Tag Archives: art-rock

Falu’s Karyshma Reach For the Divine With a High-Voltage, Dynamic Set at Drom

Source: New York Music Daily

Before there was a Brooklyn Raga Massive, or a Navatman Music Collective, there was Falu’s Karyshma. And that band – fronted by the singer widely considered to be the best to emerge in the world of Indian music since the 1990s – rocks a lot harder than either of those two much larger ensembles. Friday night at Drom, a packed house got to witness a dynamic, vigorously eclectic show from the eight-piece group, a potent reminder of how deep the well of music from across the Hindustani subcontinent is as well as how many amazing places a ...

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Poignant, Fascinating Korean Sounds in Queens Last Night

Source: New York Music Daily

It would make sense to assume that a band who’d play a song called The Scream of the Sunflower would be more than a little psychedelic. Much as there were plenty of surreal moments in improbably named Korean chamber-folk group Fairy Tale’s North American debut last night at Flushing Town Hall, the show was more about elegance and poignancy.

“Legend” is probably a better English translation of what the sextet call themselves. Lyrics are very important to this group, especially to expressive frontwoman Myeongseo Jang, so she and her bandmates took turns introducing the songs in coyly fractured English. ...

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Ward White’s As Consolation: Best Rock Record of 2017

Source: New York Music Daily

Ward White’s album Bob topped the list of best releases of 2013 here. So it’s hardly a surprise that his latest album As Consolation is by far the best rock record released this year. Most artists who play loud, troubling, psychedelic music usually get quieter and more pensive as the years go by. but since the early zeros, White has gone in the opposite direction.

The new album – streaming at Bandcamp –  isn’t quite as surreal as Bob, but Bob is unlike any other record ever made, a disjointed whirlwind murder mystery psychedelic lit-rock suite. Its closest comparisons ...

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A Long-Overdue Retrospective From the Greatest Songwriter You Might Not Know

Source: New York Music Daily

Back in the radio-and-records era, it was common for a band to put out a greatest-hits album to fulfill their obligation to the label in order to get out of a record deal. Steven Breyer, longtime leader of cult favorite powerpop band Skooshny, put his together to get a record deal. Which makes sense in a way: Breyer is nothing if not counterintuitive. The album, Matchless Gifts – out from Kool Kat Musik and streaming at Bandcamp – is a lavish, smartly assembled double-cd compilation of the best tracks he’s released since 2006 under the name Son of Skooshny ...

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Wild Turkish Psychedelic Rock Rescued From Obscurity

Source: New York Music Daily

One of the most amazing albums released this year is Uzelli Psychedelic Anadolu, a compilation streaming at Spotify that pays homage to the Turkish cassette label that released some of the wildest, most surreal sounds to emerge from that part of the world. Spanning from 1975 to 1984, this trippy ten-track playlist collects hard funk, symphonic rock, disco, electrified Turkish traditional ballads and anthems…and what sounds like a long radio commercial.

String synth, organ, wry wah synth and soaring, otherworldly, microtonal zurna oboe mingle in Zor Beyler’s suspenseful, lushly anthemic Gozumdeki Yaslar. The second track, by guitarslinger Erkin Koray, is ...

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Dynamic, High-Voltage Indian-Flavored Cinematic Themes and a Williamsburg Show From Fiery Violinist/Singer Rini

Source: New York Music Daily

Rini, a.k.a. Harini Raghavan, is one of New York’s great talents in Indian classical and film music. She’s as dynamic and expressive a Bollywood singer as she is a carnatic violinist. Yet her most exciting project is her own epic, sweeping Indian-flavored art-rock band, also called Rini. Her lush, eclectic new album is streaming at Bandcamp: She and her band are playing the album release show on Nov 24 at 10 PM at Legion Bar in Williamsburg. Cover is $10.

The majestic opening track, Warp, percolates along on a classical Indian riff, the bandleader’s intricate pizzicato and ...

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One of the Year’s Best Triplebills at Drom Last Friday Night

Source: New York Music Daily

“We don’t play with horns that much,” Big Lazy frontman/guitarist Steve Ulrich told the crowd late during their show headlining one of the year’s best triplebills at Drom Friday night. “Horns are,” he paused – and then resumed with just a flash of a menacing grin – ”Evil.” Then guest trumpeter Brian Carpenter and trombonist Curtis Hasselbring added a surreal acidity to the slow, ominous sway of a brand-new, ominously resonant film noir theme, Bluish.

“I wrote those harmonies to be as dissonant as possible,” Ulrich confided after the show. Which is ironic considering how little dissonance there actually is ...

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La Mar Enfortuna Lead a Haunting Guided Tour of Sephardic Music at the Jewish Museum

Source: New York Music Daily

There was a point last night at the Jewish Museum where La Mar Enfortuna guitarist Oren Bloedow, playing a gorgeous black hollowbody Gibson twelve-string, hit an achingly ringing, clanging series of tritones. Violinist Dana Lyn answered him with a flittingly menacing couple of high, microtonal riffs. It was like being at Barbes, or the Owl, except on the Upper East Side.

That good.

For four years now, the Bang on a Can organization has been partnering with the Jewish Museum for a series of concerts that dovetail with current exhibits there. This time out, La Mar Enfortuna’s ...

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Little Coyote Bring Their Relentless Angst to Bushwick

Source: New York Music Daily

The alienation and sadness are relentless through Toronto band Little Coyote’s debut album The Trouble With Teeth, streaming at Bandcamp. Frontwoman/keyboardist Teagan Johnson blends brooding, neoromantic piano with Mike Poisson’s lushly elegant synthesized orchestration, yet with remarkable restraint: there’s more 21st century minimalism than there is Chopin or Tschaikovsky in her emphatic anthems. Little Coyote are headlining an excellent triplebill this Friday night, Nov 10 at Bushwick Public House at around 10 PM; trippy electro/downtempo chanteuse Pearla opens the night at 8, followed by excellent, catchy rainy day psych-pop band Minor Poet at 9. Cover is 5.

“I’ll figure ...

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Big Lazy Bring Their Noir Intensity to the East Village This Friday Night

Source: New York Music Daily

Even by their own legendary standards, Big Lazy’s show Friday night at Barbes was a high point in the history of a band who go back twenty years. Having seen the cinematic noir instrumental trio in various configurations since the 90s, this could have been their most improvisational show ever. Their music is often described as crime jazz, but they also play noir boleros, and go-go struts, and uneasy big-sky themes that turn macabre in seconds flat. Those are just a handful of styles they’ve played over the years. In between songs, frontman/guitarist Steve Ulrich alluded to ...

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Politically Fearless Noir Mexican Psychedelia at Lincoln Center Thursday Night

Source: New York Music Daily

 

“This has been a long tine in the making,” Lincoln Center’s Meera Dugal told an ecstatic crowd there Thursday evening.  “Tonight you are in for a treat, a powerful and soulful voice.” Then she let Edna Vazquez’s powerful voice and slinky, thoughtful, psychedelic, often haunting songs speak for themselves.

Maybe the singer/guitarist’s stunningly eclectic blend of styles mirrors her Mexican ancestry, considering that Mexico is every bit as much of a melting pot as the US. “The Mexican government is not so different from this one,” she wryly confided three songs into her set. And then spun through the rapidfire ...

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Ensemble Et Al Bring Their Precise, Psychedelic, Gamelanesque Glimmer to South Williamsburg

Source: New York Music Daily

Ensemble Et Al’s new album The Slow Reveal – streaming at Bandcamp – blends hypnotically gamelanesque ripple and cinematic sweep, with the occasional tricky detour into postrock metrics. They make a good segue with Empyrean Atlas, with whom they’re sharing a double album release bill at Baby’s All Right tomorrow night, Oct 5 at 7 PM. Cover is $15.

The album opens with Au Cheval, vibraphonist Ron Tucker’s subtle variations on a catchy, dancing riff mingling with the rest of the band’s pings and ripples, the drums leading the charge upward. The song title is apt. A horse’s ...

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Haunting Reverbtoned Psychedelia From Galanos

Source: New York Music Daily

“Loneliest of men at the bottom of the world,” Galanos’ Netochka Nezvanova and Gregory D. Jaw intone, low and hushed over his lingering, reverb-iced guitar, building to a stomping, echoing buzzsaw attack on the opening track of their debut album Deceiver Receiver. It’s streaming at Bandcamp and it’s today’s luscious installment in this month’s series of Halloweenish daily treats for you.

Let’s cut to the chase: this is one of the best albums of the year. There’s a gutter blues influence, some Thee Oh Sees dark garage-psych and some Black Angels ambience here as well, but they evoke more ...

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The Academy Blues Project: Great Psychedelic Band in Need of a New Name

Source: New York Music Daily

Saturday night at Shrine, the Academy Blues Project put on a kaleidoscopically psychedelic, boisterously entertaining and sometimes LMFAO funny display of killer chops and deliciously unpredictable songwriting that spun through pretty much every good style of music from the 1970s, other than punk. The bandname is a misnomer: there’s absolutely nothing academic about them, nor are they particularly bluesy. If you’re into psychedelic rock and you’re in New York right now, they should be at the top of your bucket list along with Greek Judas.

Throughout two long sets, intros and outros constantly shifted away from whatever the song ...

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Yet Another Haunting, Psychedelic Silent Film Score From Morricone Youth

Source: New York Music Daily

Today’s Halloween album is Morricone Youth’s original score to F. W. Murnau’s 1927 silent film Sunrise: A Tale of Two Humans. For the past almost twenty years, Morricone Youth have built what might be the vastest, most consistently dark repertoire in the history of art-rock. Aas film music, bandleader/guitarist Devon E. Levins’ body of work rivals the greatest of the greats: Bernard Herrmann, Angelo Badalementi, Steve Ulrich and the maestro Morricone himself. Over the past eighteen months or so, the group have been on a marathon recording binge, with a game plan of immortalizing every single one ...

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An Edgy Debut Album and a Williamsburg Show by Intense Cello Rockers the Icebergs

Source: New York Music Daily

The Icebergs are New York’s hardest-working cello band. No disrespect to the great Serena Jost, but the Icebergs maintain a punishing late-night gig schedule. If there’s any midnight band in New York, it’s the trio of frontwoman Jane LeCroy, cellist Tom Abbs and O’Death drummer David Rogers-Berry. That’s even more impressive when you consider that LeCroy also fronts the similarly intense, politically fearless avant garde duo Ohmslice with multi-instrumentalist Brandon Ross. The Icebergs have an edgy debut album, Eldorado, streaming at Bandcamp and a show this Friday night at 8:30 PM at Pete’s.

If you can forgive the appropriation ...

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Ella Atlas’ Debut Album Builds Hauntingly Cinematic Twin Peaks Ambience

Source: New York Music Daily

Guitarist Stephen Masucci is best known for his film work and for his lead work in one of the most haunting, Lynchian New York bands ever, the Lost Patrol. Since that group ground to a halt a couple of years ago, he’s been busy with a new, similarly dark, cinematic project, Ella Atlas, with compellingly enigmatic, eclectic singer/multi-instrumentalist Tarrah Maria. The duo’s deliciously reverb-drenched new album The Road to Now is streaming at Bandcamp.

It opens with the catchy, distantly shimmering When the Gods Are Fading, swirly late 70s ELO through a surreal new wave prism peppered ...

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Revisiting a Macabre Psychedelic Masterpiece by the Black Lesbian Fishermen

Source: New York Music Daily

Today’s album for Halloween Month is the creepy, strangely titled 2015 art-rock suite Ectopic Apiary, by the Black Lesbian Fishermen. This masterpiece of slowly crescendoing, crepsucular psychedelic rock – and spinoff of the similarly eerie Gray Field Recordings – is streaming at the Cryptanthus Bandcamp page.

Guitarist/multi-instrumentalist Alan Trench joins forces with fellow multi-instrumentalist R. Loftiss, guitarists Nikos Fokas and Stratis Sgourelis here. Two of the tracks are live; both are epic. The first, Lignite Light is a gentle, pastoral psych-folk nocturne, guitars wafting and gently jangling in a dusky milieu lowlit by quietly resonant wood flute. As ...

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Clint Mansell’s Loving Vincent Soundtrack: A Darkly Familiar Masterpiece

Source: New York Music Daily

Is the soundtrack to a film which deals with madness Halloweenish enough for you? If so, check out Clint Mansell’s soundtrack to Loving Vincent, streaming at Spotify. Mansell has a long resume writing eclectic and frequently brooding scores for all sorts of films, but it’s horror that he really excels at. This isn’t a horror film per se, but it is relentlessly dark, and Mansell runs with that all the way to an ending  we can all see coming a mile away. Or can we?

The opening theme has a bell-like pulse, played on the piano: does this ...

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The Enigmatic, Dynamic, Hard-Hitting Desert Foxx Invades the West Village

Source: New York Music Daily

Desert Foxx don’t seem to have anything to do with Nazi generals, and there’s nobody in the band named Rommel. If you have to squeeze the trio of into a category, postrock would work. Film music, ambient soundscaping, jazz improvisation and deep noir also factor into bassist/bandleader Mike DeiCont’s compositions. Their intriguing new ep Kill Together is streaming at Bandcamp, and they have a gig on Oct 4 at 6 PM at Cornelia Street Cafe with special guest multi-reedman Levon Henry. It’s a great deal: cover is ten bucks and includes a drink!

The album is a darkly cinematic ...

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Turkish Star Halil Sezai’s Brooding Revolutionary Ballads Haunt the Crowd at Drom

Source: New York Music Daily

Saturday night at Drom, Turkish crooner Halil Sezai eventually got the crowd singing along. But he didn’t do it with flag-waving Eurovision-style stadium cliches. He did it with a carefully crafted set of allusive, slow-to-midtempo ballads about revolution and the relentless stress of life in a police state, in styles ranging from moody parlor pop, to methodically crescenddoing anthems awash in minor keys, with microtonally-infused fills and solos delivered by his absolutely brilliant clarinetist. To call this music for our time is an understatement to the extreme.

Sezai sat for the duration of the show, which made sense considering that ...

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Abraham Brody Brings His Mystical Reinventions of Ancient Shamanic Themes to Williamsburg

Source: New York Music Daily

Lithuanian-American violinist/composer Abraham Brody covers a lot of ground. In a wry bit of Marina Abramovic-inspired theatricality, he’ll improvise as he stares into your eyes, a most intimate kind of chamber concert. He also leads the intriguing avant-folk quartet Pletai (Lithuanian for “ritual”) with vocalist-multi-instrumentalists Masha Medvedchenkova, Ilya Sharov and Masha Marchenko, who reinvent ancient Lithuanian folk themes much in the same vein as Igor Stravinsky appropriated them for The Rite of Spring. The group are on the bill as the latest installment in Brody’s ongoing series of performances at National Sawdust on Oct 5 at 7:30 PM. Advance tix ...

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Eljuri Headline an Inspiring, Adrenalizing NYCLU Benefit at Drom

Source: New York Music Daily

Wednesday night at Drom, power trio Eljuri had been hinting for awhile that they were going to take the music straight into roots reggae. So when frontwoman/guitarist Cecilia Villar Eljuri finally led the band into a couple of bars of Peter Tosh’s Get Up, Stand Up, and from there into Bob Marley’s Exodus, it was an impactful payoff. The emphasis wasn’t on getting out, but a ‘movement of jah people,” which dovetailed with Eljuri’s own fearlessly relevant, sometimes incendiary lyricism. That defiant, populist focus made the band an apt choice to top the bill at this benefit concert for the ...

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Tredici Bacci Kiss the Sky at Barbes

Source: New York Music Daily

This is what old NEC students do when they’ve had too much to drink: play slow, simmering oldschool soul vamps, take a stab at faux-operatic vocals and then bop their way through a bunch of summery, serpentine instrumentals inspired by 60s Italian cinema. At their most recent Barbes gig back in July, Tredici Bacci did all that tighter than most bands could do sober.

Not everybody in the band was half in the bag. Singer Sami Stevens was a force of nature and then some, giving the music all the drama it demanded with her full-throttle vibrato and passion worthy ...

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Celebrating a Tragic, Iconoclastic Hungarian Hero at the National Arts Club

Source: New York Music Daily

Wouldn’t you wash your hands after you touched a corpse? Hospital physicians at Vienna’s Algelemine Krankenhaus didn’t. From a 21st century perspective, the results were predictably catastrophic.

Ray Lustig’s grim, powerfully resonant song cycle Semmelweis,  which premiered on September 11 at the National Arts Club, begins in 1848, One of Europe’s deadliest outbreaks of puerperal fever is killing one in ten new mothers at the hospital. Hungarian-born obstetrician Ignac Semmelweis is at a loss to explain it.

Semmelweis was a tragic hero in the purest sense of the word. Decades before Louis Pasteur, Semmelweis discovered the bacterial ...

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