Source: Short and Sweet NYC » Music
In addition to its exuberant title, which seems equal parts defiant and optimistic in that charming way that only Sascha & Co can pull off, the first thing that struck me about KMFDM’s new album was its cover art, created by their long-time collaborator Aidan Hughes (aka Brute).
It seems to epitomize what our culture has become, for better or worse. It’s a man standing on what appears to be a bridge or a tower, having just taken a selfie with a smartphone, turning the phone outwards to show the world.
The title track kicks it ...