Tag Archives: 20th century music

Brooklyn Raga Massive’s Version of Terry Riley’s In C: The Most Psychedelic Album of 2017

Source: New York Music Daily

Considering how much Indian music has influenced Terry Riley’s work, It makes sense that the iconic composer and pioneer of what’s come to be known as indie classical would give the thumbs-up to Brooklyn Raga Massive’s recording of his famous suite. The irrepressible New York collective can’t resist mashing up just about anything with classical Indian sounds: their previous album tackled a bunch of famous John Coltrane tunes. They’re playing the album release show for the new one – streaming at Bandcamp – on Oct 6 at 8 PM at the Poisson Rouge; $20 adv tix are recommended.

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A Mesmerizing, Lushly Enveloping, Rare Maryanne Amacher Work Rescued From the Archives

Source: New York Music Daily

Last night at the Kitchen nonprofit music advocates Blank Forms staged the first performance of Maryanne Amacher’s Adjacencies since a Carnegie Hall concert in 1966. A mesmerized, sold-out audience was there to witness a major moment in New York music history, performed by Yarn/Wire percussionists Ian Antonio and Russell Greenberg.

The music shifted slowly and tectonically, from sepulchral flickers, to vast washes of sound punctuated by playful rhythmic accents, occasionally rising to an epically enveloping intensity that bordered on sheer horror and then fell away. The premise of the suite – the only surviving graphic score from Adjoins, a series ...

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Pianist Leann Osterkamp Plays One For the History Books at Steinway Hall

Source: New York Music Daily

A major moment in the history of classical music in New York took place last night at Steinway Hall, where Leann Osterkamp gave a breathtaking and often breathless performance of Leonard Bernstein works for solo piano. Had such a program ever been staged in this city? Definitely not in the last thirty years, possibly never. There have been thousands of all-Bernstein programs performed here over the decades, and Bernstein conducted a handful of those from the piano. But beyond playing for his friends and family, it’s not clear if the composer himself ever gave a solo recital here.

Even Osterkamp, ...

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The Skylark Vocal Ensemble Bring Their Haunting, Otherworldly Exploration of Near-Death Themes to the French Institute

Source: New York Music Daily

The Skylark Vocal Ensemble’s latest album, Crossing Over – streaming at Spotify – is as haunting a collection of music as has been released over the past year. It’s meant to be. Making their way through a dynamic mix of works from around the globe and the past hundred years or so, with an emphasis on contemporary composers, the lustrous choir explore themes addressing an end-of-life dream state and the prospect of life after death. They’re bringing their rapt intensity to a concert at the French Institute/Alliance Française, 55 E 59th St. on April 27 at 7:30 PM where they’ll ...

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Philip Glass’ Agenda Remains the Same

Source: New York Music Daily

“The years catch up with you, but my agenda remains the same,” Philip Glass said, five years ago. This past evening at Carnegie Hall, to celebrate Glass’ eightieth birthday, Dennis Russell Davies led the Bruckner Orchestra Linz through two New York premieres of Glass works as well as the world premiere of his Symphony No. 11. By and large, the concert was as much of a present to what appeared to be a sold-out audience as it was to the composer.

It was a shock to discover that Glass’ 1997 Days and Nights in Rocinha – an equally kinetic and hypnotic ...

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The Indie Classical Crowd Celebrates an Iconic Venue

Source: New York Music Daily

It wouldn’t be fair to let the month go by without a mention of the Times Arrow festival of 20th and 21st century music, a roughly ten-day celebration of the 250th anniversary of St. Paul’s Chapel downtown at Broadway just south of Vesey Street featuring a diverse cast of the classical and indie classical talent associated with its sister venue Trinity Church. It’s not clear if George Washington ever slept at the chapel. But he was a parishioner there, and if the sermons were boring, that could have happened at sone point during his days as President.

The festival’s music ...

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A Magical Pauline Oliveros Chorale That Every Musician Should Sing At Least Once

Source: New York Music Daily

If you think that group improvisation is challenging for an instrumentalist, try doing that as a vocalist – along with about hundred and twenty other singers. Friday afternoon at the Cloisters, WQXR’s Nadia Sirota led a determined ensemble of college kids, tourists and at least one proprietor of a music blog through two performances of Pauline Oliveros’ 1971 improvisational chorale Tuning Meditation, the shorter of which will be broadcast on Sirota’s Meet the Composer.

The intimate sonics and medieval polished marble ambience of the Fuentidueña Chapel there made for a choice of venue that did justice to the composer ...

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Cutting-Edge, Elegantly Menacing Ben Johnston String Works from the Kepler Quartet

Source: New York Music Daily

The Kepler Quartet – violinists Sharan Leventhal and Eric Stignitz, violist Brek Renzelman and cellist Karl Lavine – first joined forces to play some of the most amazing, extraordinary music you probably have never heard: the string quartets of microtonal composer Ben Johnston. It’s full of some of the most otherworldly riffs and hooks you’ll ever hum to yourself. The now-nonagenarian American composer should be vastly better known than he is, someone who was decades ahead of his time when he wrote his first string quarter in 1959. Few other composers use microtones – the intervals between the notes ...

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The Momenta Quartet Illuminate Per Norgard’s Haunting, Pensive String Works

Source: New York Music Daily

Per Norgard is iconic in his native Denmark, and deserves a global audience. The lucky crowd at Victor Borge Hall at Scandinavia House on Park Avenue Friday night got to witness the Momenta Quartet turn in a purposefully flickering, often sepulchral, genuinely transcendent performance of string quartets, a suite of miniatures and a chilling violin/cello duet.

Norgard’s music is minimalist in the sense that everything counts for something, and that his melodies tend to be spare and follow a careful, meticulous path. But there’s a great deal going on, much of it rhythmic: constantly shifting meters, persistent wave motion and ...

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Cantori New York Debut a Haunting, Relevant Program of Choral Works

Source: New York Music Daily

Saturday night at the Church of St. Luke in the Fields in the West Village, Cantori New York sang an often harrowing, riveting program of powerful, socially relevant US and New York premieres. Director Mark Shapiro conducted the ensemble with a spring-loaded intensity and a beaming sense of accomplishment, mirrored by the group smiling back at him. This ensemble is obviously having the time of their lives pushing the envelope.

In the same vein as Pablo Casals stumbling on the Bach Cello Suites in a junk shop, Shapiro had discovered the distinctive and often mesmerizing work of Italian composer Bruno Bettinelli ...

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A Characteristically Vivid, Potently Relevant Performance by Ensemble Pi

Source: New York Music Daily

For the past ten years, adventurous indie classical chamber group Ensemble Pi have played an annual “peace concert,” featuring socially relevant compositions from across the years as well as most of the classical music spectrum. This year’s sold-out multimedia performance Saturday night in the comfortable downstairs auditorium at the Sheen Center on Bleecker Street explored music and writing on themes of captivity and imprisonment. In an era when the Guantanamo Bay gulag is still open, and in a city where atrocities on Rikers Island have recently come to light, it was especially relevant, played with equal amounts vividness and attention ...

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A Characteristically Vivid, Potently Relevant Performance by Ensemble Pi

Source: New York Music Daily

For the past ten years, adventurous indie classical chamber group Ensemble Pi have played an annual “peace concert,” featuring socially relevant compositions from across the years as well as most of the classical music spectrum. This year’s sold-out multimedia performance Saturday night in the comfortable downstairs auditorium at the Sheen Center on Bleecker Street explored music and writing on themes of captivity and imprisonment. In an era when the Guantanamo Bay gulag is still open, and in a city where atrocities on Rikers Island have recently come to light, it was especially relevant, played with equal amounts vividness and attention ...

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The Latvian National Choir Deliver Rapture and Transcendence

Source: New York Music Daily

Saturday night in Hell’s Kitchen, in their first American performance since their 2010 Lincoln Center concert, the Latvian National Choir sang a spellbinding program of both iconic and new material from their native land. Conductor Māris Sirmais was a calmly triumphant presence in front of the ensemble, working the dynamics meticulously in a program packed with lustre and atmosphere but also percussive grooves, labyrinthine counterpoint and choreography. The ensemble was called on for a lot more than a choir is typically required to, and delivered it.
Latvian music is commonly perceived as otherworldly and often rapturously hypnotic, and while those qualities ...

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The Latvian National Choir Deliver Rapture and Transcendence

Source: New York Music Daily

Saturday night in Hell’s Kitchen, in their first American performance since their 2010 Lincoln Center concert, the Latvian National Choir sang a spellbinding program of both iconic and new material from their native land. Conductor Māris Sirmais was a calmly triumphant presence in front of the ensemble, working the dynamics meticulously in a program packed with lustre and atmosphere but also percussive grooves, labyrinthine counterpoint and choreography. The ensemble was called on for a lot more than a choir is typically required to, and delivered it.

Latvian music is commonly perceived as otherworldly and often rapturously hypnotic, and while those ...

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A Raptly Thematic Lincoln Center Concert by All-Star Choir Cantus

Source: New York Music Daily

One of Minnesota-based all-male choir Cantus‘ signature traits is theme programs. As one concertgoer put it, they can get a lot wilder than they were Sunday at Lincoln Center. Then again, this program was part of the spiritually-themed White Light Festival, continuing here through November 11. There are plenty of groups who mine the standard Renaissance repertoire, some who specialize in rediscovering treasures from that era, but Cantus are just as likely to juxtapose the ancient with the most current and make it all flow together seamlessly, and in that respect this was a characteristic performance.

They began with ...

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Bang on a Can Marathon 2014: A Short Version (Sort Of)

Source: New York Music Daily

[republished from New York Music Daily’s “serious music” annex Lucid Culture]

This year’s Bang on a Can Marathon continued a trend back toward the hallowed annual all-day avant garde/indie classical music celebration’s early years. The 2014 edition was shorter than any in recent memory – for awhile these things would start before noon and continue into the wee hours of the following day. This year’s roughly ten-hour extravaganza also drew more heavily on the Bang on a Can triumvirate – composers Michael Gordon, Julia WolfeDavid Lang and their circle – than on the global cast who numbered heavily ...

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Haskell Small Plays a Shattering, Haunting Program on the Upper West

Source: New York Music Daily

More musicians should do what Haskell Small does: he plays what he likes, and brings it to life, sometimes quietly, sometimes somewhat more boisterously, putting his heart and soul into it. He gravitates toward music that’s on the quiet and rapturous side: his performance of Federico Mompou’s Musica Callada here last year was absolutely riveting. Friday night on the Upper West Side, Small revisited that theme, bookending an absolutely shattering performance of his own suite The Rothko Room with music of Satie and Alan Hovhaness.

Kicking off the evening with Satie’s first suite for piano, Four Ogives, set the stage ...

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Rosalie Kaplan and Marco Cappelli Reinvent Benjamin Britten

Source: New York Music Daily

Rosalie Kaplan has carved out a niche for herself as one of New York’s most distinctive and arresting voices, reinventing 19th and 20th century classical songs with her improvisational band Dollshot. Her latest album is a duo project with adventurous guitarist Marco Cappelli, a new interpretation of Benjamin Britten’s Songs from the Chinese.

As you might expect from these two, the versions of these songs are a lot more dynamic than the all-acoustic guitar-and-voice arrangements devised by the composer, although they stick to the originals’ brevity: only a couple of them exceed the two-minute mark. Cappelli’s insistent, clustering ...

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