Source: New York Music Daily
It’s impossible to think of anyone other than Seungmin Cha who could make a tiny dinner bell sound more menacing than she did at her first-ever New York solo concert last weekend. Or for that matter, who could get as much sound as she did out of a single Korean daegeum flute, sometimes serene and verdant, other times acidic or even macabre.
“Can I check out your rig?” an interested concertgoer asked her before the show.
“Sure,” she replied. On the floor in front of her were a couple of large pedalboards’ worth of stompboxes, hardly limited to reverb, delay, ...