Tag Archives: Concert Review

A Tantalizingly Dynamic Taste of One of Europe’s Most Enticing Jazz Festivals

Source: New York Music Daily

The booking agent at New York’s most popular jazz club spent ten days at the Jazztopad Festival in Poland last year. After it was over, he confided to the organizer that he was determined to bring some Polish jazz to New York. Consider: there are a hundred jazz festivals in Poland every year, and this one’s not in one of the major cities, but in the southwest corner of the country. Yet in the course of its fifteen year history, the festival has become a magnet for top-tier talent, and also commissions a lot of adventurous new works – Charles ...

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Svetlana & the Delancey Five: New York’s Most Unpredictably Fun Swing Band

Source: New York Music Daily

Since swing jazz is dance music, most swing bands have limitations on how far out on limb they can go. After all, you’ve got to keep everybody on their feet, right? Svetlana & the Delancey Five are the rare swing band who don’t recognize any limits: they’re just as fun to siit and listen to as they are for the dancers.

There weren’t a lot of people on their feet at the band’s sold-out show earlier this month at the Blue Note, but the band charmed the crowd for the duration of the set…with new arrangements of material that’s been ...

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Powerful Singers and an Iconic Band Celebrate Global Yiddish Music in Central Park

Source: New York Music Daily

What’s the likelihood of seeing the Klezmatics not only slink, and barrel, and slowly sway through a gorgeous and often haunting blend of minor keys and punk-klezmer romps…but also  getting to see them back two of New York’s most powerful singers? It happened Wednesday night at Central Park Summerstage, where cantors Chaim David Berson and Yanky Lemmer got to take tantalizingly short turns on the mic in front of the band, along with other entertainment on a night celebrating Yiddish music from around the world.

There was a time when being a cantor was just as competitive as, say, African-American ...

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A Chance to Discover Some Rare Jazz Seldom Heard on This Continent

Source: New York Music Daily

Even in this youtube-enabled era where a kid from Reykjavik or Rhode Island can develop jazz chops to rival anyone from Harlem, it takes a special kind of passion to play music that’s not native to your home turf. That’s why so many of the European jazz acts with the ambition to cross the pond can be fantastically good. And while most American fans probably don’t think of Poland as a jazz hotspot, this upcoming week’s annual Jazztopad Festival has a lineup that could open a lot of eyes and ears.

The good news is that the dreaded f-word (fusion, ...

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Paíto y los Gaiteros de Punta Brava Put on a Colombian Beach Party in Their New York Debut

Source: New York Music Daily

The cumbia party at Lincoln Center last night started at about nine. For the better part of the previous ninety minutes, a vast expanse of bodies had been bouncing and swaying to the thunderous beats of Colombian gaita negra band Paíto y los Gaiteros de Punta Brava, who were making their New York debut. Introducing the group, Lincoln Center’s Viviana Benitez kept her cool, but she couldn’t hide how psyched she was to have booked them, current political climate be damned. “The music is deep, and goes way back,” she told an energized, sold-out crowd, and then let the ...

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An Epic, Explosively Catchy Balkan Brass Album from What Cheer? Brigade

Source: New York Music Daily

What Cheer? Brigade headlined this year’s Golden Festival, the nation’s top gathering of Balkan bands. It was two in the morning in Brooklyn when they hit the stage, and by then, there were almost as many people playing as watching. Which meant more brass instruments and drums than could fit onstage, so what seemed like half the band were gathered around in front. It was an apt way to wind up what will probably prove to be the best party of the year.

Beyond the New York Philharmonic, there is no other band this size on the East ...

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International Contemporary Ensemble Unveil a Rapturously Low-Key Program at the Miller Theatre

Source: New York Music Daily

International Contemporary Ensemble probably cover more ground than any other indie classical group, in terms of territory,  personnel and repertoire. These days they’re more or less a bicoastal unit, with a revolving door of first-class players. Last week at the Miller Theatre, a characteristically eclectic New York subset of the organization rewarded the big crowd who’d come up to 116th and Broadway with a texturally delicious program of duo and trio works spiced with shimmering microtones, overtones and strange tunings. The ostensible theme was animal behavior; if that was meant to acknowledge how much more animals hear than we do, ...

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Manhattan’s Best Venue Stages a Thunderous Benefit for Their Brooklyn Counterpart

Source: New York Music Daily

The Barbes benefit concert at Drom Friday night wasn’t sold out, but the East Village venue was close to capacity. Big Lazy headlined. By then the dancers had been on their feet for the better part of four hours, yet didn’t seem the least bit worn out. So the shadowy, cinematic trio of guitarist Steve Ulrich, bassist Andrew Hall and drummer Yuval Lion played their slinkiest stuff. Ulrich shifted eerily between desolate big-sky tableaux, furtively chromatic crime jazz, a wryly strutting go-go theme or two and red-neon roadhouse scenes while Hall spun his bass, supplying a tight rubber-band low end ...

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The Shelters Steal the Show in Williamsburg

Source: New York Music Daily

Just when the Shelters really started to get cooking, they had to leave the stage. That’s the trouble with opening acts all too often. The Cali psychedelic pop band had just scampered through their one genuine cover of the night, a high-voltage version of the Yardbirds’ Lost Woman, bassist Jacob Pillot playing that big, rapidfire hook with a pick (rather than fingerpicking like Paul Samwell-Smith did on the original) and not missing a beat. They wound up their tantalizingly brief, stormy jam out with a wry Link Wray quote. And then they were gone. They deserved to headline their twinbill ...

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A Twistedly Relevant, Phantasmagorical Evening in Brooklyn with Orphan Jane

Source: New York Music Daily

Orphan Jane brought a good crowd to the Knitting Factory Wednesday to watch them pounce and scamper through a tantalizingly brief, lurid set of noir cabaret and circus rock – on a night when the L train was shutting down early. Considering that their motley fans don’t seem like an Uber crowd – they’re a pretty diverse bunch – that’s all the more impressive.

What was most impressive was frontwoman Jessica Underwood AKA The Girl with No Name’s vocals. In the band’s early days, she worked a sardonically brassy, vampy persona. These days she’s Pirate Jenny on steroids. With her wide-angle ...

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Potent, Evocative New Vocal Jazz: Helen Sung with Words Last Night at the Jazz Standard

Source: New York Music Daily

On one hand, Helen Sung with Words last night at the Jazz Standard was a chance to hear both multi-reedman John Ellis and trumpeter Ingrid Jensen blaze together in front of a tight latin-flavored rhythm section, a treat not to be missed. On the other, it was an opportunity to witness the most cutting edge of vocal jazz, a tantalizingly eclectic, often harrowingly relevant work in progress bookended by a couple of real burners.

Singers Christie Dashiell, Carolyn Leonhart and Vuyo Sotashe took turns and often harmonized Sung’s settings of poems by Dana Gioia, whose recorded words wafted through the ...

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Tamar Korn Thinks on Her Feet and Enchants the Crowd at Barbes

Source: New York Music Daily

Memorial Day at Barbes, singer Tamar Korn addressed the audience cautiously. “Brain Cloud’s not here,” she explained. “This is my situation.” The well-loved western swing band the petite, irrepressible singer fronts will be back at their usual Monday night residency on June 5 at 7 PM for those lucky enough to be able to get out of work in time to get to Park Slope. Lots do – the back room always fills up.

Despite the holiday, there was a good crowd for this one, and everybody stayed. “I call this project Kornucopia,” Korn grinned, and it’s an ...

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A Rare Manhattan Show by the Fiery Cecilia Coleman Big Band

Source: New York Music Daily

Here are some highlights from the Cecilia Coleman Big Band’s show last year at St. Peter’s Church in midtown. If they played another after that, the monthly concert calendar (just completed – whew) didn’t catch it. They’re back this Wednesday, May 31 at 1 PM for one of the lunchtime concerts there.

Coleman didn’t come up in a big band milieu, but she’s a natural. Her charts manage to be both trad and cutting-edge. Big punchy crescendos and a brassy, energic drive are persistent tropes in her book. She likes to throw caution to the wind and let the ...

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A Rare Manhattan Show by the Fiery Cecilia Coleman Big Band

Source: New York Music Daily

Here are some highlights from the Cecilia Coleman Big Band’s show last year at St. Peter’s Church in midtown. If they played another after that, the monthly concert calendar (just completed – whew) didn’t catch it. They’re back this Wednesday, May 31 at 1 PM for one of the lunchtime concerts there.

Coleman didn’t come up in a big band milieu, but she’s a natural. Her charts manage to be both trad and cutting-edge. Big punchy crescendos and a brassy, energic drive are persistent tropes in her book. She likes to throw caution to the wind and let the ...

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City and Colour Swoons The Electric Factory

Source: Rock On Philly

City and Colour checked Philly off the Northeast extension of their current tour by making a loyal stop at the Electric Factory. Seattle’s own, Noah Gunderson, opened up the night with his bold acoustics. Dallas Green made a point of commending Gunderson for embarking on this tour, as the previous drive was a 10-hour stretch from Cincinnati, remarking that, “it’s not an easy thing to do.” Gunderson is making this tour on his own, and I have to admit, you don’t always catch an opener that has the same vocal presence as a full band. Sometimes all you ...

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A Colossally Heavy Triplebill at Drom This Past Evening

Source: New York Music Daily

Dead Wake. Their first gig? Fooled me!” Imminent Sonic Destruction frontman Tony Piccoli wasn’t alone in thinking that. A lot of great bands have made memorable debuts at Drom over the years, but very few rock acts as heavy as Dead Wake. From how acrobatically and expertly they made their way through brain-warping metric changes and stylistic shifts, it’s obvious that all of these guys have had plenty of experience. Still, you never expect a band to come out of the chute firing on as many cylinders as these guys did. and with a combination of as much ...

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Hot Swing Jazz on a Cool Spring Night at Drom

Source: New York Music Daily

A big ‘ooooh” went through the crowd when arranger/conductor David Berger announced Juan Tizol’s Casablanca, the noir cha-cha classic that turned out to be the high point of a dynamic opening set by his blazing Sultans of Swing Big Band at Drom last night. Berger is a founding member of the Jazz at Lincoln Center Orchestra: this gig, staged by the New York Hot Jazz Festival folks, gave him a chance to air out this stormy, allusively chromatic showstopper along with his other purist but inventive arrangements of swing tunes both popular and obscure.

Emcee Will Friedwald explained that ...

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Oud Virtuoso Rahim AlHaj Plays the Year’s Single Best Concert at Lincoln Center

Source: New York Music Daily

From the moment he took the Lincoln Center stage this past evening, playing material off his new album Letters from Iraq, oud virtuoso Rahim AlHaj – one of the world’s most eclectic and riveting musicians – made no secret of the fact that he’d really been looking forward to this gig. He has a wit to match the magic, and gravitas, and vast, global sweep and majesty of his compositions. “Here, I can talk about Trump and not worry that they’re going to take me away,” he joked. More seriously, took care to mention that he was genuinely concerned about his ...

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Misha Piatigorsky’s Unpredictably Fun Sketchy Orkestra Entertains the Crowd in the West Village

Source: New York Music Daily

This past evening at the Poisson Rouge, pianist Misha Piatigorsky led his twelve-piece Sketchy Orkestra through a long, heavily front-loaded set that was as eclectic as it was entertaining. Piatigorsky is a rugged individualist who’s invented his own style of music: part art-rock, part chamber jazz, part neoromanticism and part soul music. It can be part other things too, but we’ll get to that. His lushly dynamic Sketchy Orkestra is sort of a NYChillharmonic Junior, although Piatigorsky’s group is smaller and also plays imaginatively rearranged covers in addition to originals. With his gruff, sardonic lounge lizard persona and irrepressibly ebullient ...

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Talavya Treats the Throngs to Torrential Tabla Thrills

Source: New York Music Daily

Thursday night at Lincoln Center, Talavya’s harmonium player Heena Patel scrunched up her face. Facing the crowd, she explained her dilemma.”I tell people that this band plays tabla. They say, ‘No vocals. no melody.’” She shrugged.

And then let those thoughts resonate. “What do YOU think of tabla?” she wanted to know.

The crowd exploded. Sure, there was a good representation of New Yorkers with heritage in the Hindustani subcontinent, but there were more who probably had none. This demographically diverse, typical New York audience had just witnessed a suspenseful, electrifying three-way drum duel between tabla players Rushi Vakil, ...

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Omar Souleyman’s Soulful Rasp and Dancefloor Thud Brings New York Together in the West Village

Source: New York Music Daily

It was Arabic music that drew what might have been this year’s most diverse crowd at any New York concert. Maybe it’s a stretch to credit Syrian crooner Omar Souleyman for uniting these people, but he definitely brought them together at his sold-out show last night booked by the World Music Institute at the Poisson Rouge.

The wannabe Republican operative leaning against the back wall of the club was bitching to his fiancee about how Donald Trump’s latest misadventures in reality tv-style management might bolster Democratic hopes in the 2018 midterm elections. Neither his fiancee nor her petite friend had much ...

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What to Do When a Great New York Band Gets Priced Out of Town

Source: New York Music Daily

Greetings from North Carolina!

Considering how many thousands of New York artists have been priced out of town by gentrification and the real estate bubble, sometimes you have to leave the state to see them. Case in point: ferocious Americana rock vets Ninth House, who played earlier this evening on the big stage at frontman/bassist Mark Sinnis’ home base, Beale Street Barber Shop in Wilmington, North Carolina. It’s combination retro rock-themed haircut joint, music venue, art gallery and vintage store in what appears to be the happening hood in a college town with a well-preserved historic district.

In their ten years ...

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What to Do When a Great New York Band Gets Priced Out of Town

Source: New York Music Daily

Greetings from North Carolina!

Considering how many thousands of New York artists have been priced out of town by gentrification and the real estate bubble, sometimes you have to leave the state to see them. Case in point: ferocious Americana rock vets Ninth House, who played earlier this evening on the big stage at frontman/bassist Mark Sinnis’ home base, Beale Street Barber Shop in Wilmington, North Carolina. It’s combination retro rock-themed haircut joint, music venue, art gallery and vintage store in what appears to be the happening hood in a college town with a well-preserved historic district.

In their ten years ...

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Rebecca Turner Brings Her Richly Jangly, Anthemic Songcraft Back to the East Village

Source: New York Music Daily

Songwriter Rebecca Turner earned a devoted following around the turn of the century for her catchy, anthemic blend of anthemic janglerock, Laurel Canyon folk-pop and the occasional detour into starker acoustic folk or more ornate psychedelia. In a lot of ways, she represents the vanguard of ex-Brooklynite musicians caught between the very tail end of the cds-and-college-radio era and the age of streaming and vinyl. She puts out albums at her own pace (she’s working on a new one, helmed in the studio by husband/bassist Scott Anthony, recently responsible for remastering the Feelies’ latest vinyl reissues). She also has an 8 ...

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Edgy, Dynamic, Guitar-Fueled Klezmer Jangle and Clang from the Avi Fox-Rosen Electric Trio

Source: New York Music Daily

The Jalopy in Red Hook isn’t just New York’s Americana Central. It’s home to all kinds of sounds beyond the  bluegrass, country blues and oldtime string band music that’s made the venue arguably Brooklyn’s best music club and inarguably New York’s best-looking and most welcoming concert space. This Thursday, May 4  at 8:30 PM, guitarist Avi Fox-Rosen leads his Electric Klezmer Trio through a set of chromatically sizzling, reinvented classics from the Dave Tarras catalog, across the years and the Jewish diaspora in the theatre’s lowlit, dusky confines with the church pews in the back and the Thomas Jefferson bust ...

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