Tag Archives: blues music

Some Great December Shows Reprised This Month

Source: New York Music Daily

Who says December is a slow month for live music in New York? The first three weeks were a nonstop barrage of good shows. And a lot of those artists will be out there this month for you to see.

Last summer, Innov Gnawa played a couple of pretty radical Barbes gigs. With bandleader Hassan Ben Jaafer’s hypnotically slinky sintir bass lute and the chorus of cast-iron qraqab players behind him, they went even further beyond the undulating, shapeshifting, ancient call-and-response of their usual traditional Moroccan repertoire. Those June and July shows both plunged more deeply into the edgy, chromatically-charged ...

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Live Music Calendar for New York City and Brooklyn for January and February 2018

Source: New York Music Daily

Free and cheap concerts in just about every neighborhood. If you’re leaving your hood, make sure you check http://www.mta.info for service changes considering how the trains are at night and on the weekend.

Constant updates. If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is ...

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Celisse Henderson Stuns a Lincoln Center Crowd With Her Guitar and Vocal Chops

Source: New York Music Daily

Celisse Henderson is definitely an artist we feel is representing New York, and representing Lincoln Center,”  impresario Jordana Leigh told a packed house last night.

“I just want to let everybody know I’m really excited at being at such a fancy establishment without getting kicked out,” Henderson responded a little later. At her debut headlining show at Manhattan’s cultural mecca, the dynamic, charismatic multi-instrumentalist flexed some fearsome guitar chops, and her powerful voice, and kept the crowd in stitches with her between-song banter (she’s also an actress – go figure). Force of nature would be an understatement.

Backed by ...

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Live Music Calendar for New York City and Brooklyn for December 2017 and January 2018

Source: New York Music Daily

Free and cheap concerts in just about every neighborhood. If you’re leaving your hood, make sure you check http://www.mta.info for service changes considering how the trains are at night and on the weekend.

Constant updates. If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is ...

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Dee Dee Bridgewater Throws Herself a Memphis Soul Party

Source: New York Times » Music

The singer’s latest album is a tribute to the sounds of the city where she was born and a chance to “give exposure to the things that I believe in.”

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One of the Year’s Best Triplebills at Drom Last Friday Night

Source: New York Music Daily

“We don’t play with horns that much,” Big Lazy frontman/guitarist Steve Ulrich told the crowd late during their show headlining one of the year’s best triplebills at Drom Friday night. “Horns are,” he paused – and then resumed with just a flash of a menacing grin – ”Evil.” Then guest trumpeter Brian Carpenter and trombonist Curtis Hasselbring added a surreal acidity to the slow, ominous sway of a brand-new, ominously resonant film noir theme, Bluish.

“I wrote those harmonies to be as dissonant as possible,” Ulrich confided after the show. Which is ironic considering how little dissonance there actually is ...

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The Legendary Shack Shakers Validate Their Legend in Brooklyn

Source: New York Music Daily

Saturday night in downtown Brooklyn, the Legendary Shack Shakers lived up to their legend with a marauding, macabre performance. How does frontman JD Wilkes stay in such great shape? By playing shows like this one. Midway through the set, he left his feet for the umpteenth time, spun in midair and did a full 360 with a perfect Olympic landing. And this was after he’d really worked up a sweat. Athletic stage moves go back long before Chuck Berry, but the Colonel still pushes himself as hard as he did twenty years ago.

When he wasn’t spinning across the stage ...

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Live Music Calendar for New York City and Brooklyn for November and December 2017

Source: New York Music Daily

Dozens of listings coming momentarily for venues who wait til the eleventh hour to update their calendars!

Free and cheap concerts in just about every neighborhood. If you’re leaving your hood, make sure you check http://www.mta.info for service changes considering how the trains are at night and on the weekend.

Constant updates. If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked ...

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Review: ‘The B-Side’ Is an Extraordinary Masterclass in Listening

Source: New York Times » Music

Vinyl sings across the decades in the Wooster Group’s transcendent presentation of a 1965 album of songs from a Texas chain gang.

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The Hooten Halllers Bring Their Funny, Edgy Southern Soul and Americana to Town This Weekend

Source: New York Music Daily

Columbia, Missouri band the Hooten Hallers play purist southern soul and Americana with a sense of humor. On one hand, the growling baritone sax and grooves are totally retro. On the other hand, their songs are completely in the here and now. If there’s any group who can get the gaggles of tourists stuffing their faces at Hill Country to shut up and listen, it’s this crew. They’re there this Saturday night, Oct 28 at 10 PM and then at the restaurant’s much more listener-friendly upstairs room at the downtown Brooklyn branch on Monday the 30th at 9. Let’s hope ...

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Tuneful, Purposeful, Original Acoustic Blues from Rust Dust

Source: New York Music Daily

Jason Stutts, a.k.a. Rust Dust is a first-class acoustic blues guitarist and a connoisseur of oldtime Americana. He typically plays in open tunings with a slide on a vintage resonator model in the Mississippi delta style, but doesn’t limit himself to that. He sings in a laid-back Midwestern twang rather than trying to fake a southern drawl. His debut album Diviners and Shivs, recorded with an imaginative array of spatially placed mics on the grounds of an upstate New York farm, is streaming at Spotify. He’s become a staple of the similarly first-class Friday night shows at the American Folk ...

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Celebrating Resistance and Triumph Over Tyranny at Lincoln Center

For three years now, Lincoln Center has been partnering with Manhattan’s High School for Arts, Imagination and Inquiry in an annual celebration of freedom fighters from across the decades. Inspired by Howard Zinn’s A People’s History of the United States, Thursday night’s annual performance featured “a stellar cast,” as Lincoln Center’s Viviana Benitez put it, playing some powerfully relevant music and reading insightful, inspiring, sometimes incendiary works by activists and authors from the sixteenth century to the present day.

Brianna Thomas raised the bar dauntingly high with the Civil Rights-era Sam Cooke hit A Change Is Gonna Come, guitarist Marvin Sewell playing bottleneck style on the intro for a ringing, rustic, deep blues feel. “I go downtown, and somebody’s always telling me, don’t hang around,” Thomas intoned somberly over Sewell’s terse icepick soul chords. In an era when Eric Garner was murdered because he got too close to a new luxury condo building, that resounded just as mightily as it did in Birmingham in 1964. She picked it up again with a ferociously gritty insistence, the audience adding a final, spontaneous “Yeah!” at the very end.

Later in the performance the duo played a hauntingly hazy, utterly Lynchian take of Strange Fruit. Thomas’ slow, surreal swoops and dives raised the macabre factor through the roof: If there’s any one song for Halloween month, 2017, this was it.

In between, a parade of speakers brought to life a series of fiery condemnations of tyrants and oppression, and widely diverse opinions on how to get rid of them. Staceyann Chin bookended all this with an understatedly sardonic excerpt from Bartolome de las Casas’ grisly account of early conquistadorial genocide, closing with a rousing Marge Piercy piece on how to build a grassroots movement.

Shantel French matter-of-factly voiced Henry George’s insight into how poverty is criminalized, but is actually a form of discrimination. Michael Ealy’s most memorable moment onstage was his emphatic delivery of the irony and ironclad logic in Jermain Wesley Loguen’s famous letter to the slaveowner he escaped during the Civil War: ‘You say you raised me as you raised your own children…did you raise them for the whipping post?”

Geoffrey Arend read Eugene Debs’ address for his 1918 sedition sentencing, optimism in the face of a prison sentence and a corrupt system doomed to collapse  Laura Mendoza voiced the anguish and indignity of a longtime resident of Vieques, Puerto Rico who’d seen his neighbors harassed and killed by drunken marines and errant bombs dropped in practice runs (this was in 1979, before the island was rendered uninhabitable by the same depleted uranium dropped on Afghanistan and Iraq). Considering that the President of the United States has castigated the people of this disaster-stricken part of the world for being a drain on the Federal budget, this packed a real wallop. We can only hope this latest incident helps the wheels of impeachment move a little faster.

Brian Jones read from a witheringly cynical pre-Emancipation Frederick Douglass speech on what the Fourth of July means to a slave, and also Martin Luther King’s emphatically commonsensical analysis of the racism and injustice inherent in the Vietnam War draft. Aasif Mandvi brought out all the black humor in Brooklyn College professor Moustafa Bayoumi’s account of being besieged by off-campus rightwing nutjobs. And joined by incisive, puristically bluesy guitarist Giancarlo Castillo, songwriter Ani Cordero sang a venomous take of Dylan’s Masters of War and an understatedly passionate, articulate version of Lydia Mendoza’s 1934 border ballad Mal Hombre, sad testimony to the fact that Mexican immigrants have been demonized long before Trump.

The next free performance at Lincoln Center’s Broadway atrium space just north of 62nd St. is on Oct 19 at 7:30 PM featuring artsy Mexican trip-hop band Ampsersan. Getting to the space a little early is a good way to make sure you get a seat, since these events tend to sell out.

Celebrating Resistance and Triumph Over Tyranny at Lincoln Center

Live Music Calendar for New York City and Brooklyn for October and November 2017

Source: New York Music Daily

Free and cheap concerts in just about every neighborhood. If you’re leaving your hood, make sure you check http://www.mta.info for service changes considering how the trains are at night.

Constant updates, including Barbes listings for the second half of the month coming momentarily. If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands ...

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Bobtown Foreshadow Halloween at This Year’s Brooklyn Americana Festival

Source: New York Music Daily

It’s impossible to think of a better band than Bobtown to kick off Halloween month. The stars of the Saturday portion of this year’s Brooklyn Americana Festival last week put on a spellbinding show that ranged from the brooding folk noir they got their start with back in the late zeros, through the starkly rhythmic chain gang sounds they were exploring earlier this decade, to a handful of new tunes where the band’s frontline became the Andrews Sisters’ evil twins.

There’s no other Americana band with three voices as distinctive and gleefully sinister as this Brooklyn crew. Frontwoman/drummer/accordionist Katherine ...

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Everybody’s Favorite Americana Harmony Trio, Red Molly, Make a Triumphant Return to City Winery

Source: New York Music Daily

Is there another Americana band with as individualistic and spine-tingling a blend of voices as Red Molly? Actually yes – Bobtown, who played the Brooklyn Americana Festival on Saturday. More about them later.

Red Molly’s first New York show in two years last night at City Winery was epic. The harmony trio of dobro player Abbie Gardner, guitarists Molly Venter and Laurie MacAllister really give you a lot of bang for your buck. In two long sets, bolstered by bassist Craig Akin and Roosevelt Dime guitarist/percussionist Eben Pariser, they played a wickedly fun, dynamic mix of originals ...

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Live Music Calendar for New York City and Brooklyn for September and October 2017

Source: New York Music Daily

Free and cheap concerts in just about every neighborhood. If you’re leaving your hood, make sure you check http://www.mta.info for service changes considering how the trains are at night.

Constant updates. If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is recommended if you like ...

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Joshua Garcia Brings His Harrowing, Relevant Tunesmithing to a Cozy West Village Spot

Source: New York Music Daily

When describing a singer-songwriter, the term “troubadour” is typically misused to the most ridiculous extent possible. Most of the culprits are part of the corporate publicity  machine, or those who still kiss up to it, probably because they’ve been kissing up to it for so long that they’ve forgotten that it has nothing left for them. But that’s another story.

In the Middle Ages, the troubadours – a French word – were the CNN of Europe. Making their way precariously from town to town, through thickets of bandits – with whom they undoubtedly shared more than we’ll ever know ...

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The Bumper Jacksons Bring Their Hot, Eclectically Swinging Americana Party to the Bleecker Street Strip

Source: New York Music Daily

The Bumper Jacksons play irresistible oldtimey toe-tapping music. If you got priced out of the Squirrel Nut Zippers reunion tour shows, this band will put the bubbles in your Moxie. Their latest album I’ve Never Met a Stranger – streaming at their music page – expands the band’s adventures of all sorts of Americana even further, embracing oldschool country and soul music as well as the swing they’ve made a name for themselves with. They’ve got an enticing show coming up at the Poisson Rouge on August 24 at 7 PM; $15 advance tix are highly recommended.

Guitarist Chris Ousley ...

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The Auspicious Future and Gloriously Melancholy Past of Americana Rock at Lincoln Center

Source: New York Music Daily

For the last several years, the Americana Music Association has partnered to book the closing night of Lincoln Center Out of Doors. Yesterday’s festivities began with multi-instrumentalist Amanda Shires and her similarly brilliant band and closed soaringly and bittersweetly with the unselfconsciously gorgeous harmonies of the Jayhawks. There were other acts throughout the day, some of them rambunctious, one of them absolutely putrid, but if these two are the foundation and future of Americana, New York’s default listening music is in good hands.

Shires doesn’t exactly play violin like your typical Americana fiddler. From song to song, she’d fire ...

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Live Music Calendar for New York City and Brooklyn for August and September 2017

Source: New York Music Daily

Free and cheap concerts in just about every neighborhood. If you’re leaving your hood, make sure you check http://www.mta.info for service changes considering how awful the trains have been lately.

Constant updates. Considering how Trump’s minions are hell-bent on slashing funding for the arts, this might be the last good season of free summer shows here for awhile. So you might want to bookmark this page and check back every so often – and then go out! If there was ever a summer in New York to check out some cool free live music, this is it!

If you don’t ...

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It’s a Great Summer for Middle Eastern Music in New York

Source: New York Music Daily

While much of the New York City parks system is on the highway to privatized hell – both Central Park Summerstage and the Prospect Park Bandshell series are selling ticketed seats to free concerts now – we haven’t yet reached the point where free summer concerts here have been whitewashed and yuppified to the point of irrelevance. Meanwhile, serendipitously, there have been some new publicly accessible concert series popping up, keeping the hallowed tradition of free summer concerts here alive.

One public space that’s been flying more or less under the radar until recently is Bryant Park. It wouldn’t be ...

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