Author Archives: delarue

Orkesta Mendoza Bring Their Slinky Cumbias and Noir Desert Rock to Prospect Park

Source: New York Music Daily

Tucson-based bandleader and multi-instrumentalist Sergio Mendoza leads Orkesta Mendoza, who might be the most epic psychedelic cumbia band on the planet. When they’re firing on all 24 cylinders – the cast of characters varies, but this is a BIG band – they come across as a slinky, brass-spiced mashup of Chicha Libre and Cab Calloway. They’re connoisseurs of noir, and they do a whole bunch of other styles as well: serpentine mambos, haunting boleros, and latin soul among them. Their latest album ¡Vamos A Guarachar! is streaming at Spotify (with a couple of tracks up at Bandcamp). They’re ...

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The World’s Most Popular Surf Band Cover a New Wave Cult Hero

Los Straitjackets are hardly known as a cover band  Sure, every surf group does a version of Duke Ellington’s Caravan, just like the Ventures. But what’s made Los Straitjackets one of the best-loved (and by now, best-covered) surf bands ever is their originals. That’s why their new album What’s So Funny About Peace, Love and Los Straitjackets – streaming at Spotify   is such a radical departure for them. Still, in keeping with the band’s signature originality, they chose an odd source: the Nick Lowe catalog. Then they redo the songs like probably no one ever imagined.

Lowe is well-loved by an aging new wave era crowd (a New Yorker might cynically say that he’s a WFMU guy). But a lot of people, especially those who haven’t seen him live, might not realize what a good guitarist the self-described Jesus of Cool is. So his first-wave retro rock is a lot better suited to a fast 2/4 beat, and twang and clang and lots of reverb than might first seem apparent. The band are making a quick New York stop tomorrow night, June 25 at 9 PM at City Winery; cover is $30 for standing room. Be aware that there is a headlining act and that he is not worth seeing – unless you go for dorky guys who steal their fashion sense from early Elvis Costello, but forget to rip off Costello’s catchy tunes and edgy lyrics.

Another cool thing about the new album is that it isn’t all just the popular or the uptempo stuff: these guys really went through Lowe’s repertoire to find material that makes the most waves, whether whitecaps or gentle ripples across the pond. The A-side opens with Shake and Pop, bassist Pete Curry anchoring it with a little grit in his tone over Chris Sprague’s drums. Is that Eddie Angel or Danny Amis taking that nasty tremolo-picked solo? Everybody’s wearing masks, so it’s impossible to tell.

By contrast, they give All Men Are Liars a cheery, conversational early 60s Joe Meek bounce. Then they turn a relatively more recent tune, Lately I’ve Let Things Slide into resonant midtempo Ventures with a little Tex-Mex and Hank Williams thrown in. After that, a balmy take of You Inspire Me throws a fond nod back to Theme From a Summer Place

Rollers Show – Lowe’s snarky swipe at wildly popular 70s British teenybopper rock band the Bay City Rollers – gets an aptly swaying sock-hop beat and a deviously cruel quote or two from other songs. The first side closes with (What’s So Funny ‘Bout) Peace, Love and Understanding, which a million bands have covered, none of them remotely as well as Costello did. Los Straitjackets opt for reinventing it as a loping Lee Hazlewood desert-rock theme.

The B-side begins with I Read a Lot, slow and shadowy, drums drenched in reverb for extra noir, along with some wry siren effects. Half a Boy and Half a Man is the first number that isn’t really surf: it’s pretty close to the British pub rock that Lowe got his start in. Likewise, Checkout Time is a mashup of early Shadows skiffle and the Mexican side of the Ventures: the tongue-in-cheek medley of riffs from classic surf tracks at the end is LOL funny.

The Lowe tune that turns out to make the best surf song of all of these is I Live on a Battlefield, yet even with all the wry historical references – DAMN, these guys know their surf – they don’t add a chord change in the verse that would totally Venturize it.

Sprague’s Wipeout drums add a droll touch to the cover of Raging Eyes. The band saves the most obvious stuff for last, Cruel to Be Kind recast as a melancholy, swaying ballad and Heart of the City as a mashup of Buck Owens and the Modern Lovers (you know the song – the Sex Pistols covered it). If you always wanted to be in a surf band, get this album and learn it cover to cover. Someday somebody will pay you good money to play this stuff.

The World’s Most Popular Surf Band Cover a New Wave Cult Hero

A Tantalizingly Dynamic Taste of One of Europe’s Most Enticing Jazz Festivals

Source: New York Music Daily

The booking agent at New York’s most popular jazz club spent ten days at the Jazztopad Festival in Poland last year. After it was over, he confided to the organizer that he was determined to bring some Polish jazz to New York. Consider: there are a hundred jazz festivals in Poland every year, and this one’s not in one of the major cities, but in the southwest corner of the country. Yet in the course of its fifteen year history, the festival has become a magnet for top-tier talent, and also commissions a lot of adventurous new works – Charles ...

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Trouble Kaze Celebrate Deviously Fun Improvisation Tomorrow Night in Gowanus

Source: New York Music Daily

Japanese-French quintet Trouble Kaze’s new album June is the antithesis of what you’d probably expect from a two-drummer ensemble (i.e. the careening new Brandon Seabrook record). It’s also probably not what most people would think a band with two pianos would sound like. It’s a medieval Shinto temple gone down the rabbit hole, a Calder mobile on steroids, and a very deviously playful excuse for some of the world’s great improvisers to have fun making their instruments sound like something other than what they are. That, or simply coaxing (or scraping, banging, pounding or blowing) sounds out of them ...

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Funny, Socially Aware, Singalong Tunesmithing from North of the Border at the Mercury Tonight

Source: New York Music Daily

Toronto band the Fast Romantics’ latest album American Love – streaming at Bandcamp – was conceived in the shock and horror after the 2016 Presidential Election. It’s a considerably generous gesture from the powerpopsters’ frontman Matthew Angus, a salute to all good things American rather than the cheap shot he could have taken so easily. The model for the songs is Born to Run-era Springsteen (with plenty of Cheap Trick and ELO thrown in), yet not in a cheesy, imitative way. There’s hope and urgency and a lot of humor, some of it allusive and some of it a ...

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An Awesome New Album and an East Village Release Show by Ethio-Jazz Songstress Meklit

Source: New York Music Daily

Multi-instrumentalist singer Meklit is one of brightest lights in Ethiopian jazz  But that’s just the starting point for the ex-Brooklynite songwriter, who springboards off that  into a high-voltage mix that also draws on classic soul, funk, rock and ancient Ethiopian folk music. Her Lincoln Center show back in April was off the hook. Now she’s got a new album, When the People Move, the Music Moves Too, soon to be streaming at Bandcamp, and a release show tomorrow night, June 21 at 8 PM at the old Nublu at 62 Ave. C.. Cover is $22.

Since she absconded ...

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Svetlana & the Delancey Five: New York’s Most Unpredictably Fun Swing Band

Source: New York Music Daily

Since swing jazz is dance music, most swing bands have limitations on how far out on limb they can go. After all, you’ve got to keep everybody on their feet, right? Svetlana & the Delancey Five are the rare swing band who don’t recognize any limits: they’re just as fun to siit and listen to as they are for the dancers.

There weren’t a lot of people on their feet at the band’s sold-out show earlier this month at the Blue Note, but the band charmed the crowd for the duration of the set…with new arrangements of material that’s been ...

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A Darkly Majestic, Sweepingly Cinematic, Often Haunting Trio Album from Pianist Guy Mintus

Source: New York Music Daily

Pianist Guy Mintus’ music has depth, and gravitas, and glimmer, and an often cinematic sweep. Israeli pianists tend to embrace both western classical music as well as the edgy minor keys and chromatics common to Jewish and  Middle Eastern music, and Mintus is no exception. His sound is very distinctive: there’s no real comparison, although from time to time he evokes the nocturnal majesty of Shai Maestro, the phantasmagorical side of Frank Kimbrough and the counterintuitively dark explorations of Danny Fox. Mintus’s new album, A Home In Between, with his long-running trio, bassist Tamir Shmerling and drummer ...

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Powerful Singers and an Iconic Band Celebrate Global Yiddish Music in Central Park

Source: New York Music Daily

What’s the likelihood of seeing the Klezmatics not only slink, and barrel, and slowly sway through a gorgeous and often haunting blend of minor keys and punk-klezmer romps…but also  getting to see them back two of New York’s most powerful singers? It happened Wednesday night at Central Park Summerstage, where cantors Chaim David Berson and Yanky Lemmer got to take tantalizingly short turns on the mic in front of the band, along with other entertainment on a night celebrating Yiddish music from around the world.

There was a time when being a cantor was just as competitive as, say, African-American ...

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A Chance to Discover Some Rare Jazz Seldom Heard on This Continent

Source: New York Music Daily

Even in this youtube-enabled era where a kid from Reykjavik or Rhode Island can develop jazz chops to rival anyone from Harlem, it takes a special kind of passion to play music that’s not native to your home turf. That’s why so many of the European jazz acts with the ambition to cross the pond can be fantastically good. And while most American fans probably don’t think of Poland as a jazz hotspot, this upcoming week’s annual Jazztopad Festival has a lineup that could open a lot of eyes and ears.

The good news is that the dreaded f-word (fusion, ...

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Paíto y los Gaiteros de Punta Brava Put on a Colombian Beach Party in Their New York Debut

Source: New York Music Daily

The cumbia party at Lincoln Center last night started at about nine. For the better part of the previous ninety minutes, a vast expanse of bodies had been bouncing and swaying to the thunderous beats of Colombian gaita negra band Paíto y los Gaiteros de Punta Brava, who were making their New York debut. Introducing the group, Lincoln Center’s Viviana Benitez kept her cool, but she couldn’t hide how psyched she was to have booked them, current political climate be damned. “The music is deep, and goes way back,” she told an energized, sold-out crowd, and then let the ...

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An Epic, Explosively Catchy Balkan Brass Album from What Cheer? Brigade

Source: New York Music Daily

What Cheer? Brigade headlined this year’s Golden Festival, the nation’s top gathering of Balkan bands. It was two in the morning in Brooklyn when they hit the stage, and by then, there were almost as many people playing as watching. Which meant more brass instruments and drums than could fit onstage, so what seemed like half the band were gathered around in front. It was an apt way to wind up what will probably prove to be the best party of the year.

Beyond the New York Philharmonic, there is no other band this size on the East ...

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Palestinian Oud Virtuosos Le Trio Joubran Play a Historic Lincoln Center Concert This July

Source: New York Music Daily

One of the most important, and potentially transcendent concerts of the year is scheduled for this July 29 at 8 PM, where harrowing Middle Eastern oud ensemble Le Trio Joubran play the US premiere of their elegaic suite of settings of poems by Mahmoud Darwish, their late collaborator, at the Lynch Theater at John Jay College,524 W 59th St, as part of this year’s Lincoln Center Festival. $30 seats are still available as of today.

 For several years, up to the end of great Palestinian poet’s life, the three brothers accompanied him onstage while he read his incendiary, poignant explorations ...

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Amir ElSaffar’s Two Rivers Release the Most Rapturously Epic Album of 2017

Source: New York Music Daily

Trumpeter/santoorist Amir ElSaffar’s epic, rapturous new double vinyl album Not Two, with his large ensemble Two Rivers, is a new kind of music. It sounds more composed than improvisational; the reverse is probably true. While the lp – soon to be streaming at New Amsterdam Records – embodies elements of western classical music, free jazz, Iraqi maqams and other styles from both the Middle East and the American jazz tradition, it’s not meant to be cross-cultural. Pan-global is more like it. Haunting, dark and incessantly turbulent, it reflects our time as much as it rivets the listener. The performances ...

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You Bred Raptors? Bring Their Cinematic, Instantly Recognizable, Individualistic Grooves to Drom Tomorrow Night

Source: New York Music Daily

If you pass through the station at Union Square at night, you’ve probably seen one of New York’s most distinctive, high-voltage bands. You Bred Raptors? typically hold fort over the N and R platforms there. Just the sight of Peat Rains, Bryan Wilson and Patrick Bradley wailing on eight-string bass, cello and drums, respectively, is enough to make pretty much anybody stop dead in their tracks. Then there’s the relentless barrage of riffs, and textures, and epic cinematic vistas that transcend any concept of a cello-metal band, let alone what those low-end instruments can typically do. Are these irrepressible ...

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International Contemporary Ensemble Unveil a Rapturously Low-Key Program at the Miller Theatre

Source: New York Music Daily

International Contemporary Ensemble probably cover more ground than any other indie classical group, in terms of territory,  personnel and repertoire. These days they’re more or less a bicoastal unit, with a revolving door of first-class players. Last week at the Miller Theatre, a characteristically eclectic New York subset of the organization rewarded the big crowd who’d come up to 116th and Broadway with a texturally delicious program of duo and trio works spiced with shimmering microtones, overtones and strange tunings. The ostensible theme was animal behavior; if that was meant to acknowledge how much more animals hear than we do, ...

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Manhattan’s Best Venue Stages a Thunderous Benefit for Their Brooklyn Counterpart

Source: New York Music Daily

The Barbes benefit concert at Drom Friday night wasn’t sold out, but the East Village venue was close to capacity. Big Lazy headlined. By then the dancers had been on their feet for the better part of four hours, yet didn’t seem the least bit worn out. So the shadowy, cinematic trio of guitarist Steve Ulrich, bassist Andrew Hall and drummer Yuval Lion played their slinkiest stuff. Ulrich shifted eerily between desolate big-sky tableaux, furtively chromatic crime jazz, a wryly strutting go-go theme or two and red-neon roadhouse scenes while Hall spun his bass, supplying a tight rubber-band low end ...

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A Tasty Guitar-Fueled New Album by Demolition String Band’s Americana Pioneers Elena Skye and Boo Reiners

Source: New York Music Daily

One of New York’s funnest street fairs of the year actually isn’t in New York, it’s in Hoboken. This afternoon at 2:30 PM, Boo Reiners and Elena Skye – the brain trust of pioneering NYC urban C&W group Demolition String Band – are the main attraction at this year’s Hoboken Arts & Music Festival. It’s not the first time they’ve been the stars of this show and it probably won’t be the last. The stage is on the town’s main drag, Washington Street at 8th Street, just a short ten-minute walk from the Hoboken Path train station.

Elena and ...

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Stephane Wrembel Releases a Lavish, Charecteristically Edgy New Romany Jazz Album at Drom Tonight

Source: New York Music Daily

Guitarist Stephane Wrembel made a name for himself as a stormy, erudite interpreter of Django Reinhardt, but his own body of work encompasses far more than that, using Romany jazz as a stepping-off point for his own distinctive ventures into Middle Eastern sounds and psychedelic rock. His lavish, dynamically rich, often poignant new double cd The Django Experiment is streaming at youtube. Disc one is mostly an imaginative mix of Django classics; disc two is mostly originals, in more of a jazz vein than what audiences get at his ongoing, legendary most-every-Sunday night 9 PM-ish residency at Barbes. He’s ...

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A Long-Awaited, Auspiciously Intense, Stripped-Down New Album from Guitarist Chris Jentsch

Source: New York Music Daily

In keeping with the current paradigm, composer/guitarist Chris Jentsch writes a lot more than he records. But damn, when he records, he makes it count. It’s been eight years since Jentsch’s lavish, epic previous large-ensemble album The Cycles Suite. The one before that, The Brooklyn Suite, is his classic. His debut, The Miami Suite was a blast of sunshine with a hard-to-believe-we’re-all-here-but-let’s-do-it vibe. His latest album, Fractured Pop – streaming at youtube – is a departure, a quartet effort also available in a lush DVD package including “alternate takes, slide show music videos, a high-resolution FLAC file of the audio ...

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A Corrosively Hilarious New Spoken-Word Album from Anthony Haden-Guest

Source: New York Music Daily

Back in the early 80s, legendary journalist and gadfly Anthony Haden-Guest ran into Island Records honcho Chris Blackwell at a party in Cannes. Haden-Guest asserted that the hip-hop fad, as he called it, had run its course. That opinion might have been colored by having missed the opportunity to run up to the South Bronx with his buddy Malcolm McLaren to witness the birth of what McLaren called “scratch.”

Whatever the case, Blackwell’s response was, “Anthony, you are absolutely mad.” Thirty-five years later, Haden-Guest has released his debut hip-hop song,.“I always assumed you had to be in a studio up ...

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An Allusively Intense, Psychedelic New Album by Larkin Grimm

Source: New York Music Daily

Multi-instrumentalist/songwriter Larkin Grimm gets pigeonholed as freak-folk, probably because her music is mostly acoustic But that’s a box she doesn’t fit into. She can wail to match Yoko at her most assaultive if she wants, but she’s just as likely to soar gently over an artsy, psychedelic backdrop. Her latest album Chasing an Illusion is streaming at Bandcamp. She’s playing Sunnyvale at 8 PM tomorrow night, June 8; cover is $15. Renata Zeiguer’s trippy, creepy Prozac rock project Cantina opens the night at 7. Grimm is also at Planeta, 295 E 8th St. on June 16, time and cover ...

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Brandon Seabrook Will See You on the Dark Side of the Drum

Source: New York Music Daily

Brandon Seabrook is one of New York’s great musical individualists. He made his name as a shredder – anybody who’s witnessed his neutron-beam attack on guitar or banjo can vouch for how accurately the bandname Seabrook Power Plant reflects his sould. Yet anyone who’s ever seen him play guitar in magically nuanced singer Eva Salina’s electric Balkan group knows how gorgeously lyrical and restrained his playing can be. Seabrook’s latest album, Die Trommel Fatale, is streaming at Bandcamp . As drummer Dave Treut, who’s played with Seabrook for longer than most anyone else, observed over drinks the other night ...

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A Rare Brooklyn Show and a New Record From the Great Aimee Mann

Source: New York Music Daily

You know that voice: cool, reserved, minutely nuanced. You know those melancholy major/minor changes and Beatlesque melodies. You know that withering cynicism, that jaundiced eye, those double entendres you wish you’d written. If you don’t, Aimee Mann’s latest album Mental Illness is as good a place to start as any. Not bad for somebody who’s been making music since the 80s.

She doesn’t play Brooklyn a lot – although she did record a live DVD there. A future daily New York music blog owner brought a date to that one, at St. Ann’s Warehouse in the summer of 2004. ...

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The Shelters Steal the Show in Williamsburg

Source: New York Music Daily

Just when the Shelters really started to get cooking, they had to leave the stage. That’s the trouble with opening acts all too often. The Cali psychedelic pop band had just scampered through their one genuine cover of the night, a high-voltage version of the Yardbirds’ Lost Woman, bassist Jacob Pillot playing that big, rapidfire hook with a pick (rather than fingerpicking like Paul Samwell-Smith did on the original) and not missing a beat. They wound up their tantalizingly brief, stormy jam out with a wry Link Wray quote. And then they were gone. They deserved to headline their twinbill ...

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