Tag Archives: erik friedlander

A Chance to Discover Some Rare Jazz Seldom Heard on This Continent

Source: New York Music Daily

Even in this youtube-enabled era where a kid from Reykjavik or Rhode Island can develop jazz chops to rival anyone from Harlem, it takes a special kind of passion to play music that’s not native to your home turf. That’s why so many of the European jazz acts with the ambition to cross the pond can be fantastically good. And while most American fans probably don’t think of Poland as a jazz hotspot, this upcoming week’s annual Jazztopad Festival has a lineup that could open a lot of eyes and ears.

The good news is that the dreaded f-word (fusion, ...

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What’s Going on Saturday?

Source: Brooklyn Vegan

The Wonder Years, Latterman, La Sera/Springtime Carnivore, Ceremony, Phantogram, Steely Dan, PUP, “John Zorn’s Ultimate Bagatelles Marathon” & more NYC-area show options for your Saturday.

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A Relentlessly Interesting, Tuneful, Paradigm-Shifting Solo Cello Album by Erik Friedlander

Source: New York Music Daily

Cellist/composer Erik Friedlander is a familiar face from John Zorn’s circle. His previous album, Nighthawks, was an unexpectedly jaunty, bouncy cello jazz response to the devastation of Hurricane Sandy in New York, seemingly a tribute to this city’s ability to bounce back. His latest album, Illuminations – inspired jointly by Bach and a recent exhibit of medieval illuminated Jewish manuscripts – is quite a change, a stark solo suite of themes and variations. The album is streaming at Bandcamp; Friedlander’s playing the album release show tonight, April 26 at around 7 PM at Dixon Place Theatre at ...

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Mike Rimbaud: The Closest Thing to the Clash That NYC Has Right Now

Source: New York Music Daily

Much like Ward White, Mike Rimbaud has quietly and methodically built a vast catalog of wickedly smart, catchy, relevant lyrical rock songs. Where White has drawn on janglerock, Americana, chamber pop and most recently, an artsy glam sound, Rimbaud looks back to new wave and punk, but also to reggae, and jazz, and Phil Ochs. White’s narratives are elusive to the extreme; Rimbaud’s are disarmingly direct, with a savagely spot-on political sensibility. A strong case could be made that no other New York artist represents this city’s defiantly populist past – or, one hopes, its future – more than Mike ...

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