Tag Archives: dark rock

An Obscure, Darkly Tasty Treat by the Sandwitches

Source: New York Music Daily

Today’s Halloween album is Our Toast, by Lynchian San Francisco lo-fi harmony rock trio the Sandwitches. Grace Cooper, Heidi Alexander and Roxanne Young put this up on Bandcamp in 2015 – after an intriguing series of ep’s and singles, it it looks like the band have been on ice pretty much ever since, probably consequence of less-than-optimal branding .

But it’s a great late-night album, suitable for any Halloween playlist you may be working on. Rusty Miller’s haphazardly jaunty western saloon-tuned piano propels the opening waltz, Sunny Side. With its casket girl harmonies, it’s got to be the saddest ...

Read full article >>

Yet Another Haunting, Psychedelic Silent Film Score From Morricone Youth

Source: New York Music Daily

Today’s Halloween album is Morricone Youth’s original score to F. W. Murnau’s 1927 silent film Sunrise: A Tale of Two Humans. For the past almost twenty years, Morricone Youth have built what might be the vastest, most consistently dark repertoire in the history of art-rock. Aas film music, bandleader/guitarist Devon E. Levins’ body of work rivals the greatest of the greats: Bernard Herrmann, Angelo Badalementi, Steve Ulrich and the maestro Morricone himself. Over the past eighteen months or so, the group have been on a marathon recording binge, with a game plan of immortalizing every single one ...

Read full article >>

Ella Atlas’ Debut Album Builds Hauntingly Cinematic Twin Peaks Ambience

Source: New York Music Daily

Guitarist Stephen Masucci is best known for his film work and for his lead work in one of the most haunting, Lynchian New York bands ever, the Lost Patrol. Since that group ground to a halt a couple of years ago, he’s been busy with a new, similarly dark, cinematic project, Ella Atlas, with compellingly enigmatic, eclectic singer/multi-instrumentalist Tarrah Maria. The duo’s deliciously reverb-drenched new album The Road to Now is streaming at Bandcamp.

It opens with the catchy, distantly shimmering When the Gods Are Fading, swirly late 70s ELO through a surreal new wave prism peppered ...

Read full article >>

Revisiting a Macabre Psychedelic Masterpiece by the Black Lesbian Fishermen

Source: New York Music Daily

Today’s album for Halloween Month is the creepy, strangely titled 2015 art-rock suite Ectopic Apiary, by the Black Lesbian Fishermen. This masterpiece of slowly crescendoing, crepsucular psychedelic rock – and spinoff of the similarly eerie Gray Field Recordings – is streaming at the Cryptanthus Bandcamp page.

Guitarist/multi-instrumentalist Alan Trench joins forces with fellow multi-instrumentalist R. Loftiss, guitarists Nikos Fokas and Stratis Sgourelis here. Two of the tracks are live; both are epic. The first, Lignite Light is a gentle, pastoral psych-folk nocturne, guitars wafting and gently jangling in a dusky milieu lowlit by quietly resonant wood flute. As ...

Read full article >>

Abraham Brody Brings His Mystical Reinventions of Ancient Shamanic Themes to Williamsburg

Source: New York Music Daily

Lithuanian-American violinist/composer Abraham Brody covers a lot of ground. In a wry bit of Marina Abramovic-inspired theatricality, he’ll improvise as he stares into your eyes, a most intimate kind of chamber concert. He also leads the intriguing avant-folk quartet Pletai (Lithuanian for “ritual”) with vocalist-multi-instrumentalists Masha Medvedchenkova, Ilya Sharov and Masha Marchenko, who reinvent ancient Lithuanian folk themes much in the same vein as Igor Stravinsky appropriated them for The Rite of Spring. The group are on the bill as the latest installment in Brody’s ongoing series of performances at National Sawdust on Oct 5 at 7:30 PM. Advance tix ...

Read full article >>

Nicole Atkins Brings Her Noir Soul to an Intimate Mercury Lounge Gig This Saturday Night

Source: New York Music Daily

Here’s how to survive at the top level of what’s left of the music business. You tour constantly – summer festivals, rock venues, jazz clubs, house concerts, whatever’s available for the cash. You crowdfund your album, then record it live to two-inch analog tape with people who get what you do and can wrap it up in less than a week. Meanwhile, you bombard your fan base with everything from Spotify playlists of your influences to limited-edition concert recordings.  And the social media treadmill – one goofy pic after another, oy. That’ll drive you to drinking.

So maybe you quit ...

Read full article >>

A Brooding New Album and a Brooklyn Show from Dark Country Band the Whiskey Charmers

Source: New York Music Daily

Ann Arbor dark country band the Whiskey Charmers made a big splash with their 2015 debut album. Their new one, The Valley – streaming at Bandcamp – takes their Lynchian twang and shuffle and raises the energy: this is much more of a blue-flame electric rock record. They’re making a rare New York appearance tonight, August 18 at 8 PM at the Way Station, making the trek out to the fringes of Bed-Stuy worth your while.

Lawrence Daversa’s bone-bleached slide guitar builds lingering menace throughout the album’s opening track, Desert, frontwoman/guitarist Carrie Shepard voicing an understatedly lurid scenario that probably ...

Read full article >>

Algiers’ Enigmatic New Album Looks at Current Day Perils Through a Glass, Darkly

Source: New York Music Daily

Algiers are one of the world’s most individualistic, relevant bands. Their 2014 debut album was a grim, confrontational mashup of oldschool soul, new wave and postrock, with a fiery populist, anti-racist sensibility. Their latest release, The Underside of Power – streaming at Spotify – is more Sandinista than London Calling . It’s a jaggedly interconnected suits that owes as much to the 80s film scores of Brad Fiedel and RZA’s lavish 90s Wu-Tang Clan sample collages than it does to rock or soul music. Informed by the Black Lives Matter movement, hip-hop, oldschool gospel and Albert Camus, it demands repeated ...

Read full article >>

Nina Diaz Brings Her Relentless Angst and Catchy 80s-Influenced Tunesmithing to Wlliamsburg

Source: New York Music Daily

Nina Diaz is best known as the frontwoman and guitarist of Girl in a Coma. Without knowing her background, you might swear that many of the songs on  her debut solo album The Beat Is Dead – streaming at Spotify – were relics from the 80s. Synthesizers pulse and swirl; the guitars and basslines are as dry as they are precise and catchy. Otherwise, the record sounds like a sleeker take on her main band, a series of angry anthems that would make a great soundtrack for a sequel to or remake of Fatal Attraction. You know – ...

Read full article >>

Big Lazy at the Peak of Their Darkly Cinematic Power in Brooklyn This Saturday Night

Source: New York Music Daily

Friday night at Barbes the room was packed and the girls in the front row were dancing up a storm through two slinky sets by Big Lazy. Less than 24 hours later, seeing Los Straitjackets – a similarly twangy, virtuosic guitar instrumental band who go far deeper into the surf than Big Lazy but are nowhere near as picturesque – raised the question of how many other bands are actually better now than they were twenty years ago.

The New York Philharmonic, maybe?

Big Lazy had already earned iconic status in noir music circles before the end of ...

Read full article >>

A Sepulchral, Saturnine Album and a Lower East Side Show from Dark Rock Guitarslinger Phil Gammage

Source: New York Music Daily

Dark rock crooner Phil Gammage got his start as a teenager in the 1980s as the lead guitarist for legendary downtown NYC postpunk band Certain General. It’s probably safe to say that without them, there may have been no Jesus & Mary Chain or Brian Jonestown Massacre. While Certain General have been resurrected in various configurations over the years, Gammage has enjoyed a prolific career as a bandleader, sideman and small label honcho. His latest album Used Man for Sale is streaming at Bandcamp. He’s likely to air some of those songs out with his band on July 6 ...

Read full article >>

A NYC Debut This Week by a Killer Spanish Psychedelic Rock Project

Source: New York Music Daily

Weinf, a.k.a. Spanish multi-instrumentalist/crooner Mariano Toledano is the great psychedelic rock songwriter you’ve never heard off. His music compares with this era’s greatest American psych bands: the Allah-Las and Mystic Braves, to name just two.  British cult heroes the Frank Flight Band are also a good comparison, as are obvious influences the Doors and Nick Cave. Weinf’s latest album Purple Bird and Other Strange Stories is just out and streaming at Bandcamp, and he’s got a trio of New York shows coming up. This week, he’s at Sidewalk on July 4 at 9:30 PM and then back there ...

Read full article >>

Orkesta Mendoza Bring Their Slinky Cumbias and Noir Desert Rock to Prospect Park

Source: New York Music Daily

Tucson-based bandleader and multi-instrumentalist Sergio Mendoza leads Orkesta Mendoza, who might be the most epic psychedelic cumbia band on the planet. When they’re firing on all 24 cylinders – the cast of characters varies, but this is a BIG band – they come across as a slinky, brass-spiced mashup of Chicha Libre and Cab Calloway. They’re connoisseurs of noir, and they do a whole bunch of other styles as well: serpentine mambos, haunting boleros, and latin soul among them. Their latest album ¡Vamos A Guarachar! is streaming at Spotify (with a couple of tracks up at Bandcamp). They’re ...

Read full article >>

A Twistedly Relevant, Phantasmagorical Evening in Brooklyn with Orphan Jane

Source: New York Music Daily

Orphan Jane brought a good crowd to the Knitting Factory Wednesday to watch them pounce and scamper through a tantalizingly brief, lurid set of noir cabaret and circus rock – on a night when the L train was shutting down early. Considering that their motley fans don’t seem like an Uber crowd – they’re a pretty diverse bunch – that’s all the more impressive.

What was most impressive was frontwoman Jessica Underwood AKA The Girl with No Name’s vocals. In the band’s early days, she worked a sardonically brassy, vampy persona. These days she’s Pirate Jenny on steroids. With her wide-angle ...

Read full article >>

What to Do When a Great New York Band Gets Priced Out of Town

Source: New York Music Daily

Greetings from North Carolina!

Considering how many thousands of New York artists have been priced out of town by gentrification and the real estate bubble, sometimes you have to leave the state to see them. Case in point: ferocious Americana rock vets Ninth House, who played earlier this evening on the big stage at frontman/bassist Mark Sinnis’ home base, Beale Street Barber Shop in Wilmington, North Carolina. It’s combination retro rock-themed haircut joint, music venue, art gallery and vintage store in what appears to be the happening hood in a college town with a well-preserved historic district.

In their ten years ...

Read full article >>

What to Do When a Great New York Band Gets Priced Out of Town

Source: New York Music Daily

Greetings from North Carolina!

Considering how many thousands of New York artists have been priced out of town by gentrification and the real estate bubble, sometimes you have to leave the state to see them. Case in point: ferocious Americana rock vets Ninth House, who played earlier this evening on the big stage at frontman/bassist Mark Sinnis’ home base, Beale Street Barber Shop in Wilmington, North Carolina. It’s combination retro rock-themed haircut joint, music venue, art gallery and vintage store in what appears to be the happening hood in a college town with a well-preserved historic district.

In their ten years ...

Read full article >>

Lusterlit Bring Their Richly Lyrical, Creepy, Lynchian Rock to Bushwick

Source: New York Music Daily

Multi-instrumentalists Susan Hwang and Charlie Nieland formed Lusterlit as a far darker spinoff of the Bushwick Book Club, a songwriting collective whose sprawling, global membership regularly contributes assignments based on a staggeringly diverse reading list of both fiction and nonfiction – they started with Vonnegut and then branched out from there. Musically speaking, Lusterlit compares most obviously to the Handsome Family, but switching out the Americana for more of an ethereal, gothic ambience. Lusterlit’s album List of Equipment is streaming at Bandcamp, and they’ve got a show at 9 PM this Wednesday, April 12 at the Well, 272 Meserole St. in ...

Read full article >>

An Unpredictably Fun Album Release Show by Changing Modes

Source: New York Music Daily

It’s hard to imagine a New York band that has as much fun onstage as Changing Modes. Or a band anywhere who can negotiate the endlessly tricky metrics and serpentine twists and turns of their artsy, often new wave-tinged songs as tightly as they do. At their album release show for their new one, Goodbye Theodora at Webster Hall this past weekend, everybody in the band except for drummer Timur Yusef switched instruments.

Singer Wendy Griffiths is the best keyboardist in the band, but she played the better part of the set on bass – as it turns out, she’s ...

Read full article >>

A Killer Triplebill Foreshadows a Great Psychedelic Show on the LES

Source: New York Music Daily

This Thursday, March 30 at 8 PM there’s a rare, intimate performance by second-wave Los Angeles psychedelic legends the Jigsaw Seen at Bowery Electric. They’re followed by the much louder New York Junk, whose retro sound moves forward in time another ten years to the Max’s Kansas City early punk rock scene. Cover is a ridiculously cheap, CBGB-era $8.

The Jigsaw Seen’s latest album, streaming at Spotify, is aptly titled For the Discriminating Completist. It’s a collection of B-sides and rarities. There’s an album of new material in the works, and frontman Dennis Davison has also recently immersed ...

Read full article >>

Agnes Obel Brings Her Creepy Waltzes to the West Village Saturday Night

Source: New York Music Daily

Multi-keyboardist/singer Agnes Obel writes broodingly catchy songs that span from minimalist chamber pop to more ornate art-rock. She loves waltz time: most of the songs on her new album Citizen of Glass, streaming at Spotify, have a slow 3/4 pulse. David Lynch has given her his imprimatur, which makes sense, although as a point of reference, she’s closer to Basia Bulat than Julee Cruise. Obel’s got a New York gig this Saturday night, March 11 at the Poisson Rouge at 7:30 PM. Advance tix are $20.

Obel plays all the keyboards on the album other than Daniel Matz’s trautonium, an ...

Read full article >>

Haunting Singer Carol Lipnik’s East Village Residency Takes On New Relevance

Source: New York Music Daily

This past Sunday evening at Pangea, Carol Lipnik reached for the rafters, with her voice and with her hand, as if trying to pull stars from the sky. It wasn’t as if she was imploring some unseen force, but there was a quiet desperation as her four-octave voice rose to the stratosphere. Behind her, Matt Kanelos built a twilit mist of electronics and then played steady, lustrous neoromantic piano chords to anchor his longtime collaborator’s uneasy flights upward.

“We’ve fallen backward into a strange event called imperfection,” Lipnik mused, in between songs. Iridescent in a shimmery midnight blue dress, she ...

Read full article >>

Another Dark Chapter in Morricone Youth’s Marathon Series of Film Scores

Source: New York Music Daily

Avi Fox-Rosen‘s record of releasing a dozen albums in a dozen months may be safe, but Morricone Youth aren’t far behind. The latest album from New York’s most prolifically cinematic band – in a planned series of fifteen soundtracks to films they’ve played live to over the past five years – is guitarist/bandleader Devon E. Levins’ original score for George Miller’s pioneering, dystopic 1979 post peak oil monster truck epic Mad Max. Like the rest of the series, the record is available on limited edition vinyl, in translucent Coke bottle greeen, and streaming at soundcloud.

The initial ...

Read full article >>

Another Dark Chapter in Morricone Youth’s Marathon Series of Film Scores

Avi Fox-Rosen‘s record of releasing a dozen albums in a dozen months may be safe, but Morricone Youth aren’t far behind. The latest album from New York’s most prolifically cinematic band – in a planned series of fifteen soundtracks to films they’ve played live to over the past five years – is guitarist/bandleader Devon E. Levins’ original score for George Miller’s pioneering, dystopic 1979 post peak oil monster truck epic Mad Max. Like the rest of the series, the record is available on limited edition vinyl, in translucent Coke bottle greeen, and streaming at soundcloud.

The initial release in the series, a mix of the original score and new material composed for George Romero’s Night of the Living Dead, explores the darkest corners of 60s psychedelia. The second, for the 1926 silent film The Adventures of Prince Ahmed, is more Morricone-esque, with Middle Eastern and Italian influenes. This new one is a mix of 70s art-rock and early new wave. Which makes sense: when the movie was in production, new wave rock was in its embryonic stages (and Mel Gibson, if he was a rightwing Christian supremacist nutjob then, hadn’t yet become famous for it).

As with much of Morricone Youth’s work, the album is a series of themes and variations. In general, the music is more overtly dark than the film’s exuberantly cynical narrative about vigilantes who can’t quite figure out how to get the max out of their prized but rapidly evaporating stash of petrochemicals. Dan Kessler’s washes of keyboards fuel the brief title theme: its motorik foreshadowing takes centerstage in the second piece, Mad Goose, over the furtive new wave pulse of bassist John Castro and drummer Brian Kantor.

Noir singer Karla Rose – whose forthcoming album of hauntingly lyrical songs is reputedly amazing – contributes distantly ghostly vocals to Clunes Town, a mashup of Del Shannon and Morricone spaghetti western. From there the band segues into Revenge of the MFP, which sounds like the Ex taking on a Richard Strauss theme famously repurposed for outer space.

Fraser Campbell’s balmy sax floats over a starry backdrop throughtout Jessie, a surrealistic love theme. Then Levins puts the rubber to the road with his grittily circling riffage in Nightrider, a careening chase scene. The band channel their main inspiration in the creepy, woozily psychedelic bolero Anarchie Road, followed by Johnny the Boy. a sardonic mashup of early Squeeze and Peter Gabriel-era Genesis, Kantor propelling it with a tumbling leadfoot drive. Castro’s Geezer Butler-like, growling bass pushes Toecutter as it rises from Pink Floyd ominousness toward krautrock. The closing credits roll to the surprisingly upbeat, starlit spacerock of Bad Max. That there are another dozen albums like this in the works is really something to look forward to in what’s been a horror movie of a year so far.

Another Dark Chapter in Morricone Youth’s Marathon Series of Film Scores

Smart, Cutting-Edge Tunesmithing at Manhattan’s Most Comfortable Listening Room

Source: New York Music Daily

Much as the world of singer-songwriters has shrunk, in the wake of the death of the big record labels – call it a market correction – Manhattan still has a great listening room for solo acoustic acts and small string bands. That venue is the American Folk Art Museum, just a few steps from the uptown 1 local to 66th Street, across the triangle from Lincoln Center. Their mostly-weekly Free Music Fridays series starts at 5:30 on the nose, goes to about quarter after seven and spans the world of folk music, from vintage Americana, gospel and blues to ...

Read full article >>

Steel Player Mike Neer Darkly Reinvents Thelonious Monk Classics

Source: New York Music Daily

Any fan of western swing knows how cool a steel guitar can sound playing jazz. The great C&W pedal steel player Buddy Emmons knew something about that: back in the 70s, he recorded steel versions of famous Charlie Parker tunes. In that same vein, steel guitarist Mike Neer has just put out an even more deliciously warped, downright creepy, dare we say paradigm-shifting album of Thelonious Monk covers for lapsteel, wryly titled Steelonious and streaming at the band’s webpage. Neer’s playing the album release show on Jan 25 at 8 PM at Barbes. If you like Monk, steel, and/or darkly ...

Read full article >>