venomous take of Dylan’s Masters of War and an understatedly passionate, articulate version of Lydia Mendoza’s 1934 border ballad Mal Hombre, sad testimony to the fact that Mexican immigrants have been demonized long before Trump.

The next free performance at Lincoln Center’s Broadway atrium space just north of 62nd St. is on Oct 19 at 7:30 PM featuring artsy Mexican trip-hop band Ampsersan. Getting to the space a little early is a good way to make sure you get a seat, since these events tend to sell out.

Celebrating Resistance and Triumph Over Tyranny at Lincoln Center

A Blue Note Stand and a Tour From Perennially Fiery Latin Jazz Icon Eddie Palmieri           

Source: New York Music Daily

At this point in his career, latin jazz pianist Eddie Palmieri has nothing left to prove. Is he a NEA Jazz Master yet? If not, let’s get those wheels in motion before Trump and his minions get rid of the NEA altogether. In the meantime, Palmieri has just released a new album, Sabiduria (“wisdom” in Spanish), his first since 2006, streaming at Bandcamp. He’s celebrating that, and his eightieth birthday, with a week at the Blue Note leading a septet this Oct 10-15, with sets at 8 and 10:30 PM. You can get in for thirty bucks – and ...

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Ladama Keep the Heat Simmering at Last Weekend’s Hot Pepper Festival in Brooklyn

Source: New York Music Daily

Last weekend at the annual chile pepper festival at the Brooklyn Botanic Garden, high-energy pan-latin band Ladama were charged with the thankless task of following Red Baraat , whose  brass-fueled bhangra vindaloo opened the festivities. That Ladama could hold their own, and hold the crowd gathered out of the sun and away from the long lines of chile heads in line waiting for a fix, attests to how refreshingly unpredictable and fun they are.

Frontwoman/guitarist Sara Lucas gave that away during soundcheck. “Baile la cumbia,” she grinned, and although it wasn’t until later in their set that they hit a slinky ...

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Joan Soriano Brings a Classic, Classy Dominican Bachata Party to Lincoln Center

Source: New York Music Daily

This past evening was a slinky feast of chiming, shimmering guitar overtones and dance beats that ran the gamut of music from the Caribbean and beyond. Lincoln Center’s Jordana Leigh described her mission as bringing “The height of quality art”  to the series of free shows at the atrium space on Broadway just north of 62nd, and she wasn’t kidding. Dominican bachata star Joan Soriano is such an interesting, incisive guitarist that it was hard to sit and chill with a beer instead of joining the twirling circles of dancers out on the floor.

Are Soriano’s fans all snappy ...

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Pascuala Ilabaca y Fauna Foreshadow This Year’s New York Gypsy Festival

Source: New York Music Daily

Saturday night at Drom, Pascuala Ilabaca didn’t let the heavy accordion slung across her shoulder keep her from bounding and dancing across the stage in front of her tight but feral band, Fauna. The Chilean singer/multi-instrumentalist became the latest in a long, long list of international stars to make their New York debut at Drom: they’re the kind of high-voltage act typically found at the East Village club’s annual New York Gypsy Festival. That annual celebration starts this Oct 8 at 8 PM with a very rare NYC appearance by Macedonian brass band Prilepski Zvezdi, and also includes Zlatne Uste ...

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Live Music Calendar for New York City and Brooklyn for October and November 2017

Source: New York Music Daily

Free and cheap concerts in just about every neighborhood. If you’re leaving your hood, make sure you check http://www.mta.info for service changes considering how the trains are at night.

Constant updates, including Barbes listings for the second half of the month coming momentarily. If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands ...

Read full article >>

Eljuri Headline an Inspiring, Adrenalizing NYCLU Benefit at Drom

Source: New York Music Daily

Wednesday night at Drom, power trio Eljuri had been hinting for awhile that they were going to take the music straight into roots reggae. So when frontwoman/guitarist Cecilia Villar Eljuri finally led the band into a couple of bars of Peter Tosh’s Get Up, Stand Up, and from there into Bob Marley’s Exodus, it was an impactful payoff. The emphasis wasn’t on getting out, but a ‘movement of jah people,” which dovetailed with Eljuri’s own fearlessly relevant, sometimes incendiary lyricism. That defiant, populist focus made the band an apt choice to top the bill at this benefit concert for the ...

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Charanga America Provide Some Uplift in a Dark Time For Puerto Ricans

Source: New York Music Daily

A full house was already on their feet and dancing as golden-age 60s and 70s charanga music played over the PA at Lincoln Center this past evening. Their monthly Friday night Vaya 63 dance party series at the atrium space just south of 63rd Street has become a New York institution and draws major players from across the decades. Charanga America, based in the Bronx since their beginnings in the late 60s, were the latest to get a multigenerational ocean of bodies slinking and twirling, a rare appearance by a band who still enjoy a big fan base.

In the ...

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Paraguayan Harpist Silvio Solis Leads a Classy Multi-Stringed Ensemble in His Lincoln Center Debut

Source: New York Music Daily

Paraguyan-born harpist Silvio Solis made his Lincoln Center debut this past evening leading an acoustic guitar ensemble and playing his own innovative take on traditional music from his home turf…on the harp that he’d built for himself. Lincoln Center impresario Viviana Benitez grinned and told the crowd that it they ever needed one custom-made, he’s the man to talk to, “A master of his instrument in every way, shape and form.” She wasn’t kidding.

The music brought to mind the drama of mariachi, and the sweep of Mexican rancheras, but in this group’s hands both the songs and instrumentals in ...

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