Tag Archives: afrobeat

High-Voltage African and American Sounds From Central Park to the River

Source: New York Music Daily

Seun Kuti & Egypt 80.’s first song this past evening at Central Park Summerstage was Expensive Shit. As a literal, graphic condemnation of wretched capitalist excess and status-grubbing, it has few equals. Fela Kuti’s son and principal heir to the family Afrobeat legacy probably spat the word “shit” more times during the roughly ten minutes it took for the band to bubble and rise and finally bring the relentless underlying vamp to a close, than any other act has done at this venue in many years.

Kuti has been fortunate to sidestep the kind of brutal repression his father ...

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One of the Summer’s Hottest Concerts this Sunday at Central Park Summerstage

Source: New York Music Daily

One of this summer’s most hotly anticipated outdoor concerts is happening this Sunday, July 16 in the afternoon at Central Park Summerstage, and you better believe that his blog will be in the house. Although billed as the Paris New York Heritage Festival, the music is African and African-American. Drummer Tony Allen, Fela’s main man behind the skins, is the French connection – Il est citoyen.

That Afrobeat legacy is represented second on the bill by Fela’s son and musical heir, Seun Kuti & Egypt 80..The opening act, Brooklyn’s own Underground System, hit the stage sometime after two, ...

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Amir ElSaffar’s Two Rivers Release the Most Rapturously Epic Album of 2017

Source: New York Music Daily

Trumpeter/santoorist Amir ElSaffar’s epic, rapturous new double vinyl album Not Two, with his large ensemble Two Rivers, is a new kind of music. It sounds more composed than improvisational; the reverse is probably true. While the lp – soon to be streaming at New Amsterdam Records – embodies elements of western classical music, free jazz, Iraqi maqams and other styles from both the Middle East and the American jazz tradition, it’s not meant to be cross-cultural. Pan-global is more like it. Haunting, dark and incessantly turbulent, it reflects our time as much as it rivets the listener. The performances ...

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The Battle of Santiago Bring Their Wild, Hard-Rocking Latin Dancefloor Jams to Red Hook

Source: New York Music Daily

The Battle of Santiago sound like no other group on the planet. Ostensibly, they’re an Afro-Cuban dance band, but that’s just for starters. They also bring elements of Afrobeat, dub, south Asian sounds and even a little stadium rock to their undulating, serpentine dancefloor jams. They’re bringing their wild live show to Pioneer Works in Red Hook at 8 PM on May 14; the show is free.

Maybe more than anything, the Battle of Santiago are all about contrasts. They fill the sonic picture from boomy lows to airy highs over a clattering, hypnotic beat from Sty Larocque’s drums in ...

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Ethio-Jazz Soul Singer Meklit Airs Out Her Brilliant Forthcoming Album at Lincoln Center

Source: New York Music Daily

Last night at Lincoln Center, Meklit came to conquer. Rocking a sassy kente cloth skirt and black top, the ex-Brooklynite Ethio-jazz belter bounded and whirled across the stage, singing in both English and Amharic, leading a tight six-piece band through a passionate, fiery, subtly relevant mix of mostly new songs from her forthcoming album When the People Move, the Music Moves Too. Freed from behind her acoustic guitar – at least for most of the set – she’s found new vocal power in her low register, and commands the stage like never before. It’s hard to believe that the artist ...

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More Creepy, Psychedelic Soundtrack Magic from Morricone Youth

Source: New York Music Daily

You’re going to be hearing a lot of Morricone Youth in the next year, and not just here. Prolific guitarist/composer Devon E. Levins’ ominously psychedelic film soundtrack outfit are off to a good start with their planned marathon fifteen-album cycle of original film scores they’ve performed live over the past five years. The latest in the series is the music for Lotte Reiniger’s 1926 silent The Adventures of Prince Achmed, the oldest animated feature still in existence. As with the previous release, this one’s available on limited-edition vinyl as well as digital formats. Most of it’s up at the band’s youtube ...

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Ifrikya Spirit Debuts with a Wild Dance Party at Lincoln Center

Source: New York Music Daily

Why is it that the music that gets the most people dancing at a concert is invariably the most rustic-sounding? You can crank a drum machine to concrete-crushing levels, but what people who like to cut a rug really want to hear is acoustic sounds. In their Lincoln Center debut last night, Algerian band Ifrikya Spirit ignited a raucous dance party. What was it that sent a posse of a couple dozen middle-school kids spinning in a lone amid the rest of the dancers gathered in the center of the atrium space? A slinky, hypnotically circling gnawa number, frontman Chakib ...

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MAKU Soundsystem Bring Their Darkly Delirious Global Sounds Back to Lincoln Center

Source: New York Music Daily

The secret to MAKU Soundsystem‘s latest album, the aptly titled Mezcla – streaming at Spotify – is Felipe Quiroz’s  tremoloing, funereal organ. There are thousands of bubbly, terminally cheery, dancey acts out there aping sub-equatorial sounds from both hemispheres. But MAKU Soundsystem have an element of danger, and a ubiquitous if understated populist political sensibility. For example, with the album’s opening track, Agua, the band takes a generic soukous guitar riff and layers suspenseful horn swells and slinky, creepy psychedelic rock organ over a scrambling beat. The point of frontwoman Liliana Conde’s lyrics is that water goes wherever it ...

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Anbessa Orchestra Plays a Killer Barbes Show, Then Heads to Red Hook

Source: New York Music Daily

One of the most exciting concerts of this summer promises to be the twinbill on July 1 at Pioneer Works at 159 Pioneer St. in Red Hook, where sizzling Israeli-American Ethiopiques groove band Anbessa Orchestra opens for popular Ethiopian jazz bandleader/keyboardist Hailu Mergia. Realistically, there probably aren’t a lot of people outside of Red Hook who are going to go to this, but if you are in Red Hook, get your ass over to the venue and pick up an advance ticket for $20 and save yourself five bucks off the door charge. The show is advertised as beginning at ...

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Black Masala Bring Their Deliriously Fun, Edgy Brass-Fueled Dancefloor Intensity to Drom

Source: New York Music Daily

Black Masala are sort of the Washington, DC counterpart to Slavic Soul Party. They play an intoxicatingly edgy blend of Romany, Indian, Afrobeat, circus rock and hard funk dancefloor grooves. Their brassy attack features lots of biting minor keys and slinky rhythms. They’re bringing their high-voltage live show to Drom on June 10 at 11:30 PM. Advance tix are $10.

Their latest album I Love You Madly is streaming at Bandcamp. The title track opens with a swaying hi-de-ho noir swing theme and then hits a brisk Romany punk strut ablaze with the brass harmonies of trumpeter Steven ...

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Debo Band Bring Their Darkly Bristling Update on Classic Ethiopian Dancefloor Sounds to Williamsburg

Source: New York Music Daily

What do you associate Ethiopian music with? Those slinky triplet grooves? Stark, ancient, otherworldly bluesy modes? Shivery, melismatic vocals and fiddle? Debo Band take all those tropes and rock them out with both blazing brass and strings over an undulating pulse. Their new album Ere Gobez is streaming at Storyamp, and they’re opening a killer twinbill at Brooklyn Bowl tonight at around 8, with similarly minor-key fixated original first-wave Afrobeat dancefloor groovemeisters Antibalas headlining afterward. Hopefully you have $15 advance tix; it’s more at the door.

On the album’s opening track, Endris Hassen’s hypnotically circling, oscillating massenqo fiddle riff underpins the ...

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Debo Band Bring Their Darkly Bristling Update on Classic Ethiopian Dancefloor Sounds to Williamsburg

Source: New York Music Daily

What do you associate Ethiopian music with? Those slinky triplet grooves? Stark, ancient, otherworldly bluesy modes? Shivery, melismatic vocals and fiddle? Debo Band take all those tropes and rock them out with both blazing brass and strings over an undulating pulse. Their new album Ere Gobez is streaming at Storyamp, and they’re opening a killer twinbill at Brooklyn Bowl tonight at around 8, with similarly minor-key fixated original first-wave Afrobeat dancefloor groovemeisters Antibalas headlining afterward. Hopefully you have $15 advance tix; it’s more at the door.

On the album’s opening track, Endris Hassen’s hypnotically circling, oscillating massenqo fiddle riff underpins the ...

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Sometimes You Can’t Catch a Break, Sometimes You Can

Source: New York Music Daily

The man in the long black coat stood alone, or so he thought, over the kitchen table, chomping on a plate of spicy Russian beet salad. He took a pull from a plastic cup of beaujolais nouveau. This year’s wasn’t anything special, nothing like the 2003, for that matter not even up to the level of 2008, at least this particular bottle. But enough of it still did the trick, just as it did in better years. In the living room, a pretty young mother played a Bach cello sonata, calmly and comfortably, to the small crowd of guests who ...

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The Sway Machinery Release Their Richly Psychedelic New Album on a Killer Multi-Band Bill at the Knitting Factory

Source: New York Music Daily

You might think that a song titled You Will Love No One But Me would be a creepy tale about a stalker. As the title track to the Sway Machinery’s new ep – streaming at Soundcloud – it’s a characteristically eclectic, warmly tuneful mashup of reggae, Afrobeat and psychedelia, frontman Jeremiah Lockwood’s enigmatic, deliciously jangly guitar solo at the center. Like most bands in this century, the Sway Machinery have recorded sporadically, if memorably: their previous album Purity and Danger, from earlier in the year, is a sparkling, psychedelic masterpiece, and this one picks up where that one left ...

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Lions Bring Their Haunting, Slinky, Irresistible Ethiopiques Grooves to Barbes

Source: New York Music Daily

Lions are one of New York’s most enjoyably slinky, mysterious, psychedelically danceable bands. Their specialty is Ethiopiques, the otherworldly, haunting mix of ancient folk melodies, Afrobeat and American jazz that originated in the 60s and exploded onto the global stage when Mulatu Astatke got popular back in the 90s and early zeros. The group of six Israelis and one American have an amazing debut ep streaming at Bandcamp and a show headlining at Barbes tonight, July 17 at 11 PM.

The album’s opening number, Aynotche Terabuslinky has that classic camelwalking Ethiopian triplet rhythm, with brightly wary minor-key riffage from the ...

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A High-Voltage, Auspicious Kickoff to the Global Beat Festival Downtown

Source: New York Music Daily

This weekend’s three-day Global Beat Festival in the financial district got off to an exhilarating start last night. There’s a ton of great music coming out of Israel lately, exemplified by the US debut of Libyan Jewish cantorial revivalists the Libyans. Insspired by his cantor father, bandleader and oud player Yaniv Raba has rescued centuries-old melodies and devotional poetry….and then he and the band rock the hell out of them. Frontman Dvir Cohen Eraki intoned them in a sonorous baritone, occasionally indulging in a thrilling, melismatic, improvisational intro. Raba, kanun player Ariel Kassus, bassist Yankale Segal and ney flute ...

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A Tight, Straight-Ahead, Funky New Album and a Rough Trade Show by Dancefloor Groovemeisters Emefe

Source: New York Music Daily

Emefe distinguish themselves in many ways, one of them being that they are one of the few drummer-led bands around. Miles Arntzen – son of individualistically brilliant trumpeter/composer/singer Leif Arntzen – propels this Afrobeat-inspired dancefloor groove crew from behind the kit. Tenor saxophonist Jas Walton’s site describes the group’s mission as being “to fight the inner authorities that we put on ourselves” – as George Clinton said, free your ass and your mind will follow. Their forthcoming second album – which isn’t out yet, although there are a couple of tracks up at Bandcamp – updates mid-80s, funky Talking Heads ...

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The Brighton Beat Bring Their Psychedelic, Danceable Grooves to Gowanus

Source: New York Music Daily

How brave is it for a band to open an album with a nine-minute song? If you play Afrobeat, that’s like putting the hit single first. Fela would vamp on the same groove for half an hour, live or in the studio, no problem. So explosive Boston-based Afrobeat jamband the Brighton Beat‘s new album, Off We Go, kicks off relatively tersely. The whole thing is streaming at Bandcamp – and if you want a cd, they’re only eight bucks. The band play the album release show in the mellow, comfortable Gowanus confines of Shapeshifter Lab on March 5 at ...

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The Sway Machinery Release Another Fiery, Eclectic, Psychedelic Masterpiece

Source: New York Music Daily

The Sway Machinery are one of the real feel-good stories of the New York rock scene. They’ve come a long, long way since their days in the early zeros, when as one esteemed New York guitarist put it, they were sort of the “cantorial AC/DC.” There’s no band in the world who sound remotely like them. Mashing up hypnotic Saharan duskcore, biting postpunk, Afrobeat, funk and ancient Hasidic ngunim with a searing, guitar-fueled undercurrent, they’re one of the most individualistic and consistently exciting groups to emerge from this city in this century. They’ve got a new album, Purity and Danger, due ...

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Spanglish Fly Keep the Party Going at Barbes

Source: New York Music Daily

Although what Spanglish Fly play is ostensibly boogaloo music, what they do isn’t retro at all. Basically, they come across as jazz guys playing a distinctively edgy 21st century update on classic psychedelic latin soul from the 60s. And there’s a little early Afrobeat – think Hugh Masekela – in there too, along with umpteen breaks for flurrying, postbop jazz horn solos, or momentary explosions from the timbales or the congas. You could make a case that they’re a cross between the Bronx Horns and Sharon Jones‘ backing band the Dap-Kings. When Chicha Libre (another individualistic, smartly improvisational band ...

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A Darkly Riveting Concert and an Upcoming Parkside Show by Diana Wayburn’s Dances of the World Ensemble

Source: New York Music Daily

You might think from the name of the group that pianist/flutist Diana Wayburn‘s Dances of the World Chamber Ensemble play ballet music. That might be possible, but while their music is kinetic and intensely rhythmic, it has an edge and an individuality that transcend the boundaries of African music, classical, jazz, rock and film music while combining elements of all those styles. While Wayburn’s music often reminds of Mulatu Astatke’s Ethiopiques, or Astor Piazzolla’s shapeshifting, tango-based compositions, her sound is unique. There is no band in the world who sound anything like this group. If darkly glimmering, intense, energetic sounds ...

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Hypnotic, High-Voltage Afrobeat Grooves from Afrolicious

Source: New York Music Daily

More about that September 3, 8 PM show at Brooklyn Bowl mentioned here yesterday: Afrolicious are on a twinbill with Zongo Junction. If the idea of getting down on the dancefloor for three seriously sweaty hours is your thing, this is the place to be. Two bands, ten bucks.

Like Zongo Junction, Afrolicious has a new album, California Dreaming, streaming at Spotify. In a lot of ways, one band is the reverse image of the other: where Zongo Junction is all about mighty orchestration and expansive jams, Afrolicious keep things extremely tight and close to the ground, as ...

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Zongo Junction Bring Their Mighty Psychedelic Afrobeat Grooves to Brooklyn Bowl

Source: New York Music Daily

Considering the economics of being a musician in 2014, it’s almost astonishing how a ten-piece band like Zongo Junction could make a living. Yet they do it, constantly touring, bringing their psychedelic Afrobeat grooves to midsize venues everywhere. And there’s an audience for it: people love what they do. Is Vampire Weekend responsible? Maybe, but Zongo Junction’s shapeshifting grooves are vastly more interesting, and adrenalizing, and danceable than anything that other band ever dreamed of. Zongo Junction have a new album, No Discount, streaming at Spotify and a show coming up at Brooklyn Bowl on September 3 at 8 PM ...

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A Killer Show by Israel’s Zvuloon Dub System

Source: New York Music Daily

Israeli group Zvuloon Dub System wound up their first American tour with a deliriously fun and deliriously received New York show at Meridian 23 Friday night. The band’s inimitable sound takes otherworldly, thousand-year-old Ethiopian riffs and makes reggae out of them – sort of. Ilan and Asaf Smilan, the bass-and-drum brother team who lead the band, give the songs a fat groove that’s heavier than you typically find in Ethiopian funk, and sometimes a lot closer to an anthemic rock sway than what the Barrett brothers did with Bob Marley, for example. This time out, there wasn’t a lot of ...

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Ester Rada Plays One of This Summer’s Most Interesting Shows at Madison Square Park

Source: New York Music Daily

What’s the likelihood that an Ethiopian-born Israeli singer would have internalized oldschool American soul, funk and jazz to the point where she could pass for a star in any of those styles from the 60s or 70s? Ester Rada is exactly that. Her concert earlier this summer at Madison Square Park with her brilliant Israeli band revealed her every bit as adept at her native Ethiopiques as well as a whole bunch of western idioms. After an intro medley from Rada’s dynamic six-piece group –  three-piece horn section, lead guitar, keys, bass and drums – spanning from Ethiopian to American funk, she launched into a ...

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