Tag Archives: acoustic rock

Everybody’s Favorite Americana Harmony Trio, Red Molly, Make a Triumphant Return to City Winery

Source: New York Music Daily

Is there another Americana band with as individualistic and spine-tingling a blend of voices as Red Molly? Actually yes – Bobtown, who played the Brooklyn Americana Festival on Saturday. More about them later.

Red Molly’s first New York show in two years last night at City Winery was epic. The harmony trio of dobro player Abbie Gardner, guitarists Molly Venter and Laurie MacAllister really give you a lot of bang for your buck. In two long sets, bolstered by bassist Craig Akin and Roosevelt Dime guitarist/percussionist Eben Pariser, they played a wickedly fun, dynamic mix of originals ...

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Joshua Garcia Brings His Harrowing, Relevant Tunesmithing to a Cozy West Village Spot

Source: New York Music Daily

When describing a singer-songwriter, the term “troubadour” is typically misused to the most ridiculous extent possible. Most of the culprits are part of the corporate publicity  machine, or those who still kiss up to it, probably because they’ve been kissing up to it for so long that they’ve forgotten that it has nothing left for them. But that’s another story.

In the Middle Ages, the troubadours – a French word – were the CNN of Europe. Making their way precariously from town to town, through thickets of bandits – with whom they undoubtedly shared more than we’ll ever know ...

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Acoustic Guitarslinger R.D. King Brings His Richly Intertwining, Melodic Instrumentals to NYC

Source: New York Music Daily

First there was B.B. Then there was Albert, then Freddie. And now there’s R.D., the latest in a line of first-class guitar-playing Kings. Difference is that R.D. King plays acoustic, and that his style is not blues but his own intricate, meticulous, occasionally multitracked instrumental music that could be called pastoral psychedelia or cinematic folk. Either way, it’s a hell of a lot more energetic and epic than most music for the acoustic guitar.

King is bound to get comparisons to a whole slew of fingerstyle players who use unorthodox or open tunings – John Renbourn, Bert Jansch, Adrian Legg, ...

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An Allusively Intense, Psychedelic New Album by Larkin Grimm

Source: New York Music Daily

Multi-instrumentalist/songwriter Larkin Grimm gets pigeonholed as freak-folk, probably because her music is mostly acoustic But that’s a box she doesn’t fit into. She can wail to match Yoko at her most assaultive if she wants, but she’s just as likely to soar gently over an artsy, psychedelic backdrop. Her latest album Chasing an Illusion is streaming at Bandcamp. She’s playing Sunnyvale at 8 PM tomorrow night, June 8; cover is $15. Renata Zeiguer’s trippy, creepy Prozac rock project Cantina opens the night at 7. Grimm is also at Planeta, 295 E 8th St. on June 16, time and cover ...

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Rachael Kilgour’s New Album Transcends Trauma

Source: New York Music Daily

Rachael Kilgour is the rare artist who sounds perfectly good in the studio, but onstage takes her formidable vocal skills to a level that few singers even attempt, let alone reach. Her Lincoln Center show last year was absolutely shattering. She cried during one of that evening’s saddest songs – that’s how deeply she inhabits her characters. And she’s hilarious, too: few songwriters have so much fun, and so insightful, pillorying rightwing hypocrisy and cognitive dissonance.

But most of the material at that show wasn’t the political satire she’s best known for. The majority of the set was Americana ballads from ...

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Detroit Rock Icons James Williamson and Deniz Tek Reinvent Stooges Classics

Source: New York Music Daily

You might think that a collaboration between the two greatest living Detroit guitarists would be a conflagration second to none. That’s a new album whose unexpected intensity will no doubt be echoed at Bowery Electric on April Fool’s Day – no fooling – when one of the guys on it, Deniz Tek of Radio Birdman joins the Fleshtones’ Keith Streng, leading their brand-new band to kick off their upcoming world tour. Another first-class, gritty guitarist, Palmyra Delran and her group open the night at 8; cover is a measly $10.

Tek, the incendiary master of chromatic, distantly Middle Eastern-flavored guitar rock, has ...

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A Rare Music Impresario with Actual Talent

Source: New York Music Daily

Lara Ewen may be best known as the irrepressible impresario behind the Free Music Fridays series at the American Folk Art Museum, which with the ongoing disappearance of the downtown acoustic scene has arguably become Manhattan’s best listening room for folk and Americana sounds. But Ewen is also one of New York’s most magnetic singers, and a strong songwriter as well. Over the years, her music has gotten darker and gone deeper into gothic Americana, often in a Tom Waits vein. Her hardscrabble Queens roots may have something to do with that.

She’s playing the Scratcher Bar on 5th Street just ...

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Haunting Singer Carol Lipnik’s East Village Residency Takes On New Relevance

Source: New York Music Daily

This past Sunday evening at Pangea, Carol Lipnik reached for the rafters, with her voice and with her hand, as if trying to pull stars from the sky. It wasn’t as if she was imploring some unseen force, but there was a quiet desperation as her four-octave voice rose to the stratosphere. Behind her, Matt Kanelos built a twilit mist of electronics and then played steady, lustrous neoromantic piano chords to anchor his longtime collaborator’s uneasy flights upward.

“We’ve fallen backward into a strange event called imperfection,” Lipnik mused, in between songs. Iridescent in a shimmery midnight blue dress, she ...

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Smart, Cutting-Edge Tunesmithing at Manhattan’s Most Comfortable Listening Room

Source: New York Music Daily

Much as the world of singer-songwriters has shrunk, in the wake of the death of the big record labels – call it a market correction – Manhattan still has a great listening room for solo acoustic acts and small string bands. That venue is the American Folk Art Museum, just a few steps from the uptown 1 local to 66th Street, across the triangle from Lincoln Center. Their mostly-weekly Free Music Fridays series starts at 5:30 on the nose, goes to about quarter after seven and spans the world of folk music, from vintage Americana, gospel and blues to ...

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Catchy, Impactful Acoustic Americana at Bowery Ballroom Tonight

Source: New York Music Daily

Here’s a great way to get away from all the Halloween tourists from out ot state descending like a swarm of poisonous roaches on this city this weekend: go see popular North Carolina newgrass/Americana road warriors Mandolin Orange at Bowery Ballroom tonight at 9. Cover is $20.

Their new album Blindfaller is streaming at Spotify. While it draws on the same purist Appalachian sounds as their previous releases, it’s also more fleshed out, a full-band production. The band’s lyrics look back to an oldtime vernacular without being cheesy or cliched. And as with the best folk music, there’s a ...

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Rachael Kilgour’s Soaring Lyrical Brilliance Holds a Lincoln Center Crowd Rapt

Source: New York Music Daily

“This is satire,” Rachael Kilgour grinned as she launched into He’ll Save Me, the spot-on-searingly funny centerpiece of her most recent ep, Whistleblower’s Manifesto: Songs for a New Revolution, at her headline debut earlier this month at Lincoln Center .She explained that there have been instances where booking agents heard snippets of her music and passed on her, thinking that she was a Christian songwriter. Testament to the power of that satire.

“Mothers on welfare? Healthcare? Don’t you think I know better than to hand out rewards to sinners?” she sang as laughter broke out everywhere. And the punchline,“I know ...

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The Led Farmers Bring Their Smart, High-Voltage Irish Sounds to NYC

Source: New York Music Daily

Smart, propulsive Irish folk-rock band the Led Farmers make stop at Arlene’s at 10 PM tonight, Sept 10 at 10 PM; cover is $10. Isn’t it cool when a good out-of-town band gets a prime weekend slot at a Manhattan venue with a good sound system? Everybody wins. The venue gets to show off their good taste, the band gets exposure to a new crowd and you don’t have to drag yourself to deepest, creepiest Bushwick on Tuesday night at 11 PM where you’ll have to figure out how to get home on your own afterward because the trains have ...

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A Smoldering Acoustic Set and an Electric Williamsburg Gig by Lizzie & the Makers

Source: New York Music Daily

The blues can be primeval, and otherworldly, and sometimes just plain chilling. Lizzie Edwards, frontwoman of Lizzie & the Makers, doesn’t limit her songs to a simple 1-4-5. And her subject matter extends a lot further beyond your usual soul/blues turf . Last week, her band’s flickering, blue-flame, semi-acoustic set at Pete’s Candy Store featured a song about a breakdown on the highway and all its ominous implications, along with a handful of angst-fueled oldschool soul ballads. But there was also a number drawing on the Orpheus/Euridyce myth, another inspired by the Rachmaninoff C Sharp Minor Prelude, and a ...

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Free Music Fridays at the American Folk Art Museum: Manhattan’s Most Vital Americana Roots Music Scene

Source: New York Music Daily

“When you think about it, how many real listening rooms are left in New York?” Lara Ewen, folk noir singer and impresario of the pretty-much-weekly Free Music Fridays series at the American Folk Art Museum, mused the other night. She’s on to something. Outside of the jazz and classical worlds, it’s hard to find a space in Manhattan that caters to an audience for less loudly amplified or acoustic sounds like the Americana roots music, and its descendents, that her series promotes.

Sure, people come to listen at Barbes, and the Jalopy, and the Owl, and sometimes Pete’s Candy ...

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Kelley McRae Brings Her Catchy, Lyrical Acoustic Americana to the Lower East

Source: New York Music Daily

Kelley McRae is a darling of the Paste Magazine set. Aw, good grief, you say. Do we really need another fresh-faced rich white girl faking her way through a formerly blue-collar sound that’s been done to death? Actually, with her airy, unadorned soprano and catchy tunesmithing, McRae is the real deal, bringing some rare depth to the newschool Americana genre. She’s got a new record, The Wayside – her fifth – streaming at Spotify and a show at the big room at the Rockwood on May 10 at 9. Cover is $10.

The core of the band on the album ...

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Free Music Fridays at the American Folk Art Museum: Good Times and Good Tunesmithing

Source: New York Music Daily

One of this city’s most consistently fun weekly events is Free Music Fridays at the American Folk Art Museum at Lincoln Square, just across the street from the uptown 1 train exit at 66th Street. Even if you can’t get out of work in time to catch the 5:30 PM opening act, the show typically goes til a little after 7. The crowd is a mix of local kids, retirees, tourists and friends of the bands, and wine is available for a donation to the museum.

Lara Ewen – a modest and unselfconsciously brilliant folk noir singer and a strong tunesmith as well ...

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Two NYC Show and a Brave New Project from the Tuneful Sharon Goldman

Source: New York Music Daily

Sharon Goldman is one of this young century’s great tunesmiths. She gets pigeonholed as a folksinger, and she plays that circuit, but she’s more likely to go deep into elegant chamber pop. And every now and then she’ll dash off a country song, or an intricately fingerpicked guitar ballad. Much as a lot of her material has a very intimate feel – the title track to her 2013 album Silent Lessons is one of the most spot-on, shattering portraits of wee-hours despondency ever recorded – she doesn’t write a lot of autobiographical songs. Her latest project, which she’s about to ...

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An Intimate Brooklyn Show by the Hilarious and Haunting Honor Finnegan

Source: New York Music Daily

Singer/ukulele player Honor Finnegan self-effacingly calls herself “the Susan Boyle of quirky indie folk, only hotter.” Vast understatement on both counts. Finnegan has a stiletto sense of humor, can’t resist a devious pun or double entendre and sings in a dramatic yet nuanced soprano, drawing on a theatrical background that dates back to her childhood. The songs on her latest album Roses and Victory – streaming at Bandcamp – span from jaunty swing, to country, jazz and Celtic-tinged balladry. She’s playing the album release show this Friday, March 11 at 8 PM at the Brooklyn Society for Ethical Culture at ...

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Jessi Robertson Brings Her Otherworldly Intensity to the American Folk Art Museum

Source: New York Music Daily

Jessi Robertson‘s voice looms out from a deep, otherworldly, often tortured place. Her singing has little in common with Nina Simone and even less with Little Jimmy Scott, but she channels the same kind of deeply personal yet unselfconscious torment and emotional destitution as both of those artists. That’s not to say that all of Robertson’s songs are sad – a handful are actually pretty funny – but that her slowly rising melismas and full-throated wail come from the same place: the blues. While Robertson isn’t a blues singer per sen, she uses blues phrasing with the same emotional ...

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Bliss Blood and Al Street Bring Their Eclectically Lynchian Torch Songs to Freddy’s

Source: New York Music Daily

Bliss Blood isn’t your typical Lynchian chanteuse. She’s as subtle as she is eclectic. With her coolly enigmatic, nuanced alto delivery, she brings to mind low-key cult favorites from the 50s like Julie Christie and Chris Connor. Retro as she is, she’s also completely in the here and now, putting her own simmering, low-flame spin on sinister, seductive songwriting, but also on purist pop that draws on artists as diverse as Ray Davies and Lee Hazlewood. Her latest album, Unspun, with longitime guitarist and collaborator Al Street, made the top albums of 2015 paage here. The two are playing ...

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Linda Draper Plays One of the Year’s Most Memorable Shows, Then Hits Williamsburg on the 28th

Source: New York Music Daily

Liz Tormes and Linda Draper made a calmy intense twinbill back in October, each folk noir tunesmith playing solo acoustic at the American Folk Art Museum. It was good enough to make this year’s Best New York Concerts page – obviously a list that reflects only a tiny sliver of the hundreds of thousands, maybe millions, of concerts that took place in this city this year, but a very fun evening all the same. Both performers can be hilarious, but this particular show was more about songcraft than devastating one-liners. Draper is at Pete’s on December 28 at 10 PM, ...

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Robin Aigner Slings Her Double Entendres and Lascivious Levels of Fun at the Jalopy Next Week

Source: New York Music Daily

There are innumerable levels of meaning in Robin Aigner‘s songs. She’s made a name for herself with her voice, which can be any number of things: brassy, coy, seductive or shatteringly poignant, depending on the song. But it’s the narratives and tunesmithing that ultimately distinguish her from the rest of the modern-day flappers in the oldtimey demimonde. She’s bringing her signature nuance and innuendo and double and triple entendres to an intimate duo show with bassist Larry Cook at the Jalopy on December 10 at 9 PM; cover is $10.

The last time this blog caught one of her ...

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Underhill Rose Bring Their Charming Newgrass and Americana to the Flower District

Source: New York Music Daily

With their charming three-part harmonies and dynamically-charged songwriting, all-female Asheville trio Underhill Rose are one of the best-loved touring acts on the endless Americana trail. Their latest album, The Great Tomorrow is streaming at Spotify. They’ve got an enticing New York show coming up on November 11 at 9 PM at Hill Country, a rare chance to see guitarist Molly Rose, banjo player Eleanor Underhill and bassist Salley Williamson join voices for free.

The album is a lot more sweeping and lush than you would expect from an acoustic trio – imagine the Dixie Chicks left to their ...

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A Deliciously Grim, Old-Fashioned Multimedia Creation from Curtis Eller and the New Town Drunks

Source: New York Music Daily

This year’s most memorable and individualistic Halloween artifact is Baudelaire in a Box: Songs of Anguish. It’s an ep by charismatic noir Americana songwriter/banjoist Curtis Eller in collaboration with Chapel Hill folk noir/circus rock band the New Town Drunks. And it’s a whole lot more than just a playlist or a cd. It’s a digital release – streaming at Bandcamp – that comes with a handcrafted volvelle that allows you to follow along with the songs’ grim imagery through a window above the wheel of Jamie B. Wolcott‘s colorful, matching illustrations underneath. Such “spinnies,” as they were ...

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A Charmingly Dark Show by Fizz and an Upcoming Upper West Gig by Liz Tormes

Source: New York Music Daily

You’ve got to watch this video by Fizz – Americana tunesmiths Liz Tormes and Olabelle‘s Fiona McBain – at Pete’s Candy Store back on the third of the month. Musicians tend to be physically agile people, but the way those two take Don Gibson’s Sea of Heartbreak and make a jump-rope rhyme out of it is as challenging as it is surreal….and also just plain sweet. And they pull it off effortlessly, like they were eight-year-olds on the playground together. Never mind the fact that Tormes would have been in Nashville at the time and McBain on the ...

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