Tag Archives: Frank Kimbrough

A Darkly Majestic, Sweepingly Cinematic, Often Haunting Trio Album from Pianist Guy Mintus

Source: New York Music Daily

Pianist Guy Mintus’ music has depth, and gravitas, and glimmer, and an often cinematic sweep. Israeli pianists tend to embrace both western classical music as well as the edgy minor keys and chromatics common to Jewish and  Middle Eastern music, and Mintus is no exception. His sound is very distinctive: there’s no real comparison, although from time to time he evokes the nocturnal majesty of Shai Maestro, the phantasmagorical side of Frank Kimbrough and the counterintuitively dark explorations of Danny Fox. Mintus’s new album, A Home In Between, with his long-running trio, bassist Tamir Shmerling and drummer ...

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The Maria Schneider Orchestra Play Gorgeously Lush Pastoral Jazz at Birdland This Week

Source: New York Music Daily

Sometimes you have to see a piece of music live to understand it. Beyond the endless multitask and distractions while the album or the mp3 spins – do mp3s spin, or at least wish they do? – some music is so rich that it requires serious immersion to get a handle on it. Even by Maria Schneider‘s lofty standards, the big band jazz composer’s new album The Thompson Fields, with her Orchestra, is pretty amazing. This past evening on the podium at at Birdland, she led her big band through several of its lush, raptly beautiful, distantly angst-fueled numbers, ...

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The Maria Schneider Orchestra Bring a Luminous, Relevant New Album to a Stand at Birdland

Source: New York Music Daily

To pigeonhole the Maria Schneider Orchestra‘s latest magnum opus, The Thompson Fields. as pastoral jazz downplays its genuinely extraordinary beauty and epic sweep. But a musicologist would probably consider how much the vast expanses of the Minnesota prairie where Schneider grew up have influenced her writing. To call Schneider this era’s paradigmatic big band jazz composer would also be just part of a larger picture: among this era’s composers in any style of music, only Kayhan Kalhor and Darcy James Argue reach such ambitious and transcendent peaks. She’s bringing her Orchestra to a stand at Birdland this week, June ...

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Ryan Truesdell’s Gil Evans Project Does It Again Live at the Jazz Standard

Source: New York Music Daily

Pretty much everybody, at least in the jazz world, agreed that Centennial: Newly Discovered Works of Gil Evans, by conductor and Evans scholar Ryan Truesdell’s Gil Evans Project, was the best album of 2012. You rarely see that kind of consensus. Even for an ambitious jazz bandleader, it was an enormously labor-intensive achievement. Truesdell also left himself little wiggle room for a sequel: pretty much anything was destined to be anticlimactic. So Truesdell – who has probably spent more time unearthing rare and previously unknown Evans compositions and arrangements than anyone else – flipped the script. Rather than emphasizing ...

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Maria Schneider’s Lush, Atmospheric Winter Morning Walks: Beauty Triumphs Over Horror

Source: New York Music Daily

If there’s one thing that defines Maria Schneider‘s work, it’s color. So why would this era’s most dynamic composer in any style of music want to make a monochromatic album? Maybe because it was a challenge. Although Schneider’s big band jazz can be lush and enveloping to the nth degree, writing for string orchestra as she does here gives her a chance to build lingering long-tone themes that would be less suited to the reeds and brass of her jazz orchestra. Both suites on her most recent, death-obsessed album Winter Morning Walks are sung by Dawn Upshaw, an apt choice ...

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