Tag Archives: instrumental music

Acoustic Guitarslinger R.D. King Brings His Richly Intertwining, Melodic Instrumentals to NYC

Source: New York Music Daily

First there was B.B. Then there was Albert, then Freddie. And now there’s R.D., the latest in a line of first-class guitar-playing Kings. Difference is that R.D. King plays acoustic, and that his style is not blues but his own intricate, meticulous, occasionally multitracked instrumental music that could be called pastoral psychedelia or cinematic folk. Either way, it’s a hell of a lot more energetic and epic than most music for the acoustic guitar.

King is bound to get comparisons to a whole slew of fingerstyle players who use unorthodox or open tunings – John Renbourn, Bert Jansch, Adrian Legg, ...

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Maria Pomianowska Brings Her Magically Shapeshifting Polish String Sounds to the Lincoln Center Festival

Source: New York Music Daily

Maria Pomianowska‘s axe is the biłgoraj suka, a medieval Polish forerunner of today’s violin, which she’s responsible for literally reconstructing and rescuing from obscurity. Leading her chamber ensemble, she’s playing her own hauntingly eclectic, classical and folk-influenced repertoire for the instrument this Tuesday, July 25 at 8 PM at the Kaplan Penthouse at Lincoln Center as part of this year’s the Lincoln Center Festival. Tix are steep – $35 – but this is a rare chance to see this magical Polish artist.

Pomianowska’s’s latest album – streaming at Bandcamp – is The Voice of Suka, an aptly titled series ...

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You Bred Raptors? Bring Their Cinematic, Instantly Recognizable, Individualistic Grooves to Drom Tomorrow Night

Source: New York Music Daily

If you pass through the station at Union Square at night, you’ve probably seen one of New York’s most distinctive, high-voltage bands. You Bred Raptors? typically hold fort over the N and R platforms there. Just the sight of Peat Rains, Bryan Wilson and Patrick Bradley wailing on eight-string bass, cello and drums, respectively, is enough to make pretty much anybody stop dead in their tracks. Then there’s the relentless barrage of riffs, and textures, and epic cinematic vistas that transcend any concept of a cello-metal band, let alone what those low-end instruments can typically do. Are these irrepressible ...

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Moist Paula Henderson Brings Her Starry, Playful Improvisations Back to Greenpoint

Source: New York Music Daily

Baritone sax star Moist Paula Henderson is, among other things, the not-so-secret weapon in gonzo gospel-funk pianist/showman Rev. Vince Anderson’s wild jamband. Last night at Union Pool, she was in a characteristically devious mood, having all sorts of fun in between the notes. But she’s not limited to baritone sax. Last month at Troost, she played a fascinatingly enveloping, psychedelic show with multi-instrumentalist and film composer Dorothea Tachler and inventor/guitar shredder Nick Demopoulos. She’s back there tomorrow night, April 26 at around 9 in a duo with Demopoulos, who will no doubt be improvising on the SMOMID, his ...

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Bryan and the Aardvarks: The Ultimate Deep-Space Band

Source: New York Music Daily

It’s impossible to think of a more apt choice of players to evoke an awestruck deep-space glimmer than vibraphonist Chris Dingman, pianist Fabian Almazan and singer Camila Meza. Back them with the elegantly propulsive drums of Joe Nero and bassist-bandleader Bryan Copeland, and you have most of the crew on Bryan and the Aardvarks’ majestic, mighty new album Sounds from the Deep Field, streaming at Bandcamp. Saxophonist Dayna Stephens adds various shades with his EWI (electronic wind instrument) textures. They’re playing the album release show on April 27 at the Jazz Gallery, with sets at 7:30 and 9:30 PM. ...

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Dynamic, Exhilarating, Haunting New Armenian Sounds from Miqayel Voskanyan

Source: New York Music Daily

Last night Drom was packed with a chatty, boisterous crowd who’d come to party and take in a surrealistic, often haunting, absolutely uncategorizable show by Yerevan-based tar lute player Miqayel Voskanyan and his band. Unlike your typical Iranian tar player, Voskanyan holds his high on his chest, like a giant ear of corn that he’s about to take a big bite out of. While there were a few crescendos during his roughly hourlong set that were packed with high-voltage flurries of tremolo-picking, Voskanyan plays with a great sense of touch and subtlety. He saved his wildest chord-chopping for when he ...

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A Rare New York Appearance by Haunting Norwegian Soundscaper Deathprod

Source: New York Music Daily

For more than twenty-five years, Helge Sten a.k.a. Deathprod has been creating hauntingly provocative sounds that are impossible to turn away from. Elements of minmalism, Eno-esque soundscapes, spectral, microtonal and film music all factor into what he does, but he transcends genre. Three of his European cult favorite albums – Treetop Drive, Imaginary Songs from Tristan da Cunha, and Morals and Dogma are being reissued by Smalltown Supersound and are all scheduled to be streaming at Bandcamp (follow the preceding three links or bookmark this page) He’s playing a rare New York live show on March 28 at ...

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Unmasking Steve Ulrich’s Mysterious, Murderously Fun Barbes Residency This Month

Source: New York Music Daily

An icy, lingering tritone reverberated from Steve Ulrich’s 1955 Gretsch. “We end everything with this chord,” this era’s most esteemed noir guitarist joked. His long-running trio Big Lazy have been his main vehicle for suspense film themes, uneasy big-sky pastorales and menacing crime jazz narratives, but this month he’s playing a weekly 6 PM Saturday evening residency at Barbes to air out some of her more recent and also more obscure film work from over the years. This past Saturday he was joined by Peter Hess of Balkan Beat Box (who have a characteristically fun new album due out ...

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Rising Star Composer Ayumi Okada Brings Her Vivid, Picturesque, Cinematic Sounds to Upper Manhattan

Source: New York Music Daily

Pianist/composer Ayumi Okada writes vivid, cinematic songs without words. Her music is full of stories, and humor, and unselfconscious depth. Much as her sense of melody is appealingly consonant, it would be a mistake to pigeonhole her as a neoromantic: she’s most at home in the borderlands with Debussy and Ravel. A composer-performer, she’s premiering a new piano quintet with a first-class chamber ensemble including star cellist James Waldo on March 10 at 7:30 PM at Holy Trinity Church, 20 Cumming St. in Washington Heights. The group will also play music of Dvorak, Bach, Johann Goldberg, Caroline Shaw and Doug ...

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Steel Player Mike Neer Darkly Reinvents Thelonious Monk Classics

Source: New York Music Daily

Any fan of western swing knows how cool a steel guitar can sound playing jazz. The great C&W pedal steel player Buddy Emmons knew something about that: back in the 70s, he recorded steel versions of famous Charlie Parker tunes. In that same vein, steel guitarist Mike Neer has just put out an even more deliciously warped, downright creepy, dare we say paradigm-shifting album of Thelonious Monk covers for lapsteel, wryly titled Steelonious and streaming at the band’s webpage. Neer’s playing the album release show on Jan 25 at 8 PM at Barbes. If you like Monk, steel, and/or darkly ...

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The Taksim Trio’s Album No. 2: Intricate, Rapturous, Haunting Beauty

Source: New York Music Daily

One of the year’s most rapturously beautiful, plaintively lush albums is Turkish classical luminaries the Taksim Trio‘s latest release, simply titled Taksim Trio No. 2, streaming at Spotify. Baglama player Ismail Tuncbilek, clarinetist Husnu Senlendirici and kanun player Aytaç Dogan weave haunting, serpentine arrangements to get lost in. Their music’s intricacy is such that unless you listen closely, it’s often hard to tell who’s playing what. Yet the group has a conversational tightness: despite the fact that everybody’s playing a lot of rippling, spiraling notes, nobody steps on each other. The overall ambience tends to be pensive and brooding: most everything here is ...

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The Taksim Trio’s Album No. 2: Intricate, Rapturous, Haunting Beauty

Source: New York Music Daily

One of the year’s most rapturously beautiful, plaintively lush albums is Turkish classical luminaries the Taksim Trio‘s latest release, simply titled Taksim Trio No. 2, streaming at Spotify. Baglama player Ismail Tuncbilek, clarinetist Husnu Senlendirici and kanun player Aytaç Dogan weave haunting, serpentine arrangements to get lost in. Their music’s intricacy is such that unless you listen closely, it’s often hard to tell who’s playing what. Yet the group has a conversational tightness: despite the fact that everybody’s playing a lot of rippling, spiraling notes, nobody steps on each other. The overall ambience tends to be pensive and brooding: most everything here is ...

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Tredici Baci Air-Kiss a Classic Italian Cinematic Sound

Source: New York Music Daily

Among the innumerable great bands to emerge from the Barbes scene in Brooklyn, nobody’s riding more of a wave of popularity right now than Tredici Baci. As Chicha Libre did with Peruvian psychedelic cumbias from the 60s and 70s, and Les Sans Culottes have done with 60s French ye-ye pop, Tredici Baci play their own inimitable, original songs inspired by Italian film music from forty and fifty years ago. Their debut full-length album, Amore Per Tutti, isn’t officially out yet and consequently not yet streaming at their Bandcamp page. They’re playing the album release show on Nov ...

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Morricone Youth Slay Zombies in Williamsburg

Source: New York Music Daily

It’s hard to imagine a better way to cap off Halloween month than watching Morricone Youth play a live score to George Romero’s Night of the Living Dead. Backs to the crowd, gamelan style, so they could follow every split-second cue onscreen, the band’s performance this past evening at Nighthawk Cinema in Williamsburg was a lot more entertaining than the movie. From the applause afterward, one suspects that the sold-out audience agreed.

The score is just out and available on limited edition neon green vinyl, the inaugural release in an ambitious series of fifteen soundtracks to the midnight movies ...

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An Uneasy John Vanderslice Instrumental Packaged As Collectible Art

Source: New York Music Daily

Today’s Halloween song is the new John Vanderslice instrumental single, Mother of All Dead Time Factories b/w Convict Lake (For Minna), The A-side is a moodily surreal piano-and-organ theme, snappy bass over a techy trip-hop loop, like Goblin at halfspeed. The B-side has a similar groove, an uneasily ragtime-tinged parlor-pop number that brings to mind Andrew Bird. The single is available on 7” vinyl packaged with a limited-edition, signed 11 x 17 Guy Maddin print entitled Falling Man; the collage comes across as something of an update on Manet’s Dejeuner Sur L’Herbe. It’s expensive – $45 – but collectible value ...

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Superstar Film Composer Johann Johannsson and New Music Luminaries ACME Team Up This Weekend

Source: New York Music Daily

This Sunday, Oct 23 at 8 PM there’s an auspicious collaboration between the vivid and frequently haunting film composer and keyboardist Johann Johannsson, and indie classical chamber music stars American Contemporary Music Ensemble in a recently renovated old church at the edge of where Fort Greene meets Park Slope. The venue is the Co-Cathedral of St. Joseph at 856 Pacific St, (Vanderbilt/Underhill; the closest train is the 2/3 to Bergen St. $27.50 advance tix are your best bet and available at the Poisson Rouge box office.

Johannsson works fast and is constantly putting out new scores. He’s also the ...

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Sarah Neufeld and Colin Stetson Mesmerize a Financial District Crowd

Source: New York Music Daily

It wouldn’t be fair to let the week go by without a mention of the deliciously enveloping duo set that violinist Sarah Neufeld and multi-saxophonist Colin Stetson played this past evening at the World Financial Center atrium. If you missed it, good news: it’ll be rebroadcast on a date TBA on John Schaefer’s New Sounds Live program on WNYC.

Neufeld and Stetson did a memorable duo album, Never Were the Way She Was, last year; since then, she’s released another solo effort, The Ridge. This show revisited both recordings: it was a performance to lean back and taken in with eyes ...

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Halloween Gets to Greenpoint a Little Early This Year

Source: New York Music Daily

If your ideal Halloween would be coming face to face with something genuinely disturbing rather than filling up on a bucketful of free candy, going out into icy, torrential rain would be a good way to start the evening. The spy satellites can’t see through the clouds, and the spycams get all streaked up. Watch your back, and you could literally get away with murder.

The walk from the L train past McCarren Park to Manhattan Inn on Greenpoint Avenue, and then back, was enough to soak through a heavy winter coat the night that Big Lazy and Beninghove’s Hangmen ...

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Hearing Things: Brooklyn’s Funnest New Band

Source: New York Music Daily

Ever smile so hard during a show that your face hurt afterward? Hearing Things will do that to you. They’re the funnest band in Brooklyn right now. Tenor saxophonist Matt Bauder, organist/keyboardist JP Schlegelmilch and drummer Vinnie Sperrazza play bouncy, wickedly tuneful, often very dark original surf instrumentals that frequently veer into psychedelia or Ethiopiques. The trio play at 7 PM on 9/11, the centerpiece of a triplebill at their home base these days, Barbes. It’s a typical Barbes night: the segues are pretty bizarre, but the music is killer. Pianist Joel Forrester, one of the great wits in jazz ...

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A Rare Brooklyn Show by One of New York’s Funnest, Most Esoteric, Psychedelic Bands

Source: New York Music Daily

As far as esoteric jambands go, Tribecastan have few if any rivals. The group’s ringleaders, multi-instrumentalists John Kruth and Jeff Greene have led a rotating cast of characters since this wild, psychedelic beast first made its appearance on the streets of lower Manhattan about a half-dozen years ago. To try to pigeonhole or categorize them would be useless. Like their closest comparison, Hazmat Modine, jazz is a frequent reference point, but where that group uses horns, this crew employs a vast arsenal of central Asian, Middle Eastern and African stringed and percussion instruments along with a rock rhythm section. ...

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Mitra Sumara Keyboardist Jim Duffy Puts Out a Wickedly Catchy, Cleverly Fun Instrumental Album

Source: New York Music Daily

Jim Duffy is one of New York’s most irrepressibly entertaining and individualistic keyboardists. He had a longtime gig with Americana rockers Martin’s Folly; these days he plays organ in the wildly psychedelic Mitra Sumara, who specialize in covers of classic/obscure Iranian art-funk hits from the 60s and 70s. But he’s also a distinguished songwriter in his own right. His third and latest instrumental album, ominously titled Pale Afternoon, is streaming at Spotify (there are also a bunch of tracks at soundcloud and youtube for those of you who can’t stop multitasking long enough to jump on that fader ...

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Gato Loco’s Perilous Mambos and Noir Cinematics Capture These Dark Times

Source: New York Music Daily

Perilous times, perilous measures, perilous bands. In an era in New York when seemingly half the population  doesn’t know if they’ll have a roof over the heads a month from now, it’s only logical to expect that the music coming out of this city at this moment would reflect that unease. Many of New York’s elite bands and artists – Karla Rose & the Thorns, Big Lazy, Rachelle Garniez, Beninghove’s Hangmen across the river, and now Gato Loco – speak for this new Age of Anxiety. Of all those bands, Gato Loco might be the loudest and most explosive.

...

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Tamalyn Miller Plays an Otherworldly Debut Solo Show in a Chinatown Back Garden

Source: New York Music Daily

Multi-instrumentalist Tamalyn Miller‘s sepulchral, microtonally-infused one-string fiddle textures are just as essential to Brooklyn art-rockers Goddess‘ sound as frontwoman Fran Pado’s phantasmagorical vocals and creepy storytelling, and multi-instrumentalist Andy Newman’s cinematics. Although Miller is no stranger to building her own instruments and then enhancing others’ music with them, it wasn’t until last night that she made her debut as a solo artist…in the  Camera Club of New York’s Baxter Street tenement backyard.

‘The scene was as anachronistically surreal as a Ben Katchor illustration. The garden itself, with its overgrown brickwork and what looked like a toolshed for hobbits tucked ...

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Pat Irwin and Daria Grace Bring Their Brilliantly Eclectic Sounds to an Laid-Back Outdoor Show in Queens

Source: New York Music Daily

The theory that Sunday or Monday are the new Saturday cuts both ways. On one hand, the transformation of hallowed downtown New York and Brooklyn neighborhoods into Jersey tourist trashpits on the weekend has driven some of the best New York talent to gigs and venues that might seen off the beaten path. On the other hand, for the permanent-tourist class whose parent guarantors have driven rents in Bushwick and elsewhere sky-high, every day is Saturday because nobody works for a living. OK, some of them are interns. But that’s a story for another time. For an afternoon that perfectly ...

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Lisa Dowling Holds the Crowd Spellbound with Kills to Kisses

Source: New York Music Daily

Bassist Lisa Dowling‘s chops on the four strings are well respected throughout the far, adventurous reaches of indie classical, postrock and improvised music. What was most striking about her solo show last night at Spectrum was how dynamic and powerful a singer she is. With split-second timing and the help of her trusty loop pedal, she held the crowd rapt, building an eclectic set of both vocal numbers and instrumentals that drew on styles as diverse as art-rock, 90s trip-hop, acid jazz and horizontal music.

Much of the material was taken from her Kills to Kisses album Lullaby Apocalypse. While ...

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